As Critical Muslim celebrates ten years of insight and thought, the theme of biography fittingly challenges its readers: to reflect on our past, our memories and our stories, and to look ahead towards what we may leave behind for the stories yet to be told. Stories have always been an essential aspect of human societyâe" from the cave paintings in Sulawesi, dating back over 43,000 years, and oral tales conveyed from bard to audience, to the written word, and now the projected image, on screens large and small. As memory and history become increasingly important for a deeper understanding of the present and our emerging futures, this issue explores how biography allows for something more personalâe"for the myths and fables of childhood to come to lifeâe"and offers snapshots of history to be opened up. We explore a rich historical tradition of biography in Islamic societies, and explore the ways biographies have influenced Muslim thought and culture. Through biography, we can learn much about ourselves, by stepping out of our own worlds and taking on the lives of others.

We pay a great deal of attention to pursuit of knowledge, but overlook its constant companion: ignorance. Where our world is inundated with information, from 24-hour news and social media and the internet of things, what we do not know can be just as important as what we do. Agnotology--the study of ignorance--is a rising field of inquiry, and set to become increasingly important as reforms to education and knowledge creation rattle the foundations of traditional disciplines. Ignorance has rapidly proliferated in the early twenty-first century. Since US Defense Secretary Donald Rumsfeld penned his famous memo on known knowns, unknown knowns, known unknowns, and unknown unknowns, it has become a key, yet unseen, factor in global decision-making--in politics, business, and various complex networks exemplified by Covid-19. In this issue, ignorance is given its long overdue analysis, and its role in our chaotic times examined. About 'Critical Muslim': A quarterly publication of ideas and issues showcasing groundbreaking thinking on Islam and what it means to be a Muslim in a rapidly changing, interconnected world. Each edition centres on a discrete theme, and contributions include reportage, academic analysis, cultural commentary, photography, poetry, and book reviews.

"Islam is one of the most significant forces shaping the world today, but most Christians are confused about its key beliefs and practices. Many wonder about the apparent similarities and obvious differences between Christianity and Islam, and want to reach out to Muslim friends or neighbors with the gospel but don't know where to begin. Having spent several years living in North Africa and the Middle East, missions professor Matthew Bennett guides readers through Islam's key tenants and provides answers to critical questions."--Back cover

AbdelWahab El-Affendi on Islamophobia and Orientalism in the age of liberal paranoia, Arun Kundnani on English Defense League and the rise of the far right in Europe, Vinay Lal on Hindus who love Hitler, Gordon Steffey on Christian fundamentalism, Fanar Haddad on the sectarian schisms in the Arab world, Gary McFarlane on Tottenham Riots, Farouk Peru on self loathing Muslims, Claire Chambers on 'Four Lions', Peter Clark on Bernard Lewis and Peter Moray on Irshad Manji. Plus a short story by Suhel Ahmed, six poems by Stéphane Chaumet, Anita Sethi's dangerous bus ride through Iran, Ten Top Techs for Muslim and Ziauddin Sardar on his pet hate: the beards of Islam.

Hannah Arendt spoke of the banality of evil--the normalisation of the unutterable, simply because that was how things were in any given place and time. Is evil really so disappointing? We expect evil to be dramatic, unfathomable and remarkable; the workings of a twisted genius, a fallen angel, Iblis. But what if the mediocre perpetuate it, the followers, the weak, the masses? What defines evil? What is the devil's greatest trick in our contemporary world? Some even claim evil no longer exists--if it ever did. The greying morality of postmodernism begs the question of whether one can even be good.

Ziauddin Sardar sides with the philosophers of al-Andalus in their struggle with orthodox theologians, Robin Yassin-Kassab goes on a poetic journey, Nazry Bahrawi reveals how the Andalusi philosophers tamed the secular, Gema Martin Munoz is dismayed by the works of the Spanish Orientalists, Emilio Gonzalez-Ferrin argues that al-Andalus is not just a time past also a time present, Matthew Carr explores the plight of Muslims who were forced to convert to Christianity, David Shasha describes the achievements of Sephardic Jews, Cherif Abderrahman Jah tunes into the musical legacy of al-Andalus, Brad Bullock seeks to empower women, Marvine Howe meets the new Muslims of Iberia, Jordi Sarra del Pino wows to resist Spain s new Reconquista, Alev Adil and Aamer Hussein receive nine postcards from Andalusia, Boyd Tonkin is captivated by a book festival in Granada, Zara Amjad and Gulzar Haider reimagine the Cordoba Mosque as a sacred space for all religions, and Merryl Wyn Davies gets the shivers while listening to the Spanish tenor Jose Carreras belting out Granada . Also in this issue: Vinay Lal explores Gandhi s attitude to Palestine, Barnaby Rogerson reprimands the Muslim aversion to dogs, four poems by the enchanting Rowyda Amin, a short story by John Liechty, and a dozen luminaries of al-Andalus we should all admire. About Critical Muslim: A quarterly publication of ideas and issues showcasing groundbreaking thinking on Islam and what it means to be a Muslim in a rapidly changing, interconnected world. Each edition centers on a discrete theme, and contributions include reportage, academic analysis, cultural commentary, photography, poetry, and book reviews.

Ziauddin Sardar questions the question mark that is always placed in front of Pakistan, Robin Yassin-Kassab asks why Pakistan has not imploded, Taimur Khan breaks bread with the gangsters and bookies of Karachi, Muhammad Idrees Ahmad revisits Peshawar, Mahvish Ahmad tracks down the separatist in Quetta, Ehsan Masood watches Pakistani television, Merryl Wyn Davies deconstructs 'imaginariums' of Pakistan, Aamer Hussein discusses Pakistani modern classic fiction, Bina Shah asks if there is boom in Pakistani literature, Bilal Tanweer listens to 'Coke Studio', Muneeza Shamsie discovers the literary secrets of her family, Taymiya R. Zaman overcomes her fear of talking about Pakistan, Ali Maraj assesses Imran Khan, Shazia Mirza tells rude jokes in Lahore, and a fake novel by Ibn-e-Safi is spotted in Bahwalnagar. Plus a new translation of an old short story by A R Khatoon, a new story by Yasir Shah, poems by Ghalib, John Siddique and Zehra Nigah, Atia Jilani's Quranic art, photographs by Ayesha Malik, and 'Ten Things We Love About Pakistan'. About Critical Muslim: A quarterly publication of ideas and issues showcasing groundbreaking thinking on Islam and what it means to be a Muslim in a rapidly changing, interconnected world. Each edition centers on a discrete theme, and contributions include reportage, academic analysis, cultural commentary, photography, poetry, and book reviews.