Crimson China is a novel that traps the reader at the outset, shining a light on a tragic, hidden world that runs in parallel to our own. It is a story of identity and culture, of the irrepressibility of the human spirit, and the powerful undertow of love.

This book explores the cultural and social roots of violence in China by studying the history of recurrent, massive carnage in one county, Macheng, between the expulsion of the Mongols in the 14th century and the Japanese invasion of 1938.

A journalist draws on his years in Tibet to offer a detailed view of the region under control of imperialist China, in a book that also sheds light on the exiled Dalai Lama.

The Chinese House Church is one of the most misunderstood and controversial subjects in Christian world missions today. Despite there being a plethora of books on the subject, much confusion abounds. The Chinese government's deliberate spreading of misinformation on the underground House Church and ignorance in the West has contributed to this problem. Based on extensive interviews and firsthand accounts, this book is a unique attempt to end the confusion. Rather than focusing on the well-documented past, the focus is on what God is doing in China and through Chinese Christians today. The House Church's unique characteristics-both good and bad-will be addressed, as well as how those characteristics have been instrumental in the church's astonishing growth over the past few decades.

What has contemporary China inherited from its revolutionary past? How do the realities and memories, aesthetics and practices of the Mao era still reverberate in the post-Mao cultural landscape? The essays in this volume propose “red legacies” as a new critical framework from which to examine the profusion of cultural productions and afterlives of the communist revolution in order to understand China’s continuities and transformations from socialism to postsocialism. Organized into five parts—red foundations, red icons, red classics, red bodies, and red shadows—the book’s interdisciplinary contributions focus on visual and performing arts, literature and film, language and thought, architecture, museums, and memorials. Mediating at once unfulfilled ideals and unmourned ghosts across generations, red cultural legacies suggest both inheritance and debt, and can be mobilized to support as well as to critique the status quo.

This book provides a meticulously documented account of officially sanctioned cannibalism in the south-western province of Guangxi during the Cultural Revolution. Zheng Yi paints a disturbing picture of official compliance in the systematic killing and cannibalization of individuals.