This volume, in celebration of Peter Machinist, Hancock Professor of Hebrew and Other Oriental Languages at Harvard University, includes twenty-eight illuminating essays on ancient Near Eastern history and literature, which focus especially on the intersection of these fields. Contributors include one of Machinist’s teachers, several of his students, and numerous colleagues and friends. These essays probe topics for which Machinist’s work has often set new standards. And in the spirit of the honoree and his interests, these comparative studies encompass Babel, Bibel, and more. In them, Assyriologists contend with biblical cruxes and biblicists engage Assyriological research, while classicists and Hittitologists participate with considerations of their respective disciplines within a broad cross-cultural context. The volume is a must for anyone committed to the ongoing comparative study of the ancient Near East, and within that framework, the historical study of the Hebrew Bible.

This groundbreaking volume presents a new translation of the text and detailed interpretation of almost every word or phrase in the book of Judges, drawing from archaeology and iconography, textual versions, biblical parallels, and extrabiblical texts, many never noted before. Archaeology also serves to show how a story of the Iron II period employed visible ruins to narrate supposedly early events from the so-called "period of the Judges." The synchronic analysis for each unit sketches its characters and main themes, as well as other literary dynamics. The diachronic, redactional analysis shows the shifting settings of units as well as their development, commonly due to their inner-textual reception and reinterpretation. The result is a remarkably fresh historical-critical treatment of 1:1-10:5.

Nahum Sarna's distinctive and original scholarship has taken in a wide range of subject areas from work on Genesis and the Psalms to his Jewish Bible commentary and the English translation of the Ketuvim. At first Assistant Professor of Bible at the Jewish Theological Seminary of America in the 1950s, he was Dora Golding Professor of Bible at Brandeis University from 1965 to his retirement. This collection of 22 essays reflects Professor Sarna's breadth of interests, with contributions from the late Gershon Cohen on the Hebrew Crusade Chronicle and the Ashkenazic tradition; Judah Goldin on Reuben; Moshe Greenberg and Jonas Greenfield on the work of the Jewish Publication Society's Ketuvim translators; and Shemaryahu Talmon on fragments of a Psalms scroll from Masada.

The Song of Songs is the only book of the Bible to privilege the voice of a woman, and its poetry of love and eroticism also bears witness to violence. How do the contemporary #MeToo movement and other movements of protest and accountability renew questions about women, gender, sex, and the problematic of the public at the heart of this ancient poetry? This edited volume seeks to reinvigorate feminist scholarship on the Song by exploring diverse contexts of reading, from Akkadian love lyrics, to Hildegard of Bingen, to Marc Chagall.

For centuries, the Garden of Eden story has been a cornerstone for the Christian doctrine of the Fall and original sin. In recent years, many scholars have disputed this understanding of Genesis 3 because it has no words for sin, transgression, disobedience, or punishment. Instead, it is about how the human condition came about. Yet the picture is not so simple. The Genesis of Good and Evil examines how the idea of the Fall developed in Jewish tradition on the eve of Christianity. In the end, the Garden of Eden is a rich study of humans in relation to God that leaves open many questions. One such question is, Does Genesis 3, 4, and 6, taken together, support the Christian doctrine of original sin? Smiths well-informed, close reading of these chapters concludes that it does. In this book, he addresses the many mysterious matters of the Garden story and invites readers to explore questions of their own.