Bachelor Thesis from the year 2016 in the subject Literature - Africa, grade: B, , course: B.A (Hons) English, language: English, abstract: This project is a Critical Discourse Analysis of Wole Soyinka’s "The Beatification of the Area Boy". Norman Fairclough’s theory has been used in the analysis of the text so as to reveal the hidden meaning behind every social interaction and how they affect power relation in the society. It is aimed at revealing the deep meaning of interactions as they affect our daily lives. The methodology for the research is through selection and consequent analysis of utterances and other social behavior in the text. This will reveal the socio-cultural and the political atmosphere in the text. The textual, political and socio-cultural analysis have revealed the imbalances in the use of language among different strata of the society. Also, how the use of language reflects power dominance, injustice and inequality.

Bachelor Thesis from the year 2016 in the subject Literature - Africa, grade: B, course: B.A (Hons) English, language: English, abstract: This project is a Critical Discourse Analysis of Wole Soyinka's "The Beatification of the Area Boy." Norman Fairclough's theory has been used in the analysis of the text so as to reveal the hidden meaning behind every social interaction and how they affect power relation in the society. It is aimed at revealing the deep meaning of interactions as they affect our daily lives. The methodology for the research will be through selection and consequent analysis of utterances and other social behavior in the text. This will reveal the socio-cultural and the political atmosphere in the text. The textual, political and socio-cultural analysis have revealed the imbalances in the use of language among different strata of the society. Also, how the use of language reflects power dominance, injustice and inequality.

Set in Nigeria, amid the scenes of everyday racketeering and general disquiet, the police try to clear the area of undesirables, as a traditional wedding between two illustrious and ambitious families is about to take place. This play is by Nobel Prize-winner Wole Soyinka.

Kenyan-born novelist and playwright Ngugi wa Thiong’o and his collaborator, Micere Githae Mugo, have built a powerful and challenging play out of the circumstances surrounding the 1956 trial of Dedan Kimathi, the celebrated Kenyan hero who led the Mau Mau rebellion against the British colonial regime in Kenya and was eventually hanged. A highly controversial character, Kimathi’s life has been subject to intense propaganda by both the British government, who saw him as a vicious terrorist, and Kenyan nationalists, who viewed him as a man of great courage and commitment. Writing in the 1970s, the playwrights’ response to colonialist writings about the Mau Mau movement in The Trial of Dedan Kimathi is to sing the praises of the deeds of this hero of the resistance who refused to surrender to British imperialism. It is not a reproduction of the farcical “trial” at Nyeri. Rather, according to the preface, it is “an imaginative recreation and interpretation of the collective will of the Kenyan peasants and workers in their refusal to break under sixty years of colonial torture and ruthless oppression by the British ruling classes and their continued determination to resist exploitation,oppression and new forms of enslavement.”

Onookome OkomeThis collection of essays examines Soyinka's post-Nobel works against the backdrop of his earlier works, especially the so-called "conservative and impossible plays of early Soyinka." The contributors are concerned with the political tenor and temperament of the post-Nobel years and the strong presence of the symbolism of Ogun, the creative energy of Soyinka's Yoruba cosmology, during those years. These essays celebrate the achievements of Soyinka by acknowledging his Ogunian characters, which are often the vehicles and victims of a wayward political world. The post-Nobel era also reveals a positive and consistent step toward the dictum, "justice is the first condition of humanity." Soyinka's plays, From Zia with Love to Beatification of Area Boys, illustrate this intense quest for social and political justice in his home country, Nigeria. In his later works, there is a grand narrative about the Nigerian State, which the contributors privilege as they point out Soyinka's ever-conscious attempt to reframe the dark hole of a very troubled collective world.This volume of essays is distinct from all others because it is the first to make concrete the debate that exists between the pre-Nobel and post-Nobel works of Soyinka and the exchange of both streams of literary output within different periods of Nigerian society.