THE STORIES: COUNTING THE WAYS. In a series of blackout sketches, He and She probe into the nature of their love for one another. Long married, but aware that time has wrought changes in their relationship, the two spar and thrust at each other

Grace Barnes, living in her subterranean one-room flat at the nether end of Earl’s Court, feels out of tune with striving, self-seeking 1980’s London. Meeting Archie Copeland, she is gratified to have found a man who shares her obsession for reading and seems more fascinated by Shelley than shifting share prices. In Oxford, Hester, Grace’s mother, considers her estranged marriage to Fergus, who left her thirty years before to go and live on a remote Welsh hillside in pursuit of self-sufficiency. His subsequent appearance at Grace and Archie’s quiet wedding is a surprise and she finds it hard to quantify her feelings about him. Soon, Grace is troubled by a distance in Archie, and a tendency to covert actions even though his faithfulness appears absolute. Moving to the countryside seems to offer relief, but the recession of the late 1980s impacts upon them both professionally and Grace is aware of a growing inadequacy in communication between the two of them as they struggle to talk openly. A spontaneous holiday on the Mediterranean island of Kronos provides a respite for them both and they begin to consider a permanent move away, but then Archie suddenly disappears. In the wake of this, Grace uncovers a trail of debts and increasing evidence of his duplicity. Remaining on Kronos, finding a job and friendship, Grace determines to find Archie. Hester is anxious to help, while Fergus is unexpectedly forthright in his attempts to assist. Archie, meanwhile, is forced to confront years of self-delusion. In the shadow of Archie’s absence, Grace, Fergus and Hester find themselves facing the truth of their fractured relationships and considering how, so often, it has been the unspoken words rather than those uttered that have contributed towards conflict and separation. Counting the Waysexplores the fears that shadow our lives – failure, loss, regret and mortality – and will appeal to fans of contemporary fiction. It also makes an ideal book group read.

After five major concussions, NFL tight-end Ben Utecht of the Indianapolis Colts and Cincinnati Bengals is losing his memories. This is his powerful and emotional love letter to his wife and daughters—whom he someday may not recognize—and an inspiring message for all to live every moment fully. Ben Utecht has accumulated a vast treasure of memories: tossing a football in the yard with his father, meeting his wife, with whom he’d build a loving partnership and bring four beautiful daughters into the world, writing and performing music, catching touchdown passes from quarterback Peyton Manning, and playing a Super Bowl Championship watched by ninety-three million people. But the game he has built his living on, the game he fell in love with as a child, is taking its toll in a devastating way. After at least five major concussions—and an untold number of micro-concussions—Ben suffered multiple mild traumatic brain injuries that have erased important memories. Knowing that his wife and daughters could someday be beyond his reach and desperate for them to understand how much he loves them, he recorded his memories for them to hold on to after his essential self is gone. Counting the Days While My Mind Slips Away chronicles his remarkable journey from his early days throwing a football back and forth with his father to speaking about the long-term effects of concussions before Congress, and how his faith keeps him strong and grounded as he looks toward an uncertain future. Ben recounts the experiences that have shaped his life and imparts the lessons he’s learned along the way. Emotionally powerful, inspiring, and uplifting, Ben’s story will captivate and encourage you to make the most of every day and treasure all of your memories.

This volume documents the life and works of the acclaimed playwright, Edward Albee. His first four plays were all produced Off Broadway from 1960-1961, creating buzz that he was an up-and-coming avant-garde playwright. But his most notable accomplishment came a year later with his first full-length play, Who's Afraid of Virginia Woolf?. His plays were linked with the philosophies of the European absurdists, Beckett and Ionesco, and the American traditional social criticism of Arthur Miller, Tennessee Williams, and Eugene O'Neill. Intended to serve as a quick reference guide and an exhaustive resource, this collection includes play synopses and critical overviews, production histories and credits, and locator suggestions on unpublished archival material and lists of texts/anthologies that have published Albee's material. The two secondary bibliographies contained within are fully annotated chronologically and alphabetically with the year of publication, presenting a fuller sense of Albee's playwriting career.

This work covers the canon of playwright Edward Albee, perhaps best known as the author of Who's Afraid of Virginia Woolf? Comprehensive entries detail the plays and major characters. Other features include biographical information and insights into Albee's artistic beliefs, his understanding of the playwright's responsibility, the importance of music in drama, and the technical craft of writing plays.