Crime Fiction in the City: Capital Crimes expands upon previous studies of the urban space and crime by reflecting on the treatment of the capital city, a repository of authority, national identity and culture, within crime fiction. This wide-ranging collection looks at capital cities across Europe, from the more traditional centres of power - Paris, Rome and London - to Europe's most northern capital, Stockholm, and also considers the newly devolved capitals, Dublin, Edinburgh and Cardiff. The texts under consideration span the nineteenth-century city mysteries to contemporary populist crime fiction. The collection opens with a reflective essay by Ian Rankin and aims to inaugurate a dialogue between Anglophone and European crime writing; to explore the marginalised works of Irish and Welsh writers alongside established European crime writers and to interrogate the relationship between fact and fiction, creativity and criticism, within the crime genre.

To the outside observer, Salt Lake City might seem to be the squeaky-clean "City of Saints"—its nickname since Mormon pioneers first arrived. Its wide roads, huge Mormon temple topped by a horn-blowing angel, and orderly neighborhoods give it the appearance of the ideal American city, but looks can be deceiving. When a beautiful socialite turns up dead, Art Oveson, a twenty-something husband, father, and devout Mormon just getting his start as a sheriff's deputy, finds himself thrust into the role of detective. With his partner, a foul-mouthed former strikebreaker, he begins to pursue the murderer—or murderers. His search takes him into the underbelly of Salt Lake City, a place rife with blackmail, corruption, and death. Based on a true yet largely forgotten murder that once captivated the nation but still remains unsolved eighty years later, City of Saints reveals a darker picture of the Mormon capital than you ever expected.

A Catalonian police detective struggles to stop a serial killer targeting unsavory victims in this atmospheric crime thriller series debut. A killer is targeting figures of corruption in the Catalan city of Girona, with each corpse posed in a way whose meaning no one can fathom. Elisenda Domenech, the head of Girona’s newly-formed Serious Crime Unit, believes the attacker is drawing on the city’s legends to choose his targets, but soon finds her investigation is blocked at every turn. Battling against the increasing sympathy towards the killer displayed by the press, the public and even some of the police, she finds herself forced to question her own values. But when the attacks start to include less-deserving victims, the pressure is suddenly on Elisenda to stop him. The question is: how? Perfect for readers of Val McDermid and the Inspector Montalbano novels.

Provides a lively introduction to what is both a wide-ranging and hugely popular literary genre. Accessible and clear, this comprehensive overview is the essential guide for all those studying crime fiction.

This Companion covers British and American crime fiction from the eighteenth century to the end of the twentieth. As well as discussing the 'detective' fiction of writers like Arthur Conan Doyle, Agatha Christie and Raymond Chandler, it considers other kinds of fiction where crime plays a substantial part, such as the thriller and spy fiction. It also includes chapters on the treatment of crime in the eighteenth-century literature, French and Victorian fiction, women and black detectives, crime on film and TV, police fiction and postmodernist uses of the detective form.

This study examines representations of the cityscape and of a so-called "new urban violence" in both detective-centered and detectiveless crime fiction produced in Spanish America and Spain during recent decades. It documents the emergence and permutations of this production as an index not only of local perceptions of contemporary urban experience and of a contemporary urban "ecology of fear," but also as a transnational index of the globalization of literary forms and markets. It centers on the inscription of urban space in novels set in the metropolitan centers of the Hispanic World: Mexico City, Bogota, Buenos Aires, and Barcelona.

Italian Crime Fiction is the first study in the English language to focus specifically on Italian detective and noir fiction from the 1930s to the present. The eight chapters include studies on some of the founding fathers of the Italian tradition, and mainstream writers. The volume has a particular focus on the new generation of crime writers.