Addresses the advantages and practicalities involved in the issue of the creative re-use of existing buildings.

Creative re-use is more than conversion or rehabilitation of a property for new, or continued, use. The two volumes of this book offer numerous illustrated examples of the innovative work by a range of architects in addition to key projects from Derek Latham's own practice. Volume 1 focuses on the challenge of identifying a suitable building, understanding its essential qualities, and selecting an option appropriate for both its setting and the people who will use it. It discusses the choice between design intervention, repair and replication, and when to use new techniques or traditional skills. Additional guidance is provided through a wide range of example, notes, such as survey tips, and case studies. Volume 2 offers an extensive collection of illustrated examples from different parts of the UK showing buildings of every shape, size and type. Each building type is examined separately: country houses, hospitals, industrial buildings, offices, railway stations, farms with outbuildings, churches, schools and many others. It then describes the range of potential re-uses that might be considered, taking account of their size and suitability for the relevant function. This book will be of interest to all those involved in the debate about our future built environment particularly architects, surveyors, planners, developers and conservation professionals.

How to reimagine existing buildings to create a more sustainable future The construction and operation of buildings is responsible for 41 percent of all primary energy use and 48 percent of all carbon emissions, and the impact of the demolition and removal of an older building can greatly diminish the advantages of adding green technologies to new construction. In Building Reuse, Kathryn Rogers Merlino makes an impassioned case that truly sustainable design requires reusing and reimagining existing buildings. Additionally, Merlino calls for a more expansive view of preservation that goes beyond keeping only the most distinctive structures based on their historical and cultural significance to embrace the creative reuse of even unremarkable buildings for their environmental value. Building Reuse includes a compelling range of case studies—from a private home to an eighteen-story office building—all located in the Pacific Northwest, a region with a long history of sustainable design and urban growth policies that have made reuse projects feasible. Reusing existing buildings can be challenging to accomplish, but changing the way we think about environmentally conscious architecture has the potential to significantly reduce energy consumption, carbon emissions, and waste.

This book focuses on difficulties and opportunities in revitalization of old, derelict or abandoned buildings into a library and investigates the transformation of buildings which originally had a different purpose. The publication shows worldwide best practice examples from different types of libraries in historic environments, both urban and rural, while maintaining a focus on sustainability concerning the architecture and interior design.

It is clear that working with historic structures is both more environmentally sustainable and cost effective than new architecture and construction—and many believe that the best design occurs at the intersection of old and new. Françoise Astorg Bollack presents 28 examples gathered in the United States and throughout Europe and the Middle East. Some are well known—Mass MOCA, Market Santa Caterina in Barcelona, Neues Museum in Berlin—and others are almost anonymous. But all demonstrate a unique and appropriate solution to the problem of adapting historic structures to contemporary uses. This survey of contemporary additions to older buildings is an essential addition to the architectural literature. “I have always loved old buildings. An old building is not an obstacle but instead a foundation for continued action. Designing with them is an exhilarating enterprise; adding to them, grafting, inserting, knitting new pieces into the existing built fabric is endlessly stimulating.” —Françoise Astorg Bollack

Building in existing fabric requires more than practical solutions and stylistic skills. The adaptive reuse of buildings, where changes in the structure go along with new programs and functions, poses the fundamental question of how the past should be included in the design for the future. On the background of long years of teaching and publishing, and using vivid imagery from Frankenstein to Rem Koolhaas and beyond, the author provides a comprehensive introduction to architectural design for adaptive reuse projects. History and theory, building typology, questions of materials and construction, aspects of preservation, urban as well as interior design are dealt with in ways that allow to approach adaptive reuse as a design practice field of its own right.

Historical background -- Intervention strategies -- Adaptive reuse for urban regeneration -- Diocletian Palace, Split -- Attocha Station, Madrid -- Neues Museum, Berlin -- Former Prison, Hasselt -- St Joseph church, Ghent.