"When people lie to Baer Creighton their eyes glow red and he experiences a small burst of electricity. It hurts to suffer liars-- and Baer learned long ago that everyone lies. So he sleeps in the woods outside his house, converses with his sole companion, a pit bull named Fred, and distills special blends of fruited moonshine. When Fred is stolen, fought in an illegal fight circle and left for dead, Baer vows to set things right. He has all the skill he needs to find each man present at the fight circle that night and park a pile of hell on his front porch. But when he tips his hand he becomes the hunted, and the war he thought would be settled in a single attack becomes a battle of attrition with violence coming at him from all angles. When the battle escalates to the unthinkable, Baer concots a retribution so horrifying it gives him pause. To implement the ultimate vengeance Baer will have to confront his past, the liars he has loved, and the biggest lie of all. You can be damn sure he does. Evil doesn't come easy for Baer Creighton, but it comes."--Back cover.

The heroes of All Time Comics stand ready to triumph or die!

Since the Punisher's first appearance in the pages of Spider-Man #129, the character has become one of the most popular and controversial figures in Marvel's vast universe. The Punisher represents one of the most recognizable types of anti-heroes. His iconic skull insignia stands for a unique type of justice: protecting the innocent while violently eliminating everyone he sees as a villain. This collection examines the Punisher from philosophical perspectives about morality and justice. Essays critique the character through the lenses of gender and feminism; consider the Punisher's veteran status in relation the Vietnam, Afghanistan and Iraq wars; and examine how politics and gun violence connect the Punisher's world with the real world. Many iterations of the Punisher are examined within, including the Netflix release of Marvel's The Punisher, comics series such as Punisher: MAX, Marvel Knights, and Cosmic Ghost Rider, and several fan fiction stories.

The Matrix meets an Afro-futuristic retelling of Persephone set in a science fiction underworld of aliens, refugees, and genetic engineering in Jennifer Marie Brissett's Destroyer of Light Kirkus—Best Fiction Books of the Year 2021 Tor.com—Best of the Year 2021 New York Public Library—Nine New Sci-Fi & Fantasy Reads Bookriot—20 Must Read Space Fantasy Books for 2021 Book Bub—The 24 Best Science Fiction and Fantasy Books of Fall 2021 BiblioLifestyle—Most Anticipated Fall 2021 Sci-fi, Fantasy & Horror Having destroyed Earth, the alien conquerors resettle the remains of humanity on the planet of Eleusis. In the four habitable areas of the planet—Day, Dusk, Dawn, and Night—the haves and have nots, criminals and dissidents, and former alien conquerors irrevocably bind three stories: *A violent warlord abducts a young girl from the agrarian outskirts of Dusk leaving her mother searching and grieving. *Genetically modified twin brothers desperately search for the lost son of a human/alien couple in a criminal underground trafficking children for unknown purposes. *A young woman with inhuman powers rises through the insurgent ranks of soldiers in the borderlands of Night. Their stories, often containing disturbing physical and sexual violence, skate across years, building to a single confrontation when the fate of all—human and alien—balances upon a knife’s-edge. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

In a world profoundly influenced by popular media programs, the real-life duties and complexities involved in crime scene investigation are often misrepresented and misunderstood. An Introduction to Crime Scene Investigation serves to eliminate warped impressions and to clearly identify and accurately explain the crime scene investigative process, components, methods, and procedures. This comprehensive introductory text exposes readers to the day-to-day aspects of crime scene processing, and describes in detail the crime scene investigator responsibilities. The history related to crime scene investigation, theory, ethics, social impact, training, and educational issues are thoroughly explored as well.

Critical studies of the graphic novel have often employed methodologies taken from film theory and art criticism. Yet, as graphic novels from Maus to Watchmen have entered the literary canon, perhaps the time has come to develop theories for interpreting and evaluating graphic novels that are drawn from classic models of literary theory and criticism. Using the methodology of Georg Lukács and his detailed defense of literary realism as a socially embedded practice, Litcomix tackles difficult questions about reading graphic novels as literature. What critical standards should we use to measure the quality of a graphic novel? How does the genre contribute to our understanding of ourselves and the world? What qualities distinguish it from other forms of literature? LitComix hones its theoretical approach through case studies taken from across the diverse world of comics, from Yoshihiro Tatsumi’s groundbreaking manga to the Hernandez Brothers’ influential alt-comix. Whether looking at graphic novel adaptations of Proust or considering how Jack Kirby’s use of intertextuality makes him the Balzac of comics, this study offers fresh perspectives on how we might appreciate graphic novels as literature.