He gave her his heart. She gave him a daughter.

The renegade cowboy returns It’s been nine years since Trask Beaumont left Gilt Edge, Montana, with an unsolved crime in his wake, and Lillian Cahill has convinced herself she’s finally over him. But when the rugged cowboy with the easy smile suddenly shows up at her bar, there’s a pang in her heart arguing the attraction never faded. And that’s dangerous, because Trask has returned on a mission to clear his name and win Lillie back. Tired of running, Trask knows he must uncover the truth of the past before he can hope for a future with the woman he’s never forgotten. But if Lillie’s older brother, the sheriff, learns that Trask is back in town, he’ll arrest him for murder. Now Trask is looking for a showdown, and he won’t leave town again without one—or without Lillie.

Nothing will stop a Cahill cowboy from protecting what’s his After a rocky marriage and even rockier divorce, Sheriff Flint Cahill finally has something good in his life again. Maggie Thompson’s down-to-earth charm and beautiful smile hooked him from the start. When she disappears on the day they plan to start their lives together, all signs point to abduction—and his ex-wife. Functioning on adrenaline and instinct, Flint must call on his every resource to bring Maggie home before it’s too late. His past and future are blurred. Maggie’s only chance at surviving her abductor and a raging winter storm depends on an old vendetta that could destroy it all. But the Cahills don’t give up easily, and Flint’s love will have to be strong enough to conquer anything, including the unimaginable.

Jessica Chambers stared into the deep blue eyes of her baby's father and saw a stranger. The ranch hand with amnesia whom she'd called "Joe" was gone forever. For Prince Lucas Sebastiani had regained his memory and his life--and now he had come to claim the mother of his child as his future queen. But although her body burned for his sensual touch, Jessica knew she must resist. Her regal suitor spoke of privilege and duty but said nothing of the feelings in his heart for his commoner bride. And though Lucas had laid his kingdom at Jessie's feet, all she wanted was his love....

She never expected this Cahill to be her hero—or the only man she'd need

She’ll risk everything to bring her cowboy back home... One week ago, Cyrus Cahill told Ashley Jo ‘AJ’ Somerfield that he’d be back in her arms by the weekend. He just needed to buy a bull for his ranch, and then they’d pick up where they left off after that romantic ride through the foothills. But now he’s gone missing and everyone — even the sheriff — believes he’s dead. Everyone...but AJ. She suspects foul play and she won’t rest until Cyrus is back home in Gilt Edge, right where he belongs. Because Cyrus isn’t the kind of cowboy who breaks a promise. And since she’s not the kind of woman who gives up on her man, AJ will risk anything to help bring him home...even her own life. Don’t miss this suspenseful conclusion of The Montana Cahills series from New York Times bestselling author B.J. Daniels.

A novel attempt to make sense of our preoccupation with copies of all kinds—from counterfeits to instant replay, from parrots to photocopies. The Culture of the Copy is a novel attempt to make sense of the Western fascination with replicas, duplicates, and twins. In a work that is breathtaking in its synthetic and critical achievements, Hillel Schwartz charts the repercussions of our entanglement with copies of all kinds, whose presence alternately sustains and overwhelms us. This updated edition takes notice of recent shifts in thought with regard to such issues as biological cloning, conjoined twins, copyright, digital reproduction, and multiple personality disorder. At once abbreviated and refined, it will be of interest to anyone concerned with problems of authenticity, identity, and originality. Through intriguing, and at times humorous, historical analysis and case studies in contemporary culture, Schwartz investigates a stunning array of simulacra: counterfeits, decoys, mannequins, and portraits; ditto marks, genetic cloning, war games, and camouflage; instant replays, digital imaging, parrots, and photocopies; wax museums, apes, and art forgeries—not to mention the very notion of the Real McCoy. Working through a range of theories on biological, mechanical, and electronic reproduction, Schwartz questions the modern esteem for authenticity and uniqueness. The Culture of the Copy shows how the ethical dilemmas central to so many fields of endeavor have become inseparable from our pursuit of copies—of the natural world, of our own creations, indeed of our very selves. The book is an innovative blend of microsociology, cultural history, and philosophical reflection, of interest to anyone concerned with problems of authenticity, identity, and originality. Praise for the first edition “[T]he author... brings his considerable synthetic powers to bear on our uneasy preoccupation with doubles, likenesses, facsimiles, replicas and re-enactments. I doubt that these cultural phenomena have ever been more comprehensively or more creatively chronicled.... [A] book that gets you to see the world anew, again.” —The New York Times “A sprightly and disconcerting piece of cultural history” —Terence Hawkes, London Review of Books “In The Culture of the Copy, [Schwartz] has written the perfect book: original and repetitive at once.” —Todd Gitlin, Los Angeles Times Book Review