Volume Two of Sartre's intellectual masterpiece, introduced by Fredric Jameson.

Sartre's intellectual masterpiece with an introduction by Fredric Jameson At the height of the Algerian war, Jean-Paul Sartre embarked on a fundamental reappraisal of his philosophical and political thought. The result was the Critique of Dialectical Reason, an intellectual masterpiece of the twentieth century, now republished with a major original introduction by Fredric Jameson. Sartre set out the basic categories for the renovated theory of history that he believed was necessary for post-war Marxism. Sartre's formal aim was to establish the dialectical intelligibility of history itself, as what he called 'a totalisation without a totaliser'. But, at the same time, his substantive concern was the structure of class struggle and the fate of mass movements of popular revolt, from the French Revolution at the end of the eighteenth century to the Russian and Chinese revolutions in the twentieth: their ascent, stabilisation, petrification and decline, in a world still overwhelmingly dominated by scarcity.

From one of the 20th century’s most profound philosophers and writers, comes a thought provoking essay that seeks to reconcile Marxism with existentialism. Exploring the complicated relationship the two philosophical schools of thought have with one another, Sartre supposes that the two are in fact compatible and complimentary towards one another, with poignant analysis and reasoning. An important work of modern philosophy, Search for a Method has a major influence on the current perceptions of existentialism and Marxism. “This is the most important philosophical work by Sartre to be translated since Being and Nothingness.”—James Collings, America

Most readers of Sartre focus only on the works written at the peak of his influence as a public intellectual in the 1940s, notably "Being and Nothingness". "Jean-Paul Sartre: Key Concepts" aims to reassess Sartre and to introduce readers to the full breadth of his philosophy. Bringing together leading international scholars, the book examines concepts from across Sartre's career, from his initial views on the "inner life" of conscious experience, to his later conceptions of hope as the binding agent for a common humanity. The book will be invaluable to readers looking for a comprehensive assessment of Sartre's thinking - from his early influences to the development of his key concepts, to his legacy.

There are perpetual debates about the extent of freedom in politics. Are we free to choose? Are we overdetermined by our material conditions? Some hybrid between the two? What is more, how are we to comprehend ourselves as creators of history if freedom itself is a problematic concept? And what would it mean if self-comprehension were foreclosed by this problematic? In this text, Austin Hayden Smidt analyzes an oft-overlooked text by Jean-Paul Sartre in order to ground a logical framework for exploring this paradox. In Critique of Dialectical Reason, Sartre sought to develop an historical and structural heuristic; one that would enable future theorists and activists alike to assess the pressing problems facing the various milieux of capitalist life. Through this heuristic, his intent was to develop an orientation enabling humans to transform their world in their perpetual creation of themselves (and vice versa). However, the stylistic difficulties of the text, as well as a general agreement among previous interpreters, has prevented the richness of the investigation from taking root. This book sets a new course, and invites further collaboration as – together – we create society as a work of art.

In 1958, the US director John Huston asked Jean-Paul Sartre to write a scenario for a film about Sigmund Freud. Huston wanted Sartre to concentrate on the conflict-ridden period of Freud’s life when he abandoned hypnosis and invented psychoanalysis. The Freud Scenario, discovered in Sartre’s papers after his death, is the result—a deft portrait of a man engaged in a personal and intellectual struggle that would prove a turning point in twentieth-century thought. Sartre did not regard this script as a diversion from his larger intellectual project. Freud’s preoccupations with female hysteria and the father relationship touched on major themes in his own work, and Loser Wins, The Family Idiot and Words, some of Sartre’s most celebrated publications, are all in some way derived from his work for Huston. Written for a Hollywood audience, The Freud Scenario demonstrates that, in addition to a towering intellect, Sartre enjoyed a genuine popular touch. Already widely acclaimed in France, The Freud Scenario stands as a valuable testament to two of the most influential minds in modern history.