Covenants without Swords examines an enduring tension within liberal theory: that between many liberals' professed commitment to universal equality on the one hand, and their historic support for the politics of hierarchy and empire on the other. It does so by examining the work of two extremely influential British liberals and internationalists, Gilbert Murray and Alfred Zimmern. Jeanne Morefield mounts a forceful challenge to disciplinary boundaries by arguing that this tension, on both the domestic and international levels, is best understood as frequently arising from the same, l.

This book constitutes a major and comprehensive reevaluation of British defence policy in the early 1930s.The author traces the evolution of British opinion toward rearmament, from opposition to approval, between 1931 and 1935 and assesses the impact of this opinion on the formation of the Government's defence policy. He places public opinion among the many factors which determined the extent and timing of British rearmament during this period and concludes that the leaders of those Governments were not "Guilty Men" who let political considerations overrule their responsibility for national security, but rather prudent men who decided on rearmament before it was publicly acceptable. Documented from such sources as newspaper editorials, cabinet papers, speeches of Members of Parliament, and results of by-elections, the book will be of interest to historians, students of policy decisions and public opinion, and persons interested in the events leading to World War II.

Table of contents

Covenants without Swords examines an enduring tension within liberal theory: that between many liberals' professed commitment to universal equality on the one hand, and their historic support for the politics of hierarchy and empire on the other. It does.

This book brings together leading legal theorists to present original philosophical work on the concept of law - the central question of jurisprudence. It covers five broad topics: firstly it addresses debates concerning the methodology of jurisprudence. In Part II it focuses on the notion of a legal system and its coercive nature, while Part III explores the relationships between law and morality, the traditional point of contention between positivist and non-positivist theories of law. Part IV then examines questions regarding law’s normative character and relationships with practical reason. Lastly, the final part introduces two novel theoretical approaches to conceptual jurisprudence.

This book argues that twenty-first-century neorealist fiction is inspired by political and journalistic discourses and, along with them, constitutes one of the many representations of the attacks on September 11 and their outcomes. Adopting a neorealist stance, this book is placed at the intersection of realism and fiction, with often reference to what is perceived as objective writing (media and political texts), not at all so divorced from the practice of literary writings on the event that shook the world on September 11, 2001.

'PHILOSOPHY, or the doctrine and discipline of ideas' as S. T. Coleridge understood it, is the theme of this book. It considers the most vital and mature vein of Coleridge's thought to be the contemplation of ideas objectively, as existing powers. A theory of ideas emerges in critical engagement with thinkers including Plato, Plotinus, Böhme, Kant, and Schelling. A commitment to the transcendence of reason, central to what he calls the spiritual platonic old England, distinguishes him from his German contemporaries. The book also engages with Coleridge's poetry, especially in a culminating chapter dedicated to the Limbo sequence. This book pursues a theory of contemplation that draws from Coleridge's theories of imagination and the Ideas of Reason in his published texts and extensively from his thoughts as they developed throughout unpublished works, fragments, letters, and notebooks. He posited a hierarchy of cognition from basic sense intuition to the apprehension of scientific, ethical, and theological ideas. The structure of the book follows this thesis, beginning with sense data, moving upwards into aesthetic experience, imagination, and reason, with final chapters on formal logic and poetry that constellate the contemplation of ideas. Coleridge's Contemplative Philosophy is not just a work of history of philosophy, it addresses a figure whose thinking is of continuing interest, arguing that contemplation of ideas and values has consequences for everyday morality and aesthetics, as well as metaphysics. The volume will be of interest to philosophers, intellectual historians, scholars of religion, and of literature.