Retired professor of political science, New York born Dr. Ivo Vukcevich is the author of Rex Germanorum Populus Sclavorum An Inquiry into the Origin & Early History of the Serbs/Slavs of Sarmatia, Germania, & Illyria, translated as Slavenska Germanija. A recognized authority on Slavic pre-history and contemporary South Slavic national-political issues, in Croatia - Ludwig von Gaj and the Croats are Herrenvolk Goths Syndrome, based mainly on standard Croat sources, Dr. Vukcevich introduces the reader to Ludwig von Gaj, the mid-nineteenth Creator of Croat nationhood as well as national identity issues in modern Croatia, with special attention to Croat-Serb relations. A work in progress examines the 800-year history of the Banat of Croatia in Hungary.

The edited volume aims to re-contextualize revolts in early modern Central and Southern Europe (Hungary, Croatia, Czech Lands, Austria, Germany, Italy) by adopting the interdisciplinary and comparative methods of social and cultural history. Instead of structural explanations like the model of state-building versus popular resistance, it wishes to put back the peasants themselves to the historical narratives of revolts. Peasants appear in the book as active agents fighting or bargaining for freedom, which was a practical issue for them. Nonetheless, the language of lord-peasant negotiation was that of religion, just as official punishments used Christian symbols. The approach of revolts as the events of collective violence also highlights the experiences and memories of participants. How did individuals and groups use remembering and forgetting as a means of forging an identity for themselves? Instead of the narratives of the powerful that became the normative stories of history, the perspective of the rebels uncovers the everyday faces of revolts more forcibly. Finally, contributors examine how later narrators used the rebels for their own purposes, in other words the subsequent representation of the revolts and their leaders in image, literature and historiography comes to the fore. The volume aims to overcome disciplinary boundaries by bringing together historians and scholars of related disciplines including the history of literature, the visual arts and anthropology. The central contention of the volume - the cultural imprint of peasant revolts - is fully addressed, thereby filling a conspicuous gap in the currently available literature.

In the spring of 1945, Fuhrer and Reich Chancellor Adolf Hitler, President Edvard Benes, and Marshal Josip Broz Tito stood as examples of the complete rupture between the Germans and Austrians on the one hand, and the Czechs, Slovaks, Slovenes, Croats, Serbs, and Bosniaks on the other. The total break that occurred in World War II with war crimes, crimes against humanity, and even genocides (particularly against the Jews and "Gypsies") had a long pre-history, beginning with violent nationalist clashes in the Habsburg Monarchy during the revolutions of 1848/49. Therefore, this monograph - based on a broad range of international primary and secondary sources - explores the development of the political, legal, economic, social, and cultural "communities of conflict" within Austria-Hungary, especially in the Bohemian and South Slavic countries, the making of the Paris Peace Treaties in 1919/20 by violating President Wilson's principle of self-determination, particularly in drawing new borders and creating new economic units, and the perpetuated ethnic-national conflicts between Czechs and Germans, Slovaks and Magyars, Slovenes and Germans, Croats and Serbs as well as Serbs and Germans in the successor states, deepening the differences between the nations of East-Central Europe. Although many kings, presidents, chancellors, ministers, governors, diplomats, business tycoons, generals, Nazi-Gauleiter, higher SS and police leaders, and Communist functionaries have appeared as historical actors in the 170 years of East-Central and Southeastern European history, Hitler, Benes, and Tito remain especially present in historical memory at the beginning of the twenty-first century.

This book traces the intellectual origins of race theory in the pro-Nazi Ustasha Independent State of Croatia, 1941-1945. This race theory was not, as historians of the Ustasha state have hitherto argued, a product of a practical accommodation to the dominant Nazi racial ideology. Contrary to the general historiographical view, which has either downplayed or ignored the important place of race, not only in Ustasha ideology and politics, but more generally in modern Croatian and Yugoslav nationalism, this work stresses the significant role that theories of ethnolinguistic origin and racial anthropology played in defining Croat nationhood from the mid-nineteenth to the mid-twentieth century. Upon the basis of older ideological and cultural traditions, the Ustasha state constructed an ideal Aryan racial type.

67 texts, including hymns, manifestos, articles or extracts from lengthy studies exemplify the relation between Romanticism and the national movements in the cultural space ranging from Poland to the Ottoman Empire. Each text is accompanied by a presentation of the author, and by an analysis of the context in which the respective work was born.The end of the 18th century and first decades of the 19th were in many respects a watershed period in European history. The ideas of the Enlightenment and the dramatic convulsions of the French Revolution had shattered the old bonds and cast doubt upon the established moral and social norms of the old corporate society. In culture a new trend, Romanticism, was successfully asserting itself against Classicism and provided a new key for a growing number of activists to 're-imagine' their national community, reaching beyond the traditional frameworks of identification (such as the 'political nation', regional patriotism, or Christian universalism). The collection focuses on the interplay of Romantic cultural discourses and the shaping of national ideology throughout the 19th century, tracing the patterns of cultural transfer with Western Europe as well as the mimetic competition of national ideologies within the region.

Mitja Velikonja has written a comprehensive survey that examines how religion has interacted with other aspects of Bosnia-Herzegovina's history. Velikonja sees the former Ottoman borderland as a distinct cultural and religious entity where three major faiths -- Islam, Catholicism, and Orthodoxy -- managed to coexist in relative peace. It is only during the past century that competing nationalisms have led to persecution, ethnic cleansing, and mass murder. Emphasizing the importance of religion to nationalism as a symbol of collective identity that strengthens national identity, Velikonja notes that religious groups have a tendency to become isolated from one another. He believes Bosnia-Herzegovina was unique in its sarlikost, or diversity, because while religion defined ethnic communities there and kept them separate, it did not create a culture of intolerance. Rather than suppressing one another, the region's ethno-religious groups learned to cooperate and mediate their differences -- useful behavior in an area that served as buffer between East and West for most of its history. Velikonja believes that Bosnians went beyond tolerance to embrace synthetic, eclectic religious norms, with each religious group often borrowing customs and rituals from its rivals. Rather than the extreme orthodoxy evident elsewhere in Europe, Bosnia became the home of heterodoxy. Sadly, nationalism changed all that, and the area became the scene of systematic persecution, forced conversion, and mass slaughter. Velikonja considers the misfortunes suffered by the Bosnians during the 1990s as largely the result of actions by their neighbors and local militants and inaction by the international community.But he also sees the tragedy that unfolded as the result of the exploitation of ethno-religious differences and myths by Serbian chauvinists and Croatian nationalists. Despite the tragedy that overwhelmed Bosnia-Herzegovina