This is Jay Hulme's first published collection of poetry. It showcases his unique voice and form of expression. The poems have been carefully selected to chart Jay's journey from growing up in a working-class family in Leicestershire to his feelings and thoughts about school life and his experience as a transgender teenager. As Jay says himself: When it was decided that this collection would be for teenagers I was left with this determination, that this collection wouldn't speak down to anyone, that the world I portrayed within it would be the world we live in, that there would be no attempt to make reality 'appropriate for children'. People seem to forget that teenagers live in the same world as everyone else, and they face the same struggles adults face every day. Teenagers deal with racism and sexism and disability and poverty and so much more that we don't even see. The things that are traditionally seen as inappropriate for young people to see, are so often the same things they experience day to day.

This volume contains Pulitzer Prize-winning stories and pictures about five U.S. neighbor countries. The Bahamas are represented by articles showing the connections between Gamblers and Criminals, and the country also is characterized as an Offshore Tax Paradise, based on the so-called Panama Papers. Reports on Canada analyse the Social-Economic System and describe the main Resources and Industries. The Cuba book chapter discusses the brutal Batista government and discloses Fidel Castro's Soviet Policy. There are articles on Richness and Poorness in Haiti and photos from the End of the Military Rule. Finally, Mexico's Drug Corruption Chains are unveiled as well as the country's strange Criminal Justice System.

Seventeen-year-old Enrique "Quique" Luna decides to get over his crush on Saleem Kanazi before the end of summer by pursuing other romantic prospects, but he ends up discovering heartfelt truths about friendship, family, and himself.

Damn Son Where Did You Find This? is the first book ever to focus on the cover art of the modern US hiphop mixtape. A visual world that reached unseen levels at the turn of the millennium, uncensored, unregulated and extreme, it is a the most anarchic of all genres of graphic design.Freed from major label guidelines, lawyer opinions and moral hindrances the designers featured in this seminal book are truly unique - something that is hard to come by in today's global world of intertwined visual tendencies.Along with 500 cover artworks from designers KidEight, Miami Kaos, Mike Rev, Tansta & Skrilla, including interviews with artists and DJs which tell the stories of how they slipped into the hiphop mixtape industry.They take us through the creative process, how visual trends have come and gone, moral hazards and how designing mixtape covers changed the trajectories of their lives.This book is a document showing the work of five extraordinary Adobe Photoshop wizards who day after day, get up, draw up an epic scene centered around one or more rappers, and finish it off with blazing typography, all in the matter of a couple of hours and for as many hundred dollars.Created by graphic designer Michael Thorsby, and media producer Tobias Hansson

The 'sedimentary cover' refers to the stratified rocks of youngest Proterozoic and Phanerozoic age that rest upon the largely crystalline basement rocks of the continental interior. This volume presents data and interpretations of the geophysics of the craton and summarizes the craton's tectonic evolution. It also presents the stratigraphy, structural history, and economic geology of specific sedimentary basins (e.g. Appalachian basin) and regions (e.g. Rocky Mountains). It concludes with a discussion of the currently popular theories of cratonal tectonics, & unresolved questions are identified.

"A surreal excursion into heartache and horror narrated by a man undone by grief . . . Along with allusions to Rod Serling and The Exorcist, there are shades of H. P. Lovecraft, Stephen King, zombie literature and, at least once, A Hitchhiker’s Guide to the Galaxy . . . You don't want to read this book right before bed." —Sarah Lyall, The New York Times Book Review “This intense cosmic horror with a touch of Mexican American folklore is incredibly creepy and moving.” —Margaret Kingsbury, BuzzFeed It was Vera’s idea to buy the Itza. The “world’s most advanced smart speaker!” didn’t interest Thiago, but Vera thought it would be a bit of fun for them amidst all the strange occurrences happening in the condo. It made things worse. The cold spots and scratching in the walls were weird enough, but peculiar packages started showing up at the house—who ordered industrial lye? Then there was the eerie music at odd hours, Thiago waking up to Itza projecting light shows in an empty room. It was funny and strange right up until Vera was killed, and Thiago’s world became unbearable. Pundits and politicians all looking to turn his wife’s death into a symbol for their own agendas. A barrage of texts from her well-meaning friends about letting go and moving on. Waking to the sound of Itza talking softly to someone in the living room . . . The only thing left to do was get far away from Chicago. Away from everything and everyone. A secluded cabin in Colorado seemed like the perfect place to hole up with his crushing grief. But soon Thiago realizes there is no escape—not from his guilt, not from his simmering rage, and not from the evil hunting him, feeding on his grief, determined to make its way into this world. A bold, original horror novel about grief, loneliness and the oppressive intimacy of technology, This Thing Between Us marks the arrival of a spectacular new talent.

PREVIOUS BOOK IN SERIES: IT ENDS WITH US, ISBN 9781501110368. Before 'It Ends with Us', it started with Atlas. Colleen Hoover tells fan favourite Atlass side of the story and shares what comes next in this long-anticipated sequel to the glorious and touching (USA TODAY) 'It Ends With Us'.