Welcome to Heartland America circa right about now, when the union jobs and family farms that kept the white on the picket fences have given way to meth labs, backwoods gunrunners, and bare-knuckle brawling. Frank Bill's Southern Indiana is haunted by a deep, abiding sense of place, and his people are men and women pressed to the brink - and beyond. They are survivors, and in Frank Bill's hands, their stories bristle with noir energy.

A bareknuckle fighter must win a brutal tournament to feed his family in “a novel that guts the underbelly of southern Indiana”—now a major motion picture (Kirkus Reviews). The Donnybrook is a three-day bare-knuckle tournament held on a thousand-acre plot out in the sticks of southern Indiana. Twenty fighters. One wire-fence ring. Fight until only one man is left standing while a rowdy festival of onlookers—drunk and high on whatever’s on offer—bet on the fighters. Jarhead is a desperate man who’d do just about anything to feed his children. He’s also the toughest fighter in southeastern Kentucky, and he’s convinced that his ticket to a better life is one last fight with a cash prize so big it’ll solve all his problems. But he’ll have to face Chainsaw Angus—an undefeated fighter who recently got into cooking meth with his sister, Liz. As we travel through the backwoods to get to the Donnybrook, we meet a cast of nasty, ruined characters driven to all sorts of evil, all in the name of getting their fix—drugs, violence, sex, money, honor. Donnybrook is exactly the fearless, explosive, amphetamine-fueled debut novel you’d expect from the author of the feted and fearless story collection Crimes in Southern Indiana.

Welcome to heartland America circa right about now, when the union jobs and family farms that kept the white on the picket fences have given way to meth labs, backwoods gunrunners, and bare-knuckle brawling. Bill's people are pressed to the brink--and beyond.

In the raucous and action-packed follow-up to Donnybrook, mayhem is still the order of the day-only more so Frank Bill's America has always been stark and violent. In his new novel, he takes things one step further: the dollar has failed; the grid is wiped out. Van Dorn is eighteen and running solo, dodging the bloodthirsty hordes and militias that have emerged since the country went haywire. His dead father's voice rings in his head as Van Dorn sets his sights not just on survival but also on an old-fashioned sense of justice. Meanwhile, a leader has risen among the gangs-and around him swirls the cast of brawlers from Donnybrook, with their own brutal sense of right and wrong, of loyalty and justice through strength. So, this is not the distant postapocalyptic future-this is tomorrow, in a world Bill has already introduced us to. Now he raises the stakes and turns his shotgun prose on our addiction to technology, the values and skills we've lost in the process, and what happens when the last systems of morality and society collapse. The Savage presents a bone-chilling vision of America where power is the only currency and nothing guarantees survival. And it presents Bill at his most ambitious, most eloquent, most powerful.

Over the next decades more than twenty men were executed, though many were innocent of any serious crime." "As Jock McCulloch shows, the panics were complex events which encompassed such issues as miscegenation, prostitution, the management of venereal disease, the politics of concubinage, and the construction of whiteness."--BOOK JACKET.

Early on the morning of September 22, 1986, Mike Jackson shot and killed a man he had never met--his newly appointed parole officer, Tom Gahl. Out of that single act of violence the award-winning author of Big Sugar has created a work of journalism that lays bare the full scope of the concern over violence in our society.

In the summer of 1979, Andy and Tom are two fourteen-year-old boys---best friends, expert cave explorers, and crack shots with their Springfield M-6 Scout rifles. In rural southern Indiana they are blissfully unaware of the local labor strife surrounding the Borden Casket Company. The fact that Andy's dad is a manager and Tom's dad is a union laborer has no bearing on their fun and adventure. But in the building summer heat, violence quickly erupts---including an explosion, a murder, and the escape of two fugitives---and the young boys can no longer ignore that the world around them has forever changed. Through their secret observations of labor meetings, both boys feel the effect of the dissolution, and it tests their loyalty and friendship, as well as the town's spirit. What began as a season of independence becomes a summer of growth and change, of adventure and misbehavior. Reminiscent of Stand by Me and To Kill a Mockingbird, Over and Under is the quintessential story of ruddy-faced, scheming, precocious boys who must navigate that hazy boundary between growing up and making the most of their last summer of innocence and freedom as they explore the wilds of rural Indiana, see the most amazing gunshot of their lives, and discover what it means to be friends.