V. Gordon Childe was the first scholar to attempt a broad and sustained socioeconomic analysis of the archaeology of the ancient world in terms that, today, could be called explanatory. To most, he was remembered only as a diligent synthesizer whose whole interpretation collapsed when its chronology was demolished. There was little recognition of his insistence that the emergence of craft specialists, and their very variable roles in the relations of production, were crucial to an understanding of social evolution. The interrelationship between sociopolitical complexity and craft production is a critical one, so critical that one might ask, just how complex would any society have become without craft specialization. This volume derives from the papers presented at a symposium at the American Anthropological Association meetings on the centenary of Childe's birth. Contributors to the volume include David W. Anthony, Philip J. Arnold III, Bennet Bronson, Robert Chapman, John E. Clark, Cathy L. Costin, Pam J. Crabtree, Philip L. Kohl, D. Blair Gibson, Antonio Gilman, Vincent C. Piggott, Jeremy A. Sabloff, Gil J. Stein, Ruth Tringham, Anne P. Underhill, Bernard Wailes, Peter S. Wells, Joyce C. White, Rita P. Wright, and Richard L. Zettler. Symposium Series Volume VI University Museum Monograph, 93

In this book, internationally distinguished contributors consider hot topics in turn-of-the-millennium archaeology and chart an ambitious agenda for the future.

The Affect of Crafting' presents an interrogation of materiality and crafting, a consideration of the situatedness of the technological practice of crafting itself, and the forms of relationships that exist between all things transformed in the act of crafting: bodies, minerals and landscapes.

Why is there such a proliferation of economic discourses in literary theory, cultural studies, anti-sweatshop debates, popular music, and other areas outside the official discipline of economics? How is the economy represented in different ways by economists and non-economists?In this volume, scholars from a wide variety of disciplines and countrie

Households are, without question, the most important social units in human society. They are interactive social units whose primary concern is the day-to-day well being of their kith and kin. Households reproduce themselves and provide their members with the economic, psychological, and social resources necessary to live their lives. Although households vary enormously in size and organization, they are the fundamental social settings in which families are defined and cultural values are transmitted through a range of domestic activities and rituals. Despite their many functions, it is the range and productivity of their economic activities that determine the success, survival and well being of their members. Households are the primary production and consumption units in society and provide the vehicle through which resources are pooled, stored, and distributed to their members. Survival and reproduction is their business and the work they do determines their success.

In The Evolution of Ceramic Production Organization in a Maya Community, Dean E. Arnold continues his unique approach to ceramic ethnoarchaeology, tracing the history of potters in Ticul, Yucatán, and their production space over a period of more than four decades. This follow-up to his 2008 work Social Change and the Evolution of Ceramic Production and Distribution uses narrative to trace the changes in production personnel and their spatial organization through the changes in production organization in Ticul. Although several kinds of production units developed, households were the most persistent units of production in spite of massive social change and the reorientation of pottery production to the tourist market. Entrepreneurial workshops, government-sponsored workshops, and workshops attached to tourist hotels developed more recently but were short-lived, whereas pottery-making households extended deep into the nineteenth century. Through this continuity and change, intermittent crafting, multi-crafting, and potters' increased management of economic risk also factored into the development of the production organization in Ticul. Illustrated with more than 100 images of production units, The Evolution of Ceramic Production Organization in a Maya Community is an important contribution to the understanding of ceramic production. Scholars with interests in craft specialization, craft production, and demography, as well as specialists in Mesoamerican archaeology, anthropology, history, and economy, will find this volume especially useful.

The contributions to this volume are introduced via a critical review of terms and concepts used in craft production studies today. Recent detailed contextual and technological analyses of artifacts from all aspects of complex societies have revealed interesting patterns that are difficult to conceptualize using a purely economic framework. Furthermore, interest in practice theory, and sociocultural theory in general, has shifted some foci of archaeological investigation toward the social aspects of production and specialization.