Tells the story of a writer bewildered by his independent wife and her female lover in Greenwich Village in the 1920s.

In 1930 Henry Miller moved from New York to Paris, leaving behind — at least temporarily — his tempestuous marriage to June Smith and a novel that had sprung from his anguish over her love affair with a mysterious woman named Jean Kronski. Begun in 1927, Crazy Cock is the story of Tony Bring, a struggling writer whose bourgeois inclinations collide with the disordered bohemianism of his much-beloved wife, Hildred, particularly when her lover, Vanya, comes to live with them in their already cramped Greenwich Village apartment. In a world swirling with violence, sex, and passion, the three struggle with their desires, inching ever nearer to insanity, each unable to break away from this dangerous and consuming love triangle.

Three stories filled with hard men and the women they desire so much that they just can't stop themselves from finding their way to the Free Use Dimension --- A place where those women are free for them to use however they want! Stories included: The Time Traveler's Free Use S**T, Free Use for the Aliens, Free Use for Bigfoot Free Use Sex, Dubcon, Dubious Consent, Taboo erotica, Forbidden, Domination, Submission, Submissive Female, Alpha Male, Group Sex, Ganged, Gangbang, Gang Bang, Menage, Bigfoot sex, Monster erotica, Monsterotica, Sasquatch Sex, Alien sex, Science fiction erotica, Erotic Horror, Sci Fi erotica, Erotica Short Stories, Dark erotica, forced sex, forced erotica, erotica short story, first time sex, virgin, rough sex

Sex Crazy Milf's, featuring three attractive, unsatisfied with their sex lives women, who set out together to enliven and invigorate their unsatisfactory day to day existence. Less A new women's sex story entitled Sex Crazy Milfs, featuring three attractive, unsatisfied with their sex lives women, who set out together to enliven and invigorate their unsatisfactory day to day existence by searching out well-endowed sexy men for their own erotic gratification. Meet these three girlfriends whose every desire is about to come to fruition as their lives suddenly get turned on their heads in a flurry of amazingly unbelievable events that will culminate in a sex orgy that will blow your mind arouse your desires and may even open a new door in your lives. This is a U.S.A based story.

Two hot novelettes that pull no punches, the first sex from a young mans viewpoint, the second, older women vying for a man.

A “brilliant and provocative” (The New Yorker) celebration of Melville’s masterpiece—from the bestselling author of In the Heart of the Sea, Valiant Ambition, and In the Hurricane's Eye One of the greatest American novels finds its perfect contemporary champion in Why Read Moby-Dick?, Nathaniel Philbrick’s enlightening and entertaining tour through Melville’s classic. As he did in his National Book Award–winning bestseller In the Heart of the Sea, Philbrick brings a sailor’s eye and an adventurer’s passion to unfolding the story behind an epic American journey. He skillfully navigates Melville’s world and illuminates the book’s humor and unforgettable characters—finding the thread that binds Ishmael and Ahab to our own time and, indeed, to all times. An ideal match between author and subject, Why Read Moby-Dick? will start conversations, inspire arguments, and make a powerful case that this classic tale waits to be discovered anew. “Gracefully written [with an] infectious enthusiasm…”—New York Times Book Review

In this bold study James M. Decker argues against the commonly held opinion that Henry Miller’s narratives suffer from ‘formlessness’. He instead positions Miller as a stylistic pioneer, whose place must be assured in the American literary canon. From Moloch to Nexus through such widely-read texts as Tropic of Cancer and Tropic of Capricorn, Decker examines what Miller calls his ‘spiral form’, a radically digressive style that shifts wildly between realism and the fantastic. Drawing on a variety of narratological and critical sources, as well as Miller’s own aesthetic theories, he highlights that this fragmented narrative style formed part of a sustained critique of modern spiritual decay. A deliberate move rather than a compositional weakness, then, Miller’s style finds a wide variety of antecedents in the work of such figures as Nietzsche, Rabelais, Joyce, Bergson and Whitman, and is viewed by Decker as an attempt to chart the journey of the self through the modern city. Henry Miller and Narrative Form affords readers new insights into some of the most challenging writings of the twentieth century and provides a template for understanding the significance of an extraordinary and inventive narrative form.