Excerpt from Critical Essays of the Eighteenth Century, 1700-1725 Much current misunderstanding of the theories about literature held by eighteenth century Englishmen is due to the fact that a large part of the criticism published in their time has been difficult Of access. It is the purpose of this volume to lessen the difficulty by putting into the hands of the student a group of representative critical essays. Most Of these have not been reprinted since the eighteenth century, and one of them has become really rare. To the less familiar work has been added a selec tion from the criticism of Steele, Addison, and Pope in order that the survey might be more nearly complete. Essays displaying general theories and tendencies have been chosen rather than those discussing only individual books or plays. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

A selection of representative writings in literary criticism and aesthetics by 40 critics.

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The Cambridge Companion to Eighteenth-Century Poetry analyzes major premises, preoccupations, and practices of English poets writing from 1700 to the 1790s. These specially-commissioned essays avoid familiar categories and single-author approaches to look at the century afresh. Chapters consider such large poetic themes as nature, the city, political passions, the relation of death to desire and dreams, appeals to an imagined future, and the meanings of 'sensibility'. Other chapters explore historical developments such as the connection between poetic couplets and conversation, the conditions of publication, changing theories of poetry and imagination, growing numbers of women poets and readers, the rise of a self-consciously national tradition, and the place of lyric poetry in thought and practice. The essays are well supported by supplementary material including a chronology of the period and detailed guides to further reading. Altogether the volume provides an invaluable resource for scholars and students.