What happened when creative biographers took on especially creative subjects (poets, artists and others) in Greek and Roman antiquity? Creative Lives in Classical Antiquity examines how the biographical traditions of ancient poets and artists parallel the creative processes of biographers themselves, both within antiquity and beyond. Each chapter explores a range of biographical material that highlights the complexity of how readers and viewers imagine the lives of ancient creator-figures. Work in the last decades has emphasized the likely fictionality of nearly all of the ancient evidence about the lives of poets, as well as of other artists and intellectuals; this book now sets out to show what we might nevertheless still do with the rich surviving testimony for 'creative lives' - and the evidence that those traditions still shape how we narrate modern lives too.

This book examines how the biographical traditions of ancient poets and artists parallel the creative processes of biographers themselves, both within antiquity and beyond. Each chapter explores a range of biographical material that highlights the complexity of how readers and viewers imagine the lives of ancient creator-figures.

What happened when creative biographers took on especially creative subjects (poets, artists and others) in Greek and Roman antiquity? Creative Lives in Classical Antiquity examines how the biographical traditions of ancient poets and artists parallel the creative processes of biographers themselves, both within antiquity and beyond. Each chapter explores a range of biographical material that highlights the complexity of how readers and viewers imagine the lives of ancient creator-figures. Work in the last decades has emphasized the likely fictionality of nearly all of the ancient evidence about the lives of poets, as well as of other artists and intellectuals; this book now sets out to show what we might nevertheless still do with the rich surviving testimony for 'creative lives' - and the evidence that those traditions still shape how we narrate modern lives too.

The Ancient Lives of the poet Virgil, written in prose (and sometimes in verse), have long enjoyed great, though controversial, influence. Modern critics have often been scornful of these Lives, for trying to construct biography of the poet from allegorical reading of his verse. Yet some elements of the Lives are trusted, and quietly adopted as canonical, most notably the dating of Virgil's death. Some vignettes in the Lives have been cherished for their image of an emotive poet, as when Virgil, by evoking in verse the premature death of Augustus' nephew Marcellus, caused the young man's bereaved mother to faint. Less romantic detail from the Lives, as of Virgil's privileged material circumstances at the heart of the Augustan regime, has been less regarded. The present volume, from a distinguished international team, aims to revalue the Ancient Lives of Virgil from a variety of angles and in a variety of scholarly genres. The allegory within the Lives is here studied for its own sake, and shown to be part of a developed Graeco-Roman school of interpretation. The literary character of the verse Life attributed to Phocas is respectfully analysed. Certain political references within the best-known prose Life, the `Suetonian-Donatan', are shown to be apparently independent of allegory, and to be worth prospecting for new information on the poet's personal history. And ideas of Virgil received and developed with brio in the Middle Ages and the Renaissance are here traced back to the Ancient Lives of the poet composed in Antiquity.

Brill's Companion to Theocritus offers an up-to-date guide to a thorough understanding of Theocritus’ literary output. Exploring his corpus from a variety of novel perspectives, it presents a detailed account of the intricacy of Theocritus’ poetic art.

An accessible modern translation of essential speeches from Thucydides’s History that takes readers to the heart of his profound insights on diplomacy, foreign policy, and war Why do nations go to war? What are citizens willing to die for? What justifies foreign invasion? And does might always make right? For nearly 2,500 years, students, politicians, political thinkers, and military leaders have read the eloquent and shrewd speeches in Thucydides’s History of the Peloponnesian War for profound insights into military conflict, diplomacy, and the behavior of people and countries in times of crisis. How to Think about War presents the most influential and compelling of these speeches in an elegant new translation by classicist Johanna Hanink, accompanied by an enlightening introduction, informative headnotes, and the original Greek on facing pages. The result is an ideally accessible introduction to Thucydides’s long and challenging History. Thucydides intended his account of the clash between classical Greece’s mightiest powers—Athens and Sparta—to be a “possession for all time.” Today, it remains a foundational work for the study not only of ancient history but also contemporary politics and international relations. How to Think about War features speeches that have earned the History its celebrated status—all of those delivered before the Athenian Assembly, as well as Pericles’s funeral oration and the notoriously ruthless “Melian Dialogue.” Organized by key debates, these complex speeches reveal the recklessness, cruelty, and realpolitik of Athenian warfighting and imperialism. The first English-language collection of speeches from Thucydides in nearly half a century, How to Think about War takes readers straight to the heart of this timeless thinker.

An inspiring collection of the extraordinary private spaces of 250 of the world's most creative people, past and present