This book, with contributions from some of the best-known and most visible specialists in the field, re-examines the significant transfers, cross-fertilisations and synergies of cultural and literary theory between Russia and the West, from the 1920s through to the present day.

Since Russia has re-emerged as a global power, its foreign policies have come under close scrutiny. In Russia and the West from Alexander to Putin, Andrei P. Tsygankov identifies honor as the key concept by which Russia's international relations are determined. He argues that Russia's interests in acquiring power, security and welfare are filtered through this cultural belief and that different conceptions of honor provide an organizing framework that produces policies of cooperation, defensiveness and assertiveness in relation to the West. Using ten case studies spanning a period from the early nineteenth century to the present day - including the Holy Alliance, the Triple Entente and the Russia-Georgia war - Tsygankov's theory suggests that when it perceives its sense of honor to be recognized, Russia cooperates with the Western nations; without such a recognition it pursues independent policies either defensively or assertively.

First published in 1954, East-West Passage is a detailed study of the literary relationship between Russia and the West. Divided into two parts, the book focuses both on specific literary connections, as well as on broader social and political considerations. It traces the gradual increase in awareness of Russian literature in England and the United States through the nineteenth and twentieth centuries, and considers the material that emerged in response, such as doctoral dissertations and critical essays. The volume highlights changes in literary tastes over the years, and explores in detail Russia’s influence on the West. East-West Passage is ideal for those with an interest in the history of literature, as well as social and cultural history.

What explains the rise of populist movements across the West and their affinity towards Russia? UKIP’s Brexit victory, Trump’s triumph, and the successive elections and referendums in Europe were united by a repudiation of the liberal international order. These new political forces envision the struggle to reproduce and advance Western civilisation to be fought along a patriotism–cosmopolitanism or nationalism–globalism battlefield, in which Russia becomes a partner rather than an adversary. Armed with neomodernism and geoeconomics, Russia has inadvertently taken on a central role in the decay of Western civilisation. This book explores the cooperation and competition between Western and Russian civilisation and the rise of anti-establishment political forces both contesting the international liberal order and expressing the desire for closer relations with Russia. Diesen proposes that Western civilisation has reached a critical juncture as modern society (gesellschaft) has overwhelmed and exhausted the traditional community (gemeinschaft) and shows the causes for the decay of Western civilisation and the subsequent impact on cooperation and conflict with Russia. The author also considers whether Russia’s international conservativism is authentic and can negate the West’s decadence, or if it is merely a shrewd strategy by a rival civilisation also in decay. This volume will be of interest to scholars of international relations, political science, security studies, international political economy, and Russian studies.

Russia’s Capitalist Realism examines how the literary tradition that produced the great works of Leo Tolstoy, Fyodor Dostoevsky, and Anton Chekhov responded to the dangers and possibilities posed by Russia’s industrial revolution. During Russia’s first tumultuous transition to capitalism, social problems became issues of literary form for writers trying to make sense of economic change. The new environments created by industry, such as giant factories and mills, demanded some kind of response from writers but defied all existing forms of language. This book recovers the rich and lively public discourse of this volatile historical period, which Tolstoy, Dostoevsky, and Chekhov transformed into some of the world’s greatest works of literature. Russia’s Capitalist Realism will appeal to readers interested in nineteenth‐century Russian literature and history, the relationship between capitalism and literary form, and theories of the novel.

In this original and timely assessment of cultural expressions of paranoia in contemporary Russia, Eliot Borenstein samples popular fiction, movies, television shows, public political pronouncements, internet discussions, blogs, and religious tracts to build a sense of the deep historical and cultural roots of konspirologiia that run through Russian life. Plots against Russia reveals through dramatic and exciting storytelling that conspiracy and melodrama are entirely equal-opportunity in modern Russia, manifesting themselves among both pro-Putin elites and his political opposition. As Borenstein shows, this paranoid fantasy until recently characterized only the marginal and the irrelevant. Now, through its embodiment in pop culture, the expressions of a conspiratorial worldview are seen everywhere. Plots against Russia is an important contribution to the fields of Russian literary and cultural studies from one of its preeminent voices.