The first ever multi-author anthology of crime fiction set in Singapore. Featuring stories from veteran UK crime writer Stephen Leather, Singapore Literature Prize winner Ng Yi-Sheng, and popular Singapore-based authors Richard Lord, Chris Mooney-Singh, Dawn Farnham, Lee Ee Leen, Pranav Joshi, Zafar Anjum, and Carolyn Camoens.

Crime Scene Asia is a casebook written by award winning Australian Author Liz Porter of fascinating true stories throughout Asia. Its opening case begins when the body of a woman is found in a Singapore nature park. Nobody has reported her missing. Nobody knows who she is. The only clue to her identity is a set of tiny numbers etched into a series of implants in her teeth. Police door-knock the dentists of Singapore until they find the one who treated her. Then, following a trail of numbers called from her phone, they unmask her killer. In another case, set 300 kms away, in Kuala Lumpur, a married man is arrested for the murder of his mistress. Police are adamant that he is her killer. But the man’s lawyer can point to forensic evidence that tells a different story altogether. Meanwhile one of the book’s Hong Kong cases tells the story of a humble truck driver facing jail for his apparent involvement in a bombing plot allegedly masterminded by two of the former British colony’s most notorious gangsters. Then the evidence of a forensic scientist sets him free.

The dark side of The Lion City is explored in a thrilling anthology that gives “plenty of new and unfamiliar voices a chance to shine” (San Francisco Book Review). The island city-state of Singapore harbors unique customs and traditions largely unknown to the West. A booming economy and embrace of conformity overshadow its gambling dens, red-light districts, and a collective passion for ghostly and gory tales. Now, in Singapore Noir, some of its best contemporary authors delve into its seedy side, including three winners of the Singapore Literature Prize: Simon Tay (writing as Donald Tee Quee Ho), Colin Cheong, and Suchen Christine Lim, whose contribution was named a finalist for the Private Eye Writers of America Shamus Award for Best P.I. Short Story. Eleven more tales showcase the talents of Colin Goh, Philip Jeyaretnam, Cheryl Lu-Lien Tan, Monica Bhide, S.J. Rozan, Lawrence Osborne, Ovidia Yu, Damon Chua, Johann S. Lee, Dave Chua, and Nury Vittachi. “Singapore, with its great wealth and great poverty existing amid ethnic, linguistic, and cultural tensions, offers fertile ground for bleak fiction . . . Tan has assembled a strong lineup of Singapore natives and knowledgeable visitors for this volume exploring the dark side of a fascinating country.” —Publishers Weekly

Visual evidence is the sine qua non of the modern criminal process—from photographs and video to fingerprints and maps. Siam's New Detectives offers an analytical history of these visual tools as employed by the Thai police when investigating crime. Covering the period between the late nineteenth century and the end of the Cold War, the book provides both an extended overview of the development and evolution of modern police practices in Thailand, and a window into the role of the Thai police within a larger cultural system of knowledge production about crime, violence, and history. Based on a diverse set of primary sources—police reports, detective training manuals, trial records, newspaper stories, memoirs, archival documents, and hard-to-find crime fiction—the book makes two related arguments. First, the factuality of the visual evidence used in the criminal justice system stems as much from formal conventions—proper lighting in a crime scene photo, standardized markings on maps—as from the reality of what is being represented. Second, some images, once created, function as tools, helping the police produce truths about the criminal past. This generative power makes images such as crime scene maps useful as investigative aids but also means that scholars cannot analyze them simply in terms of mimetic accuracy or interpret them in isolation for deeper meaning. Understanding how modern legal systems operate requires an examination of the visual culture of the law, particularly the aesthetic rules that govern the generation and use of documentary evidence. By examining modern policing in terms of visual culture, Siam's New Detectives makes important methodological contributions. The book shows how a historical analysis of form can supplement the way many scholars have traditionally approached visual sources, as symbols requiring a close reading. By acknowledging the productive nature of images in addition to their symbolic functions, the book makes clear that policing is fundamentally an interactive, creative endeavor as much as a disciplinary one.

Early twentieth-century Singapore is a place where a person can disappear, and Harriet Gordon hopes to make a new life for herself there, leaving her tragic memories behind her--but murder gets in the way. Singapore, 1910--Desperate for a fresh start, Harriet Gordon finds herself living with her brother, a reverend and headmaster of a school for boys, in Singapore at the height of colonial rule. Hoping to gain some financial independence, she advertises her services as a personal secretary. It is unfortunate that she should discover her first client, Sir Oswald Newbold--explorer, mine magnate and president of the exclusive Explorers and Geographers Club--dead with a knife in his throat. When Inspector Robert Curran is put on the case, he realizes that he has an unusual witness in Harriet. Harriet's keen eye for detail and strong sense of duty interests him, as does her distrust of the police and her traumatic past, which she is at pains to keep secret from the gossips of Singapore society. When another body is dragged from the canal, Harriet feels compelled to help with the case. She and Curran are soon drawn into a murderous web of treachery and deceit and find themselves face-to-face with a ruthless cabal that has no qualms about killing again to protect its secrets.

Volume 1 of Crime Scene Asia features nine delectably horrid crimes that take readers on a chilling trip through the dark underbelly of contemporary Asia. This volume serves up the unique flavor of crime in six of Asia’s most dynamic and fascinating lands, written by nine seasoned crime writers based throughout the region. The pieces in this crime anthology may be fiction, but they read like the more attention-grabbing stories seen frequently in newspapers across Asia.