Sasha comes to the small town of Mindalby to recover from a traumatic event, plan her next move, and seek out information to avenge her beloved uncle – the last thing she wants is a relationship. But when she meets local single dad, Cole, she can't help but be drawn to his warmth and his humour, and his two engaging children. Cole says and does all the right things, and Sasha finds herself falling, but will all of her secrets destroy the relationship before it has a chance to begin? Mindalby, a small town, a community, a home. But when the mill that supports the local cotton farmers and employs many of the town's residents closes unexpectedly, old tensions are exposed and new rifts develop. Everyone is affected and some react better than others, but one thing is certain: living on the edge of the outback means they have to survive together, or let their town die.

Lynsey Carter's relationship with her father is fraught, so when she hears that the cotton mill that is her birthright has closed down (and her father is lying low), she returns to Mindalby to support her mother and seek out answers. She hasn't been back since high school, since she left her heart behind with Julian Stone. But Julian didn't want it, or her; he wanted a life in Mindalby. Torn between family loyalty and duty to the community, between the life she's built for herself and the passion for Julian she just can't seem to shake, Lynsey needs to decide if her home–coming is for a visit – or for real. Mindalby, a small town, a community, a home. But when the mill that supports the local cotton farmers and employs many of the town's residents closes unexpectedly, old tensions are exposed and new rifts develop. Everyone is affected and some react better than others, but one thing is certain: living on the edge of the outback means they have to survive together, or let their town die.

When crisis counsellor Morgan Harris returns to his home town of Mindalby after the town's cotton mill closes, he has a hard time breaking through the townsfolk's tough exterior and getting them to accept the help that he is offering. Mental health services are few and far between out in the bush, and Morgan has to fight ingrained prejudices before he will really be able to engage with the people who need him the most. However, he has no problems engaging with Hannah Burton, the younger sister of his high school best friend. Their attraction is instant and insistent, and very inconvenient. Morgan is here to work, and Hannah is fighting battles of her own – trying to save the family farm from going under in the face of the mill's closure. Mindalby, a small town, a community, a home. But when the mill that supports the local cotton farmers and employs many of the town's residents closes unexpectedly, old tensions are exposed and new rifts develop. Everyone is affected and some react better than others, but one thing is certain: living on the edge of the outback means they have to survive together, or let their town die.

Callie has been the IT manager at the Mindalby cotton mill for all of her adult working life, and when it closes down, she realises that she has let everything else slide – including her own dreams. Seizing on the closure as a sign, she decides to open up a craft and quilting shop in town, pursuing her own interests and hobbies and taking a risk for the first time since her husband ran off with her best friend. Helping her every step of the way is Nathan, her best friend's ex–husband and the man that Callie could never have. Suddenly, Nate seems to be everywhere, sharing this adventure, offering her a hand. But Callie has been burned before. Is she able to learn to trust her heart again? Mindalby, a small town, a community, a home. But when the mill that supports the local cotton farmers and employs many of the town's residents closes unexpectedly, old tensions are exposed and new rifts develop. Everyone is affected and some react better than others, but one thing is certain: living on the edge of the outback means they have to survive together, or let their town die.

The third full-length novel in SE Gilchrist's bestselling erotic SF series mixes one sexy spy, a soldier looking for salvation and an unlikely mission to save the world. Reece, contortionist bubble dancer and part-time spy, has one goal – a safe haven and independent life far from the war. But her plans go awry and her future becomes dangerously uncertain when she is falsely accused of the murders of her friend and a Darkon traitor. Now her new list of goals includes payback. In her way is Ulrac, a banished Darkon patroller responsible for incarcerating females for barbaric 'treatments' and 'research' on the planet Isla. He's determined to use the capture of the spy and her intel to win the approval of his father – a hard-line Traditionalist with his own agenda – and help him overthrow the current ruler of Darkos. But the war of the Seven Galaxies has reached a critical stage, and personal plans and goals suddenly hold very little meaning. The enemy is poised to unleash a terrible weapon and no one stands between him and total domination of all the universes. No one – except Reece and Ulrac.

Take MIe Home is part women's fiction and part romance and is the first book in a new group writing venture, Bindarra Creek A Town Reborn, organised by the author. Fans of sweet, small town romances filled with interesting and quirky characters, drama and suspense will love this series.