Counterpoints: A San Francisco Bay Area Atlas of Displacement and Resistance brings together cartography, essays, illustrations, poetry, and more in order to depict gentrification and resistance struggles from across the San Francisco Bay Area and act as a roadmap to counter-hegemonic knowledge making and activism. Compiled by the Anti-Eviction Mapping Project, each chapter reflects different frameworks for understanding the Bay Area’s ongoing urban upheaval, including: evictions and root shock, indigenous geographies, health and environmental racism, state violence, transportation and infrastructure, migration and relocation, and speculative futures. By weaving these themes together, Counterpoints expands normative urban-studies framings of gentrification to consider more complex, regional, historically grounded, and entangled horizons for understanding the present. Understanding the tech boom and its effects means looking beyond San Francisco’s borders to consider the region as a socially, economically, and politically interconnected whole and reckoning with the area’s deep history of displacement, going back to its first moments of settler colonialism. Counterpoints combines work from within the project with contributions from community partners, from longtime community members who have been fighting multiple waves of racial dispossession to elementary school youth envisioning decolonial futures. In this way, Counterpoints is a collaborative, co-created atlas aimed at expanding knowledge on displacement and resistance in the Bay Area with, rather than for or about, those most impacted.

Of all the books of the Bible, few are as fascinating or as intimidating as Revelation. Four grim horsemen, the Antichrist, the ten-horned beast, the ultimate battle at Armageddon, the "mark of the beast." It's no wonder that these images have griped the imagination of so many--and have been variously interpreted as symbolizing everything from Hitler and Gorbachev to credit cards and the Internet. Is the book of Revelation a blueprint for the future? A book of powerful symbolic imagery with warnings for the church? Is it essentially an imaginative depiction of historical events in the first century? Four Views on the Book of Revelation explores four interpretations of the book of the Apocalypse: Preterist – a historical interpretation, arguing that most of John’s prophecies occurred in the first century, soon after his writing of them. Idealist – a spiritual or symbolic interpretation, arguing that the events in Revelation are not literal, and that apocalyptic literature requires a different approach than the Gospels or Epistles. Classical dispensationalism – a literal interpretation based on a reading of Revelation that pays close attention to the rules of grammar and the separate eras of covenantal history. Progressive dispensationalism – a modification of classical that has its root in the understanding of Christ's reign beginning immediately after the resurrection. The Counterpoints series presents a comparison and critique of scholarly views on topics important to Christians that are both fair-minded and respectful of the biblical text. Each volume is a one-stop reference that allows readers to evaluate the different positions on a specific issue and form their own, educated opinion.

Multimedia experiments are everywhere in contemporary art, but the collaboration and conflict associated with multimedia is not a new phenomenon. From opera to the symphonic poem to paintings inspired by music, many attempts have been made to pair sounds with pictures and to combine the arts of time and space. Counterpoints explores this artistic evolution from ancient times to the present day. The book’s main focus is music and its relationship with painting, sculpture, and architecture. Philippe Junod draws on theoretical and practical examples to show how different art movements throughout history have embraced or rejected creative combinations. He explains how the Renaissance, neoclassicism, and certain brands of modernism tried to claim the purity of each mode of expression, while other movements such as romanticism, symbolism, and surrealism called for a fusion of the arts. Counterpoints is a unique cultural history, one that provides a critical understanding of a popular but previously unheralded art form.

An introduction to a complex theological issue that impacts our daily lives as believers in Christ: What is the relevance of the Old Testament Law to our understanding of the Gospel and how it should be lived? This book explores five major approaches to this important biblical topic as they've developed in Protestant circles: Non-Theonomic Reformed View – the law is the perfection of righteousness in Jesus Christ. Theonomic Reformed View – the goodness of the law is dependent on how it's used and does not offer a way to salvation. Heavily focused on Paul's discussion of the Law. Law as "Gracious Guidance" View – emphasizes the contrasts between the Mosaic law and the Gospel of grace, while still asserting the Law's value. Dispensational View – approaches the Law from a historical perspective to help us understand its presentation, treatment, and recipients. Modified Lutheran View – the Law of Christ as the fulfillment of the Law of Moses. This book allows each contributor to not only present the case for his view, but also to critique and respond to the critiques of the other contributors, allowing you to compare their beliefs in an open forum setting to see where they overlap and where they differ. The Counterpoints series presents a comparison and critique of scholarly views on topics important to Christians that are both fair-minded and respectful of the biblical text. Each volume is a one-stop reference that allows readers to evaluate the different positions on a specific issue and form their own, educated opinion.

The role of women in positions of worship and church leadership is one of the most divisive and inconclusive biblical debates. Two Views on Women in Ministry furnishes you with a clear and thorough presentation of the two primary exegetical arguments so you can better understand each one's strengths, weaknesses, and complexities. Egalitarian - equal ministry opportunity for both genders (represented by Linda L. Belleville and Craig S. Keener) Complementarian - men and women fill distinctive ministry roles (represented by Craig L. Blomberg and Thomas R. Schreiner) This revised edition brings the exchange of ideas and perspectives into the traditional Counterpoints format. Each author states his or her case and is then critiqued by the other contributors. The fair-minded, interactive Counterpoints forum allows you to compare and contrast the two different positions and form your own opinion concerning the practical and often deeply personal subject of women in ministry. The Counterpoints series presents a comparison and critique of scholarly views on topics important to Christians that are both fair-minded and respectful of the biblical text. Each volume is a one-stop reference that allows readers to evaluate the different positions on a specific issue and form their own, educated opinion.

Questions about divine providence have preoccupied Christians for generations: Are people elected to salvation? For whom did Jesus die? This book introduces readers to four prevailing views on divine providence, with particular attention to the question of who Jesus died to save (the extent of the atonement) and if or how God determines who will be saved (predestination). But this book does not merely answer readers' questions. Four Views on Divine Providence helps readers think theologically about all the issues involved in exploring this doctrine. The point-counterpoint format reveals the assumptions and considerations that drive equally learned and sincere theologians to sharp disagreement. It unearths the genuinely decisive issues beneath an often superficial debate. Volume contributors are Paul Helseth (God causes every creaturely event that occurs); William Lane Craig (through his 'middle knowledge, ' God controls the course of worldly affairs without predetermining any creatures' free decisions); Ron Highfield (God controls creatures by liberating their decision-making); and Gregory Boyd (human decisions can be free only if God neither determines nor knows what they will be). Introductory and closing essays by Dennis Jowers give relevant background and guide readers toward their own informed beliefs about divine providence.