A landmark illustrated history of rural church monuments - the forgotten national treasures of England and Wales Deep in the countryside, away from metropolitan abbeys and cathedrals, thousands of funerary monuments are hidden in parish churches. These artworks - medieval brasses and elegant marble effigies, stone tomb chests and grand mausoleums - are of great historical and cultural significance, but have, due to their relative inaccessibility, faded from accounts of our art history. Over twenty-five years, C. B. Newham FSA has visited and photographed more than eight thousand rural churches, cataloguing the monumental sculptures encountered on his quest. In Country Church Monuments, he presents 365 of the very best, each accompanied by detailed photographs, biographies of both the deceased and their sculptors and a wealth of contextual material. Many of these works commemorate famous historical figures, from scheming Tudor courtier Richard Rich to Victorian prime minister William Ewart Gladstone. But more moving are the countless others - minor aristocrats, small-time industrialists, much-loved mothers, fathers and children - who, if not for their memorials, would wholly be lost to time. As Newham blows the dust off these artworks and breathes life into the stories they tell, a new aesthetic history of rural England and Wales emerges. Country Church Monuments is a poignant record of the art we make at the borders of life and death, of our ceaseless human striving for eternity.

Beautifully illustrated narrative history of the English country church In his engaging account, Sir Roy Strong celebrates the life of the English parish church From the arrival of the missionaries from Ireland and Rome, to the beautiful architecture and rich spirituality of medieval Catholicism; from the cataclysm of the Reformation, to the gentrified cleric we meet in Jane Austen novels, Roy Strong takes us on a journey - historical, social and spiritual - to explore what men and women experienced through the age when they went to church on Sunday. ‘Anyone with the slightest interest in the English parish church, of its life today, or its history will be intrigued, informed and enchanted by this lucid, and occasionally provocative, account’ Country Life

This charming book takes you through the counties of England, exploring Saxon churches, reflective of simple faith; Norman churches with rugged arches and powerful pillars, stamping their authority, gothic churches with their soaring arches; Decorated and Perpendicular churches made glorious with Early English style and craftsmanship; Victorian churches, resplendent with imperial pomp; eccentric Arts and Crafts churches. Every one of them has a remarkable tale to tell, that will move you to exclaim, again and again: ‘I never knew that!’.

An illustrated history reflects the structures, people, and movements of religious America with a region-by-region tour of notable country churches that examines basic architecture and the beliefs of the people who attended them.

In her 91st year, this book includes 90 of Welty's photos along with a conversation in which she shares her impressions and memories of the 1930s and 1940s when she rambled through Mississippi cemeteries taking pictures.

St Edmund's Church in the beautiful village of Warkton, Northamptonshire is an unassuming place – but it holds some of the most exquisite sculptures in all of Britain. Commissioned by the local Montagu family, these four Baroque marble statues commemorate the lives of four of their members. Two of the statues were created by Louis Francois Roubiliac, one of the greatest sculptors of Georgian England. Adorned with related poems by schoolchildren and other locals, this illustrated guide explains the history of St Edmund's Church, the Montagu family and the monuments they erected between the 1750s and 1830s. It also details their painstaking restoration in recent years and the role of the church in the community.

The twentieth century in Russia has been a cataclysm of rare proportions, as war, revolution, famine, and massive political terror tested the limits of human endurance. The results of this assault on Russian culture are particularly evident in ruined architectural monuments, some of which are little known even within Russia itself. Over the past two decades William Craft Brumfield, noted historian of Russian architecture, has traveled throughout Russia and photographed many of these neglected, lost buildings, haunting in their ruin. Lost Russia provides a unique view of Brumfield's acclaimed work, which illuminates Russian culture as reflected in these remnants of its distinctive architectural traditions.