2022 Choice Outstanding Academic Title Shortlisted for the 2023 Saskatchewan Book Award for Scholarly Writing Cree and Christian develops and applies new ethnographic approaches for understanding the reception and indigenization of Christianity, particularly through an examination of Pentecostalism in northern Alberta. Clinton N. Westman draws on historical records and his own long-term ethnographic research in Cree communities to explore questions of historical change, cultural continuity, linguistic practices in ritual, and the degree to which Indigenous identity is implicated by Pentecostal commitments. Such complexity calls for constant negotiation and improvisation, key elements of Pentecostal worship and speech strategies that have been compared to jazz modes. The historical sweep of Cree and Christian considers the dynamics of Pentecostal conversion in relation to the strengths and weaknesses of other denominations and the underlying foundation of Cree cosmological worldviews. Pentecostalism has remained open to recognizing the power of spirits while also benefiting from its own essential flexibility. Pentecostals often seek to gain a degree of temporal and spiritual autonomy and authority that may not have seemed possible under previous Christian practices or Cree traditions. Cree and Christian is the first book to provide a fully historicized account of Indigenous Pentecostalism, connecting contemporary religious practices and pluralism to historical Pentecostal, Evangelical, Catholic, and mainstream Protestant missions since the nineteenth century. By tracing religious practices and discourses since the 1890s, Westman paints a picture of the transformations and encounters from the earliest conversions (and resistance) to today's pluralistic, mediatized, and bilingual religious landscape.

Cree and Christian develops and applies new ethnographic approaches for understanding the reception and indigenization of Christianity, particularly through an examination of Pentecostalism in northern Alberta. Clinton N. Westman draws on historical records and his own long-term ethnographic research in Cree communities to explore questions of historical change, cultural continuity, linguistic practices in ritual, and the degree to which Indigenous identity is implicated by Pentecostal commitments. Such complexity calls for constant negotiation and improvisation, key elements of Pentecostal worship and speech strategies that have been compared to jazz modes. The historical sweep of Cree and Christian considers the dynamics of Pentecostal conversion in relation to the strengths and weaknesses of other denominations and the underlying foundation of Cree cosmological worldviews. Pentecostalism has remained open to recognizing the power of spirits while also benefiting from its own essential flexibility. Pentecostals often seek to gain a degree of temporal and spiritual autonomy and authority that may not have seemed possible under previous Christian practices or Cree traditions. Cree and Christian is the first book to provide a fully historicized account of Indigenous Pentecostalism, connecting contemporary religious practices and pluralism to historical Pentecostal, Evangelical, Catholic, and mainstream Protestant missions since the nineteenth century. By tracing religious practices and discourses since the 1890s, Westman paints a picture of the transformations and encounters from the earliest conversions (and resistance) to today’s pluralistic, mediatized, and bilingual religious landscape.

Does God control everything that happens on the earth today? Most Christians believe He does. They believe God makes arbitrary decisions in the affairs of men. This idea that God is in control, often referred to as the sovereignty of God, creates significant challenges for believers today. It kills intimacy with God, causes confusion, and creates a victimhood mindset in followers of Jesus. Fortunately it’s not true. God is not controlling everything that happens today. He is not responsible for all the evil in our world. This short read exposes the Biblical truth of the matter, explains some of the problems this false idea of God creates in the lives of believers, and empowers the reader to experience God far more intimately as His children and heirs to His Kingdom.

Since 1970 in Quebec, there has been immense change for the Cree, who now live with the consequences of Quebec's massive development of the North. Home Is the Hunter presents the historical, environmental, and cultural context from which this recent story grows. Hans Carlson shows how the Cree view their lands as their home, their garden, and their memory of themselves as a people. By investigating the Cree's three hundred years of contact with outsiders, he illuminates the process of cultural negotiation at the foundation of ongoing political and environmental debates. This book offers a way of thinking about indigenous peoples' struggles for rights and environmental justice in Canada and elsewhere.

Ferrara, who is accepted as a healer in Cree communities, shows how art therapy became a ritual for her patients, noting that Crees often associate art therapy and their experience in the bush and arguing that both constitute a place for them to re-affirm their notions of self. By including patient drawings and letting us hear Cree voices, "Healing through Art" gives us a sense of the reality of everyday Cree experience. This innovative book transcends disciplinary boundaries and makes a significant contribution to anthropology, Native Studies, and clinical psychology.

The papers in this collection deal with the traditions and past history of the Plains Cree, and the effects, fifty years ago, of a changing way of life. Topics covered are the following: a winter of hardship; Indian laws; revenge against the Blackfoot; Thunderchild takes his first horses from the Blackfoot; it is Pu-chi-to now who tells his story; Thunderchild takes part in a dangerous game; encounter with the Blackfoot in the Eagle hills; a fight with the Scarcee; a story of friendship; truce making and truce breaking; Buffalo pounds; the Buffalo chase; the Grizzly bear; walking wind tell his story of the Grizzly; Thunderchild's adventure with the bears; the foot-race; a faithless woman; the first man; the sun dance; the thirst dance; and, Thunderchild's conclusion.