Contributors describe the what is known about the capabilities and limitations of alternate policies and strategies to understand and control crime, in chapters on deterring crime, rehabilitation, biomedical factors in crime, schools, the labor market, and probation and parole. Other topics discussed include crime rates, juvenile crime, gun control, alcohol and drug abuse, the police, and prisons.

This book offers a comparative exploration of how journalists across different newsrooms around the world access and interpret statistics when producing stories related to crime. Looking at the nature of news sources regularly used by journalists, Lugo-Ocando analyses how these numbers are used to report crime. As the author argues, far from being straightforward, the relationship between numbers and journalists in the context of crime reporting is complex, and at times, problematic. Because the reporting of crime statistics impacts upon policymaking, we need to better understand how these statistics are used and reported in order to improve the process of decision. Finally, Lugo-Ocando maintains that the only way to create a fairer justice system and a better-informed general public is by improving the way crime is covered in the news. A compelling and informed text, this book will be of interest to scholars and students of criminology and journalism alike.

There is no journalistic work more deserving of the designation “story” than news of crime. From antiquity, the culture of crime has been about the human condition, and whether information comes from Homer, Hollywood, or the city desk, it is a bottom about the human capacity for cruelty and suffering, about desperation and fear, about sex, race, and public morals. Facts are important to the telling of a crime story, but ultimately less so than the often apocryphal narratives we derive from them. The Culture of Crime is hence about the most common and least studies staple of news. Its prominence dates at least to the 1830s, when the urban penny press employed violence, sex, and scandal to build dizzying high levels of circulation and begin the modern age of mass media. In its coverage of crime, in particular, the popular press represented a new kind of journalism, if not a new definition of news, that made available for public consumption whole areas of social and private life that the mercantile, elite, and political press earlier ignored. This legacy has continued unabated for 150 years. The book explores new wrinkles in the study of crime and as a mass cultural activity—from exploring the private lives of public officials to dangers posed by constraints to a free press. The volume is prepared with the rigor of a scholarly brief but also the excitement of actual crime stories as such. Throughout, the reader is reminded that crime stories are both news and drama, and to ignore either is to diminish the other. The work delves deeply into current problems without either sentimental or trivial pursuits. It will be a volume of great interest to people in communications research, the social sciences, criminologists, and not least, the broad public which must endure the punishment of crime and the thrill of the crime story alike.

In today's society, the public perception of crime has been skewed by how the media depicts it. People use the media for enjoyment, companionship, surveillance, and interpretation. The problem is that it becomes hard to separate fact from entertainment. This raises several questions. How are we consuming media? Are we consuming reality within the news? And are we consuming harmless pleasure from entertainment media? In Crime, Media, and Reality: Examining Mixed Messages about Crime and Justice in Popular Media, Venessa Garcia and Samantha Garcia Arkerson focus predominantly on the social constructions of crime and justice and how we absorb them. They look at the influence of crime news and true crime television series that prevent the public from understanding pure entertainment from the realities of crime and justice. They bring to light the social science knowledge missed by media "infotainment," which has blurred the line between information and entertainment. Throughout, all different forms of media are discussed, news media, crime dramas and true crime television series. In doing so, they keep all of its fascinating coverage while uncovering the reality of crime and justice. This book adds significant information to the constructs held by the general public by placing media depictions into historical, legal, and social context.