Robert M. Franklin provides first-person advice and insight as he identifies the crises resident within three anchor institutions that have played key roles in the black struggle for freedom. Black families face a "crisis of commitment" evident in the rising rates of father absence, births to unmarried parents, divorce, and domestic abuse or relationship violence. Black churches face a "mission crisis" as they struggle to serve their upwardly mobile and/or established middle class "paying customers" alongside the poorest of the poor. Historically black colleges and universities face a crisis of "relevance and purpose" as they now compete for the best students and faculty with the broad marketplace of colleges. With clarity and passion, Franklin calls for practical and comprehensive action for change from within the African American community and from all Americans.

In The Broken Village, Daniel R. Reichman tells the story of a remote village in Honduras that transformed almost overnight from a sleepy coffee-growing community to a hotbed of undocumented migration to and from the United States. The small village--called here by the pseudonym La Quebrada--was once home to a thriving coffee economy. Recently, it has become dependent on migrants working in distant places like Long Island and South Dakota, who live in ways that most Honduran townspeople struggle to comprehend or explain. Reichman explores how the new "migration economy" has upended cultural ideas of success and failure, family dynamics, and local politics.During his time in La Quebrada, Reichman focused on three different strategies for social reform--a fledgling coffee cooperative that sought to raise farmer incomes and establish principles of fairness and justice through consumer activism; religious campaigns for personal morality that were intended to counter the corrosive effects of migration; and local discourses about migrant "greed" that labeled migrants as the cause of social crisis, rather than its victims. All three phenomena had one common trait: They were settings in which people presented moral visions of social welfare in response to a perceived moment of crisis. The Broken Village integrates sacred and secular ideas of morality, legal and cultural notions of justice, to explore how different groups define social progress.

One hundred kilometers from Seville, there is a small village, Marinaleda, that for the last thirty years has been at the center of a long struggle to create a communist utopia. In a story reminiscent of the Asterix books, Dan Hancox explores the reality behind the community where no one has a mortgage, sport is played in the Che Guevara stadium and there are monthly "Red Sundays" where everyone works together to clean up the neighbourhood. In particular he tells the story of the village mayor, Sanchez Gordillo, who in 2012 became a household name in Spain after leading raids on local supermarkets to feed the Andalucian unemployed.

Over the last half century, China has evolved from a poor rural country to a geopolitical powerhouse. Rapid urbanization has been at the heart of that transformation, and as migrant laborers have left their villages, what has become of the rural communities that were once the center of economic, social, and cultural life? And how do contemporary Chinese scholars understand those changes? These are the questions that this compelling book answers. Lengshuigou village, located near the Shandong provincial capital of Jinan, was first studied by Japanese social scientists in the early 1940s and then again in the 1980s and 1990s. Building on these rich surveys, this book traces changes from the early twentieth century to the present day in family and lineage, social stratification, personal networks, annual and life cycle rituals, village politics, and elite formation. Drawing on their own large-scale survey of contemporary village households, the authors analyze the physical and institutional changes that have altered the community, as well as the shifts in interpersonal relations and attitudes that have upended centuries-old systems of patriarchy and generational order. This important book presents, for the first time in English, analysis by Chinese sociologists on the radical transformation of Chinese rural society.

Award-winning historian Mary Beth Norton reexamines the Salem witch trials in this startlingly original, meticulously researched, and utterly riveting study. In 1692 the people of Massachusetts were living in fear, and not solely of satanic afflictions. Horrifyingly violent Indian attacks had all but emptied the northern frontier of settlers, and many traumatized refugees—including the main accusers of witches—had fled to communities like Salem. Meanwhile the colony’s leaders, defensive about their own failure to protect the frontier, pondered how God’s people could be suffering at the hands of savages. Struck by the similarities between what the refugees had witnessed and what the witchcraft “victims” described, many were quick to see a vast conspiracy of the Devil (in league with the French and the Indians) threatening New England on all sides. By providing this essential context to the famous events, and by casting her net well beyond the borders of Salem itself, Norton sheds new light on one of the most perplexing and fascinating periods in our history.

This collection represents the cream of the more than five hundred articles written for the Village Voice by Kyle Gann, a leading authority on experimental American music of the late twentieth century. Charged with exploring every facet of cutting-edge music coming out of New York City in the 1980s and '90s, Gann writes about a wide array of timely issues that few critics have addressed, including computer music, multiculturalism and its thorny relation to music, music for the AIDS crisis, the brand-new art of electronic sampling and its legal implications, symphonies for electric guitars, operas based on talk shows, the death of twelve-tone music, and the various streams of music that flowed forth from minimalism. In these articles—including interviews with Yoko Ono, Philip Glass, Glenn Branca, and other leading musical figures—Gann paints a portrait of a bristling era in music history and defines the scruffy, vernacular field of Downtown music from which so much of the most fertile recent American music has come.