Quantifiable citizenship in the form of birth certificates, census forms, and immigration quotas is so ubiquitous that today it appears ahistorical. Yet before the modern colonial era, there was neither a word for "population" in the sense of numbers of people, nor agreement that monarchs should count their subjects. Much of the work of naturalizing the view that people can be represented as populations took place far outside government institutions and philosophical treatises. It occurred instead in the work of colonial writers who found in the act of counting a way to imagine fixed boundaries between intermingling groups. Counting Bodies explores the imaginative, personal, and narrative writings that performed the cultural work of normalizing the enumeration of bodies. By repositioning and unearthing a literary pre-history of population science, the book shows that representing individuals as numbers was a central element of colonial projects. Early colonial writings that describe routine and even intimate interactions offer a window into the way people wove the quantifiable forms of subjectivity made available by population counts into everyday life. Whether trying to make sense of plantation slavery, frontier warfare, rapid migration, or global commerce, writers framed questions about human relationships across different cultures and generations in terms of population.

This is a compilation of passionately written poetry that emotionally and vulnerably challenges love, life, mental health, and problems plaguing relationships in the technological era such as unfaithfulness, broken hearts, unrequited love, trauma and open wounds so intimately through clear communication that anyone can find a piece of themselves within its pages. The author hoped to skip pass the color of the roses and get to the raw points as authentically as she could in a millennial-like tone hoping to foster open discussions on topics that are usually glossed over.

Sean Strub arrived in Washington, D.C. in 1976 harbouring a terrifying secret: his attraction to men. As Strub explored the capital's political and social circles, he discovered a parallel world where powerful men lived double lives shrouded in shame. When the AIDS epidemic hit in the early '80s, Strub turned to activism to combat discrimination and demand research. Strub takes readers through his own diagnosis and inside ACT UP, the activist organisation that transformed a stigmatised cause into one of the defining political movements of our time.

Bringing together established and emerging voices in Critical Terrorism Studies (CTS), this book offers fresh and dynamic reflections on CTS and envisages possible lines of future research and ways forward. The volume is structured in three sections. The first opens a space for intellectual engagement with other disciplines such as Sociology, Peace Studies, Critical Pedagogy, and Indigenous Studies. The second looks at topics that have not received much attention within CTS, such as silences in discourses, the politics of counting dead bodies, temporality or anarchism. The third presents ways of ‘performing’ CTS through research-based artistic performances and productions. Overall, the volume opens up a space for broadening and pushing CTS forward in new and imaginative ways. This book will be of interest to students of critical terrorism studies, critical security studies, sociology and International Relations in general. Chapters 2 of this book are available for free in Open Access at www.taylorfrancis.com. It has been made available under a Creative Commons Attribution 4.0 International 4.0 license.

Depending on the breadth or narrowness of the understanding of politics and the political, "politics" in human geography is defined as either the operation of power in all social relations or the workings of power directed to or by the state. This volume avoids the two extremes by acknowledging the transformation of approaches to the political in human geography over the past few decades but also by highlighting the continued importance of the more traditional state-based conception of politics. The selected articles are clustered around six themes: new agendas in political geography, state territoriality, international relations and globalization, internal territorial organisation and geographical scale, social movements and electoral participation, and identities and citizenship.

A feminist media history of quantification, uncovering the stories behind the tools and technologies we use to count, measure, and weigh our lives and realities. Anglo-American culture has used media to measure and quantify lives for centuries. Historical journal entries map the details of everyday life, while death registers put numbers to life's endings. Today we count our daily steps with fitness trackers and quantify births and deaths with digitized data. How are these present-day methods for measuring ourselves similar to those used in the past? In this book, Jacqueline Wernimont presents a new media history of western quantification, uncovering the stories behind the tools and technologies we use to count, measure, and weigh our lives and realities. Numbered Lives is the first book of its kind, a feminist media history that maps connections not only between past and present-day “quantum media” but between media tracking and long-standing systemic inequalities. Wernimont explores the history of the pedometer, mortality statistics, and the census in England and the United States to illuminate the entanglement of Anglo-American quantification with religious, imperial, and patriarchal paradigms. In Anglo-American culture, Wernimont argues, counting life and counting death are sides of the same coin—one that has always been used to render statistics of life and death more valuable to corporate and state organizations. Numbered Lives enumerates our shared media history, helping us understand our digital culture and inheritance.

For all who inhabit a body and wonder about its place in the universe. In Loving What Doesn’t Last: An Adoration of the Body, Christina Kukuk reminds us that what matters most are things don’t last forever. We find faith, hope, and love in and the string of endings and beginnings that make a life: a mother who plants an orchard in her son’s memory, a girl’s struggle with food scarcity, an adolescent awakening to infatuation at summer camp, and a woman waiting hours for her lover’s recovery on a hospital’s transplant floor. In every fleeting moment from the first pangs of birth to our last breath, God is in all of it.