Creating a Black Vernacular Philosophy explores how everyday Black vernacular practices, developed to negotiate survival and joy, can be understood as philosophy in their own right. Devonya N. Havis argues that many unique cultural and intellectual practices of African diasporic communities have done the work of traditional philosophies. Focusing on creative practices that take place within Black American diasporic cultures via narratives, the blues, jazz, work songs, and other expressive forms, this book articulates a form of Black vernacular Philosophy that is centered within and emerges from meaning structures cultivated by Black communities. These distinct philosophical practices, running parallel with and often improvising on European philosophy, should be acknowledged for their rigorous theoretical formation and for their disruption of traditional Western philosophical ontologies.

Addressing Ableism is a set of philosophical meditations outlining the scale and scope of ableism. By explicating concepts like experience, diagnosis, precariousness, and prosthesis, Scuro maps out the institutionalized and intergenerational forms of this bias as it is analogous and yet also distinct from other kinds of dehumanization, discrimination, and oppression. This project also includes a dialogical chapter on intersectionality with Devonya Havis and Lydia Brown, a philosopher and writer/activist respectively. Utilizing theorists like Judith Butler, Tobin Siebers, Emmanuel Levinas, and Hannah Arendt to address ableism, Scuro thoroughly critiques the neoliberal culture and politics that underwrites ableist affections and phobias. This project exposes the many material and non-material harms of ableism, and it offers multiple avenues to better confront and resist ableism in its many forms. Scuro provides crucial insights into the many uninhabitable and unsustainable effects of ableism and how we might revise our intentions and desires for the sake of a less ableist world.

Afrosofian Knowledge and Cheikh Anta Diop wrestles with the cultural, epistemological, ethical, and geopolitical conundrums of our contemporary world. It argues that sofia is a psychological, discursive, social, and civilizational sickle constantly sharpened to weed imperial-colonial, mental, linguistic, racist, and barbaric alienation.

For too long, the human heart has been treated as no more than a physical organ that pumps blood. Recently, scientific evidence has emerged to show the heart is so much more. Zara Yacob’s Inauguration of Modernity and Cardiocentrism adds to the groundbreaking argument that the heart is also a thinking organ, a function that is always attributed to the human brain. The argument is marshalled with evidence and spiritual compartment. Following an insight from seventeenth-century Ethiopian philosopher Zara Yacob, and in conversation with both Kemetian (ancientEgyptian) thought on the philosophical status of the human heart and contemporary discussions on the hard problem of consciousness, Teodros Kiros argues that the heart is both a physical organ that pumps blood and a spiritual organ that originates thoughts, which it shares with the brain. Together they empower us to be compassionate, empathetic, generous, and sincere.

How do we listen to the earth? That is the central question posed in Geosonics: Listening Through Earth's Soundscapes. Working across sound studies, media theory, and environmental media studies, Joshua Dittrich explores the material and metaphorical geology of the sonic environment. In an epoch of climate crisis, environment is no longer a neutral background, site, or simple “surrounding”: environment is immanently implicated in the chains of mediation that make up the material and imaginative infrastructure of our lives. The analytical task of Geosonics is to tune into that infrastructure through sound. Drawing on influential work in sound studies around the concept of transduction, this book explores how listening does not take place in a pre-existing soundscape, but rather makes place by etching out a mediated, mutually constitutive set of relations between listeners, media, and environments.

This wide-ranging, multidisciplinary collection of newly commissioned articles brings together distinguished voices in the field of Africana philosophy and African-American social and political thought. Provides a comprehensive critical survey of African-American philosophical thought. Collects wide-ranging, multidisciplinary, newly commissioned articles in one authoritative volume. Serves as a benchmark work of reference for courses in philosophy, social and political thought, cultural studies, and African-American studies.

The first major twenty-first century history of four hundred years of black writing, The Cambridge History of African American Literature presents a comprehensive overview of the literary traditions, oral and print, of African-descended peoples in the United States. Expert contributors, drawn from the United States and beyond, emphasise the dual nature of each text discussed as a work of art created by an individual and as a response to unfolding events in American cultural, political, and social history. Unprecedented in scope, sophistication and accessibility, the volume draws together current scholarship in the field. It also looks ahead to suggest new approaches, new areas of study, and as yet undervalued writers and works. The Cambridge History of African American Literature is a major achievement both as a work of reference and as a compelling narrative and will remain essential reading for scholars and students in years to come.