Includes: "Poetic elements in Sanskrit literature " explains the extensive use of verse in Indian texts. "Introduction to Metrics " gives a clear overview of Sanskrit prosody. "A Treasury of Common Meters" includes fully-worked examples of verses drawn from many sources. "Figures of Speech" explains similies, metaphors, and other poetic uses of language. "Figures of Sound" explains techniques that affect sound, such as rhyme and alliteration. A metrical analysis of the Hathapradipika, the best-known work on Hatha Yoga, is included. An Introduction to the Hathapradipika by Anthony Biduck summarizes key spiritual and philosophical ideas of Hatha Yoga.

This book introduces readers to the unique features of frogs. Basic information is covered, such as life cycle, habitat, range, diet, predators, and threats. Table of contents, diagrams, interesting facts, glossary, and index are included. Aligned to Common Core Standards and correlated to state standards. Big Buddy Books is an imprint of Abdo Publishing, a division of ABDO.

Classifies each kind of amphibian, shows them in their natural habitats, and presents amazing facts about the longest-lived salamander to the most poisonous frog.

"Whether you spell it as Okefinokee like Wright (1931) or Okefenokee like The New Georgia Guide (1996), the big swamp nestled in the southeastern corner of Georgia and northern edge of Florida with its distinctive flora, fauna, and natural history is the largest swamp in North America."--from the Foreword The Okefenokee Swamp, named a National Wildlife Refuge by President Franklin Delano Roosevelt in 1937, is the country's largest intact wetland. Its continued protection is essential to native amphibian populations. Albert Hazen Wright's survey of the life histories of the frogs found in the Okefenokee at the beginning of the twentieth century is a classic of natural history, long out of print. Wright's "Acknowledgments to Residents" provide a fascinating portrait of the human context of his research. Wright goes on to outline the status of explorations of the region and offers an extensive general discussion of the Okefenokee and its frogs, including habitats, range, coloration, measurements, vocalization, mating, structural differences, ovulation, life periods, tadpoles, growth rates, food, and predators. The book's species accounts give clear and extensive details about the species found in Georgia, still applicable today to frogs throughout the East Coast of the United States. A new foreword by J. Whitfield Gibbons highlights appreciation for Wright's work in the context of amphibian studies today and puts into perspective the value of the Okefenokee Swamp as a nature preserve and as a refuge for native amphibian fauna now in serious decline. It updates common and scientific names and notes the current status of all taxa. Gibbons provides a history of the Cornell Expeditions and mentions the importance and later influence of some of the students who took part.

A comedy about tragedy and a play about playmaking, Aristophanes' Frogs (405 BCE) is perhaps the most popular of ancient comedies. This new introduction guides students through the play, its themes and contemporary contexts, and its reception history. Frogs offers sustained engagement with the Athenian literary scene, with the politics of Athens at the end of the Peloponnesian War, and with the religious understanding of the fifth-century city. It presents the earliest direct criticism of theatre and a detailed description of the Underworld, and also dramatizes the place of Mystery cults in the religious life of Athens and shows the political concerns that galvanized the citizens. It is also genuinely funny, showcasing a range of comic techniques, including literary and musical parody, political invective, grotesque distortion, wordplay, prop comedy, and funny costumes. Frogs has inspired literary works by Henry Fielding, George Bernard Shaw, and Tom Stoppard. This book explores all of these features in a series of short chapters designed to be accessible to a new reader of ancient comedy. It proceeds linearly through the play, addressing a range of issues, but paying particular attention to stagecraft and performance. It also offers a bold new interpretation of the play, suggesting that the action of Frogs was not the first time Euripides and Aeschylus had competed against each other.