In Feminist, Queer, Crip Alison Kafer imagines a different future for disability and disabled bodies. Challenging the ways in which ideas about the future and time have been deployed in the service of compulsory able-bodiedness and able-mindedness, Kafer rejects the idea of disability as a pre-determined limit. She juxtaposes theories, movements, and identities such as environmental justice, reproductive justice, cyborg theory, transgender politics, and disability that are typically discussed in isolation and envisions new possibilities for crip futures and feminist/queer/crip alliances. This bold book goes against the grain of normalization and promotes a political framework for a more just world.

Inside the Crips is the memoir of the author Colton Simpson's life as a Crip--beginning at the tender age of ten in the mid-seventies--and his prison turnaround nearly twenty-five years later. Colton ("C-Loc") Simpson calls himself the only gang member ever allowed to quite the Crips--and one of the few to survive into his thirties. Simpson--son of a ballplayer for the California Angels and a mother who was relentlessly rough with her sons after their fathers left her--became a gang member at ten. Inside The Crips tells the remarkable--and at the same time, all too common--story of gang life in the 1980s in immediate and descriptive prose that makes this book a gripping true-life read. Inside The Crips covers the rush that comes from participating in gang violence and the years-long wars between the Bloods and Crips. Simpson's story also puts the reader in the middle of the struggle between the Crips and corrections officers in Calipatria prison. It covers gang life from the mid-seventies to the mid-nineties, and introduces characters it's impossible not to care about: Simpson's fellow gangbanger Smile; and Gina, the long-suffering friend and mother of two sons who married Simpson in prison.

McRuer makes a case that queer and disabled identities, politics, and cultural logics are inexorably intertwined, and that queer and disability theory need one another. Crip theory makes clear that no cultural analysis is complete without attention to the politics of bodily ability and 'alternative corporealities'.

Contends that disability is a central but misunderstood element of global austerity politics. Broadly attentive to the political and economic shifts of the last several decades, Robert McRuer asks how disability activists, artists and social movements generate change and resist the dominant forms of globalization in an age of austerity, or “crip times.” Throughout Crip Times, McRuer considers how transnational queer disability theory and culture—activism, blogs, art, photography, literature, and performance—provide important and generative sites for both contesting austerity politics and imagining alternatives. The book engages various cultural flashpoints, including the spectacle surrounding the London 2012 Olympic and Paralympic Games; the murder trial of South African Paralympian Oscar Pistorius; the photography of Brazilian artist Livia Radwanski which documents the gentrification of Colonia Roma in Mexico City; the defiance of Chilean students demanding a free and accessible education for all; the sculpture and performance of UK artist Liz Crow; and the problematic rhetoric of “aspiration” dependent upon both able-bodied and disabled figurations that emerged in Thatcher’s England. Crip Times asserts that disabled people themselves are demanding that disability be central to our understanding of political economy and uneven development and suggests that, in some locations, their demand for disability justice is starting to register. Ultimately, McRuer argues that a politics of austerity will always generate the compulsion to fortify borders and to separate a narrowly defined “us” in need of protection from “them.”

SOUTH CENTRAL L.A. CRIPS is the story of why nearly 10,000 people were destined to get killed during the 1970's, 80's and 90's in a social explosion that began in L.A. then spread across this nation and, indeed, the world. This is the story of O.G. Jimmie Black (aka O.G. Bobby Johnson in the movie), who evolves during those explosive years in South Central L.A. from the Watts Rebellion (1965) to just prior to the days that sparked the L.A. Uprising (1992). It is the story of a father and son's triumph in the midst of America's most deadly gang war. "Bakeer's story moves swiftly, and his writing is deft", Gayle Anthony, LA. Sentinel. "I loved the book and the movie." Tupac Shakur. "The novel CRIPS by Don Bakeer corrects your assumptions about the gangs." LA Weekly. Many of the characters personify the collective spirit of the Original Crips/ O.G.'s and specifically that of Raymond Washington, the founder. But, even more than that, the characters represent the rebellious spirits of Bunchy Carter, Stanley (Tookie) Williams, Ice T, Ice Cube, Tupac, Nipsey Hussle, and Sanyinka Shakur (aka Monster Cody), etc. Bakeer collaborated with Oliver Stone, Steve Anderson, and Warner Bros. to develop the classic fi lm, SOUTH CENTRAL (1992) from this book, yet, the movie only tells a small portion of the true story. Hajji* Donald Bakeer, 77 and father to 9, has been a poet in Los Angeles for over 50 years and taught secondary school English in South Central L.A. for 30 years. He is, now, retired from teaching and lives in Inglewood, CA. He made the pilgrimage to Mecca in 1997. His books: South Central L.A. CRIPS - The Story of the L.A. Street Gang ($8.99); PTSD! Who, Me? ($7.99), and his songs are available at donaldbakeerbooks.com

The shocking truth about these gangs existence is finally revealed. Without glorifying the lifestyle, this book will take you to the very beginning of these gangs' terror upon one another and society. Vital is the history, because it mandates the opportunity for change. Blood and Crips: The Genesis of a Genocide. - Published by AuthorHouse - Authors Donovan Simmons and Terry Moses - Voicemail: [800]838-8640 - Amazon.com - Barnes & Noble - Borders Books - Walden Bookstores

The queer recluse, the shambling farmer, the clannish hill folk—white rural populations have long disturbed the American imagination, alternately revered as moral, healthy, and hardworking, and feared as antisocial or socially uncouth. In Peculiar Places, Ryan Lee Cartwright examines the deep archive of these contrary formations, mapping racialized queer and disability histories of white social nonconformity across the rural twentieth-century United States. Sensationalized accounts of white rural communities’ aberrant sexualities, racial intermingling, gender transgressions, and anomalous bodies and minds, which proliferated from the turn of the century, created a national view of the perversity of white rural poverty for the American public. Cartwright contends that these accounts, extracted and estranged from their own ambivalent forum of community gossip, must be read in kind: through a racialized, materialist queercrip optic of the deeply familiar and mundane. Taking in popular science, documentary photography, news media, documentaries, and horror films, Peculiar Places orients itself at the intersections of disability studies, queer studies, and gender studies to illuminate a racialized landscape both profoundly ordinary and familiar.