Much of the city can't wake up. And more are dozing off each day. Instead of powerful forces storming Seattle, a more insidious invasion is happening. Most of Joanne Walker's fellow cops are down with the blue flu—or rather the blue sleep. Yet there's no physical cause anyone can point to—and it keeps spreading. It has to be magical, Joanne figures. But what's up with the crazy dreams that hit her every time she closes her eyes? Are they being sent by Coyote, her still-missing spirit guide? The messages just aren't clear. Somehow Joanne has to wake up her sleeping friends while protecting those still awake, figure out her inner-spirit dream life and, yeah, come to terms with these other dreams she's having about her boss….

The first anthology of First Nations drama to be published in Canada, this volume includes seminal work by various authors, and also features previously unpublished plays.

In this stunning debut, Sarah Friedman journeys to the Southwest to buy art for her family's New York gallery. Determined to put aside personal disappointments, she seeks new perspectives in the serenity of the desert landscape. Then her car breaks down on a Navajo reservation near the home of an aloof artist. And soon she will have to choose between love and duty, commitment and freedom--and learn to fight for what matters most.

Developed from her tremendously popular blog, this book offers the inspiring and beautifully illustrated account of the author's experiences raising an orphaned coyote as a beloved pet. Full-color photographs throughout.

Growing up in the suburbs of Boston and raised on secular Judaism, Cocoa Puffs, and Gilligan’s Island, Peter Bebergal was barely in his teens when the ancient desire to finding higher spiritual meaning in the universe struck. Already schooled in mysticism by way of comic books, Dungeons & Dragons, and Carlos Castaneda, he turned to hallucinogens, convinced they would provide a path to illumination. Was this profound desire for God—a god he believed that could only be apprehended by an extreme state of altered consciousness—simply a side effect of the drugs? Or was it a deeper human longing that was manifesting itself, even on a country club golf course at the edge of a strip mall? Too Much to Dream places Bebergal’s story within the cultural history of hallucinogens, American fascination with mysticism, and the complex relationship between drug addiction, popular culture, rock ‘n’ roll, occultism, and psychology. With a captivating foreword by Peter Coyote, and interviews with writers, artists, and psychologists such as Dennis McKenna, James Fadima, Arik Roper, Jim Woodring, and Mark Tulin, Bebergal offers a groundbreaking exploration of drugs, religion, and the craving for spirituality entrenched in America’s youth.

Coyote is a dreamer and a drama queen, brazen and brave, faithful yet fiercely independent. She beats her own drum and sews her own crop tops. A gifted equestrian, she’s half dog, half coyote, and all power. With the help of her trusty steed, Red, there’s not much that’s too big for her to bite off, chew up, and spit out right into your face, if you deserve it. But when Coyote and Red find themselves on the run from a trio of vengeful bad dogs, get clobbered by arrows, and are tragically separated, our protagonist is left fighting for her life and longing for her displaced best friend. Taken in by a wolf clan, Coyote may be wounded, but it’s not long before she’s back on the open road to track down Red and tackle the dogs who wronged her. An homage to and a lampoon of Westerns like Butch Cassidy and the Sundance Kid, Lisa Hanawalt’s Coyote Doggirl is a self-aware, playful subversion of tropes. As our fallible hero attempts to understand the culture of the wolves, we see a journey in understanding and misunderstanding, adopting and co-opting. Uncomfortable at times but nonetheless rewarding and empowering, the story of these flawed, anthropomorphized characters is nothing if not relentlessly hilarious and heartbreakingly human. Told in Hanawalt’s technicolor absurdist style, Coyote Doggirl is not just a send-up of the Western genre but a deeply personal story told by an enormously talented cartoonist.

Shelby Jane Cooper is seventeen, pretty and quiet. It's just Shelby and her mom, Shaylene, a court stenographer who wears pyjama jeans, stitches tapestry, eats ice-cream for dinner and likes to keep Shelby safe. So safe she barely goes out. So safe she doesn't go to school. Because anything could happen, to a girl like Shelby. Anything. When Shelby gets knocked down by a car, it's not just her leg that's broken: Shelby's world is shattered. Her mom turns up to collect her and drives off into the night, like it's the beginning of a road trip, like two criminals on the run, like Thelma and Louise or Bonnie and Clyde. And somehow, everywhere she looks, there's a coyote watching her, talking to her, telling her not to believe. Who is Shelby Jane Cooper? If the person who keeps you safe also tells you lies, who can you trust?