The Showa Era in Japan commenced in December 1926, when Emperor Showa ascended the Throne, and came to an end in January 1989, when His Majesty passed away, ushering in the new Heisei Era. The Showa Era was marked by drastic changes in the economy, society, and political and legal sys tems, which brought about an ebb and flow in criminality and precipitated various criminal policies. From an economical, political, and criminological perspective, the Showa Era stands out as a remarkable period in Japanese his tory. The Research and Training Institute of the Ministry of Justice, which has annually published the White Paper on Crime in Japan since 1960, received Cabinet approval to introduce a special topic section, "Criminal Policy in Sho wa" in the White Paper for 1989, which was published in October the same year. This White Paper is the first comprehensive publication that deals not only with the crime situation but also with the various activities of the criminal justice system, including the police, public prosecutors' offices, courts, correctional institutions, and probation and parole supervision organisations for 63 years.

This book reviews research on psychology and crime in Japan, and compares the findings with similar research conducted in Western industrialised countries. It examines explanations for crime and antisocial behaviour in Japan using research and theories from a psychological perspective. Topics covered include cultural explanations, developmental and life-course criminology, family violence and family risk factors, youth crime and early prevention, school factors and bullying, mental disorders, biosocial factors, psychopathy and sexual offending. In some parts, it challenges and refines the prevailing belief that Japan is a society characterised by low crime and little antisocial behaviour. This original project is the most up-to-date work on crime in Japan, and advances the important field of psychological criminology.

The major achievements of Japanese criminal justice are thus inextricably intertwined with its most notable defects, and efforts to fix the defects threaten to undermine the accomplishments."--BOOK JACKET.

In a world of globalised media, Japanese popular culture has become a signifi cant fountainhead for images, narrative, artefacts, and identity. From Pikachu, to instantly identifi able manga memes, to the darkness of adult anime, and the hyper- consumerism of product tie- ins, Japan has bequeathed to a globalised world a rich variety of ways to imagine, communicate, and interrogate tradition and change, the self, and the technological future. Within these foci, questions of law have often not been far from the surface: the crime and justice of Astro Boy; the property and contract of Pokémon; the ecological justice of Nausicaä; Shinto’s focus on order and balance; and the anxieties of origins in J- horror. This volume brings together a range of global scholars to refl ect on and critically engage with the place of law and justice in Japan’s popular cultural legacy. It explores not only the global impact of this legacy, but what the images, games, narratives, and artefacts that comprise it reveal about law, humanity, justice, and authority in the twenty-first century.

"This is a book I wish I'd written. It's brilliantly researched, full of detail and illuminating…" --Jake Adelstein, author of Tokyo Ice Uncover the shocking world of the Japanese courtroom. In a country where nearly all defendants plead guilty, the interesting part is what happens between the plea and the sentencing. In True Crime Japan, journalist and longtime resident of Japan Paul Murphy delves into a year's worth of criminal court cases in Matsumoto, a city located 140 miles to the west of Tokyo. The nine defendants in these cases range from ruthless mobsters to average citizens with a variety of methods and motives. Using court documents and interviews, Murphy makes a point of including the perspectives of the defendants, as well as those of their families, neighbors, and lawyers. He explores not only the motives of offenders but the culture of crime and punishment in Japan. The nine cases include: "Late in Life" -- A wealthy octogenarian is put in jail for stealing fried chicken "Mama's Boys" -- A disbelieving family unveils their son's role as a yakuza gangster. "Mother Killers" -- A middle-aged carpenter beats his 91-year old mother to death and goes to work the following day, leaving the body for his wife to find. True Crime Japan provides an unusual lens through which to view Japanese society and its emphasis on honor, shame, and conformity. Murphy's in-depth analysis of the court system reveals Japan to be, perhaps surprisingly, a land of true individuals.