Raised among Mexican American farmworkers, singer-songwriter Cris Plata spoke Spanish, ate Mexican food, and heard Mexican music played by family and friends. He also spoke English, went to school with mostly white children for at least half the year, and grew more familiar with mainstream American culture. Until he was seven, he and his family lived and worked on a ranch near Poteet, Texas. The family became migrant farmworkers, moving from Indiana to Arkansas and Florida before finally settling in Wisconsin in 1966 to work at an Astico farm. This dual language book shares the Plata’s family story of migrant farming, music, and family amid the constant change and uncertainty of migrant life. While hardships—from poor working conditions and low wages to racial prejudice—were constant in Cris Plata’s upbringing, so too was the music that bonded and uplifted his family. After long days in the fields, Cris’s family spent their small amount of free time playing and singing songs from Mexico and South Texas. Cris learned to play the guitar, accordion, and mandolin, beginning to strum when he was just five years old. Today, he writes his own music, performs songs in English and Spanish, and records albums with his band, Cris Plata with Extra Hot. Following Cris Plata’s journey from farm fields to musical stages, the story explores how a migrant, and the son of an immigrant, decided to make Wisconsin his home.

"Affrilachia," a term first coined in 1991 by Kentucky poet Frank X Walker, refers to the cultural contributions of African Americans who live in Appalachia, a largely mountainous region stretching over thirteen states from Mississippi to New York. Although Black Americans have greatly influenced the popular culture landscape in this region, their stories, trials, and triumphs are often undocumented because Appalachia is perceived as wholly white. In this stunning visual history, photographer and curator Chris Aluka Berry gives voice to the broad spectrum of African Americans who have lived in the Appalachian region over the centuries. Berry, who spent six years in western North Carolina, northeast Georgia, and eastern Tennessee, immersed himself in the communities and lives of Black Appalachians to present the diversity and commonalities of the proud people in the region. His intimate and revealing photographs capture African Americans in various settings—churches, homes, revival services, family gatherings, and homegoing celebrations. Completing this comprehensive collection are powerful narratives from the people who inhabit these places, and contributions from Appalachian writers Kelly Elaine Navies and Maia A. Surdam, whose poignant and powerful poems and essays offer historical perspective and broaden the book's archival importance. The first book of its kind, Affrilachia: Testimonies is an inspired historical artifact that honors, represents, and celebrates the proud people of color whose history and existence has greatly contributed to the broad tapestry of Appalachia.

With the seasons of the year as a backdrop, author Diane Holliday describes what life was like for a Ho-Chunk girl who lived in the late nineteenth and early twentieth century. Central to the story is the movement of Mountain Wolf Woman and her family in and around Wisconsin. Like many Ho-Chunk people in the mid-1800s, Mountain Wolf Woman's family was displaced to Nebraska by the U.S. government. They later returned to Wisconsin but continued to relocate throughout the state as the seasons changed to gather and hunt food. Based on her own autobiography as told to anthropologist Nancy Lurie, Mountain Wolf Woman's words are used throughout the book to capture her feelings and memories during childhood. Author Holliday draws young readers into this Badger Biographies series book by asking them to think about how the lives of their ancestors and how their lives today compare to the way Mountain Wolf Woman lived over a hundred years ago.

Experience the adventures and tough life of a lumberjack in this newest addition to the Badger Biographies Series. Author John Zimm leads young readers on a journey through the lumbering heyday of Wisconsin’s North Woods as witnessed by lumberman John Nelligan, whose writings were the basis for John Nelligan: Wisconsin Lumberjack. Born in 1852, Nelligan rose through the lumberjack ranks, starting out as a humble laborer and working his way up to foreman. He worked and lived in Maine, Pennsylvania, and even Canada before coming to Wisconsin in 1871. Learn what surviving and sawing wood for a living was like many years ago—from the story of one Wisconsin man who lived it!

In 1830, a young woman named Juliette Magill Kinzie moved from her fancy home in Connecticut to a rustic log cabin in what would later be called Wisconsin. Juliette lived there with her husband, John, who worked as an Indian agent at Fort Winnebago, one of Wisconsin’s earliest settlements. While living at the fort, Juliette came to know the Indian communities that called the land home, as well as the non-Indian settlers who were moving in. She later wrote a best-selling book about her experiences, Wau-Bun: The ‘Early Day’ in the Northwest, an important first-person account of life on the frontier. This new biography in the Badger Biographies Series turns the lens on the writer herself, detailing her life as she detailed the lives of those she encountered in the 1830s and 1840s. Juliette Kinzie: Frontier Storyteller details war, hunger, and the rapidly changing times Juliette witnessed on the Midwestern frontier, following the pioneering woman through her own changes from socialite to pioneer to famous writer and even to the work of her granddaughter, Juliette Gordon Low, who founded the Girl Scouts of the USA in 1912.

Electa Quinney loved to learn. Growing up in the early 1800s in New York, she went to some of the best boarding schools. There she learned how to read, write, and solve tough math problems—she even learned how to do needlework. Electa decided early on that she wanted to become a teacher so she could pass her knowledge on to others. But life wasn’t simple. Electa was a Stockbridge Indian, and her tribe was being pressured by the government and white settlers to move out of the state. So in 1828, Electa and others in her tribe moved to Wisconsin. Almost as soon as she arrived, Electa got to work again, teaching in a log building that also served as the local church. In that small school in the woods, Electa became Wisconsin’s very first public school teacher, educating the children of Stockbridge-Munsee Band of the Mohican Indians as well as the sons and daughters of nearby white settlers and missionaries. Electa’s life provides a detailed window onto pioneer Wisconsin and discusses the challenges and issues faced by American Indians in the nineteenth century. Through it all, Electa’s love of learning stands out, and her legacy as Wisconsin’s first public school teacher makes her an inspiration to students of today.

This Badger Bio shares the story of author Sterling North – his adventures and misadventures as a young boy growing up in Edgerton, Wisconsin. Young readers will learn how North’s early experience in Wisconsin influenced him in writing some of his best loved children’s books – such as Rascal and So Dear To My Heart. The story gives readers a glimpse of early 20th century customs and lifestyles in the rural Midwest. It also includes global issues of the time, including World War I and the Spanish flu pandemic, which greatly affected Sterling’s boyhood. As examples, his admired older brother Hershel served overseas in WWI as Sterling was growing up, bringing world events to the North family’s doorstep. His mother Gladys died when Sterling was only 7 years old because of the lack of medical advances in the early 1900s. And, as a young man, Sterling was hit by polio, a common epidemic scourge that left many children with paralysis. Readers will learn of Sterling North’s successes, not only as a beloved author of children’s books, but as a columnist for the Chicago Daily News, an editor of North Star children’s history books, and a well-respected critic of other children’s literature.