New vocabulary for a world on the brink The Anthropocene is a term proposed for the present geological epoch (from the time of the Industrial Revolution onwards) to highlight the role of humanity in the transformation of earth's environment globally, has become the subject of scholarship not only in the sciences, but also in the arts and humanities as well. Ecopoetics, a multidisciplinary approach that includes thinking and writing on poetics, science, and theory as well as emphasizing innovative approaches common to conceptual poetry, rose out of the late 20th-century awareness of ecology and concerns of environmental disaster. Collected from contributors including Brenda Hillman, Eileen Tabios, and Christopher Cokinos, and together a monument to human responsiveness and invention, Counter-Desecration is a book of ecopoetics that compiles terms—borrowed, invented, recast—that help configure or elaborate human engagement with place. There are no analogous volumes in the field of ecocriticism and ecopoetics. The individual entries, each a sketch or a notion, through some ecopoetic lens—anti-colonialism, bioregionalism, ecological (im)balance, indigeneity, resource extraction, extinction, habitat loss, environmental justice, queerness, attentiveness, sustainability—focus and configure the emerging relations and effects of the Anthropocene. Each entry is a work of art concerned with contemporary poetics and environmental justice backed with sound observation and scholarship.

The Bill of Rights—the first 10 amendments to the U.S. Constitution—are widely misunderstood by many Americans. This book explores the widely held myths about the Bill of Rights, how these myths originated, why they have persisted, and the implications for contemporary politics and policy. Interestingly, most Americans today—even professional political commentators—misinterpret or misunderstand what the Bill of Rights' intended meaning and purposes were. Culturally ingrained myths about the Bill of Rights have helped to define what it means to be an "American" but also limited the range of political debate and justified unfair and unequal treatment of minorities. This book addresses the top ten myths regarding the Bill of Rights from the standpoint of public understanding (and misunderstanding) from a non-partisan, objective point of view, provoking independent thought and enabling readers to reach their own educated conclusions and opinions. Written by two experts in the fields of political science, public policy, media law, and civil liberties, the work explores the key role of modern news and entertainment media in contributing to public misunderstanding of individual rights and liberties. The authors also apply and interpret data from public opinion surveys to further examine public beliefs about the Bill of Rights and closely connect the analysis of misperceptions to existing political beliefs.

To date, the notion of repatriation has been formulated as a highly polarized debate with museums, archaeologists, and anthropologists on one side, and Native Americans on the other. This volume offers both a retrospective and a prospective look at the topic of repatriation. By juxtaposing the divergent views of native peoples, anthropologists, museum professionals, and members of the legal profession, it illustrates the complexity of the repatriation issue.

This breakthrough book examines dynamic intersections of poetics and geography. Gathering the essays of an international cohort whose work converges at the crossroads of poetics and the material world, Geopoetics in Practice offers insights into poetry, place, ecology, and writing the world through a critical-creative geographic lens. This collection approaches geopoetics as a practice by bringing together contemporary geographers, poets, and artists who contribute their research, methodologies, and creative writing. The 24 chapters, divided into the sections “Documenting,” “Reading,” and “Intervening,” poetically engage discourses about space, power, difference, and landscape, as well as about human, non-human, and more-than-human relationships with Earth. Key explorations of this edited volume include how poets engage with geographical phenomena through poetry and how geographers use creativity to explore space, place, and environment. This book makes a major contribution to the geohumanities and creative geographies by presenting geopoetics as a practice that compels its agents to take action. It will appeal to academics and students in the fields of creative writing, literature, geography, and the environmental and spatial humanities, as well as to readers from outside of the academy interested in where poetry and place overlap.

The story of humanity's evolving relationship with the natural world from pre-history to the present day Nature has long been the source of human curiosity and wonderment, and the inspiration for some of our deepest creative impulses. But we are now witnessing its rapid impoverishment, even destruction, in much of our world. In this beautifully illustrated book, Jeremy Mynott traces the story of nature--past, present and future. From the dramatic depictions of animals by the prehistoric cave-painters, through the romantic discovery of landscape in the eighteenth century, to the climate emergency of the present day, Mynott looks at the different ways in which humankind has understood the world around it. Charting how our ideas about nature emerged and changed over time, he reveals how the impulse to control nature has deep historical roots. As we reach an environmental crisis point, this vital study shows how human imagination and wonder can play a restorative role--and reveal what nature ultimately means to us.

"Sticks and stones may break my bones but words will never hurt me." This schoolyard rhyme projects an invulnerability to verbal insults that sounds good but rings false. Indeed, the need for such a verse belies its own claims. For most of us, feeling insulted is a distressing-and distressingly common-experience. In Sticks and Stones, philosopher Jerome Neu probes the nature, purpose, and effects of insults, exploring how and why they humiliate, embarrass, infuriate, and wound us so deeply. What kind of injury is an insult? Is it determined by the insulter or the insulted? What does it reveal about the character of both parties as well as the character of society and its conventions? What role does insult play in social and legal life? When is telling the truth an insult? Neu draws upon a wealth of examples and anecdotes-as well as a range of views from Aristotle and Oliver Wendell Holmes to Oscar Wilde, John Wayne, Katherine Hepburn, and many others-to provide surprising answers to these questions. He shows that what we find insulting can reveal much about our ideas of character, honor, gender, the nature of speech acts, and social and legal conventions. He considers how insults, both intentional and unintentional, make themselves felt-in play, Freudian slips, insult humor, rituals, blasphemy, libel, slander, and hate speech. And he investigates the insult's extraordinary power, why it can so quickly destabilize our sense of self and threaten our moral identity, the very center of our self-respect and self-esteem. Entertaining, humorous, and deeply insightful, Sticks and Stones unpacks the fascinating dynamics of a phenomenon more often painfully experienced than clearly understood.