In The Present Study, An Attempt Has Been To Present A Kaleidoscopic View Of The Whole Ethno-Cultural Scenario Of The Western Himalayan Region Through The Traditional Textiles, Costumes And Ornaments Of The People.

Originally published in 1979, this volume acts as a reference for the history textiles. It asks questions on the effect of technology on textiles, how did particular historical periods and locations expand or limit the possibilities for the manufacture of fabrics and how the textile history related to politics and economics, sociology and psychology, art and engineering, anthropology and archaeology, chemistry and physics. Addressing these questions, the author surveys the development of the technical components of fabrics and discusses the textiles of selected places and times. She uses prose, drawings and more than 130 photographs to show how each era of textile production reflects its age. This book is designed to serve as a college text and as a reference work for museum researchers. With sections including illustrations and diagrams; key terminology; spinning wool; spinning and raw materials; single ply and cord and fabric construction.

Through a curated collection of key Jain paintings, this volume offers a glimpse into the way people lived in western India during the medieval times: What they wore, how they ornamented themselves, what they amused themselves with, what furniture they sat on, which modes of transport they used. It includes Jain paintings from various collections in India and abroad to underscore the value of pictorial evidence in piecing together the past. The book takes the reader on a breath-taking visual journey through the varied costumes, exquisite textiles, handcrafted ornaments, curiously shaped vessels and containers, musical instruments, arms and armour, conveyances, and many such articles of everyday use. These articles of everyday use are corroborated with the descriptions left by foreign travellers passing through western India at that time. It explores contemporary lexicons and vernacular literature from this period, for possible names in vogue for the articles of Material Culture. The work is richly illustrated with line drawings by the author to highlight the objects being referred to. What comes across clearly through this book is that art is the mirror of the times, and as such, paintings reflect the society in which they are created. A magnificent read, this book will be essential for scholars and researchers of Indian painting, art history, Indian art, arts and aesthetics, Jainism, visual arts, South Asian history, Indian history, heritage studies and cultural history. It will also be a must-have for history and visual arts enthusiasts all over the world.

An essential book for those interested in Indian style and culture.

The Kuttani-mata of Damodaragupta is one of the few works in the history of classical Sanskrit literature the time and locale of the composition whereof can be ascertained with a fair degree of certainty. We learn from Kalhana that Damodaragupta occupied a high position under the Karkota-Naga king Jayapida Vinayaditya who ruled over Kashmir in the closing years of the eighth and early years of the ninth centuries A.D. A critical study of the internal evidence indicates that the work was probably composed a few years after the close of Jayapida's reign. As indicated by the title, the text aims at exposing the secrets of the whole craft of prostitution in the form of the advice of an experienced bawd (Kuttani) to a courtesan, and from this point of view it occupies a unique place in the whole range of Sanskrit literature; for the account is based not only on the standard erotic texts like Vatsyayana's Kama-sutra but draws copiously upon the poet's personal observation of the actual state of affairs obtaining in post-Jayapida Kashmir. But the poem has a much wider scope than its professed theme and covers the entire gamut of contemporary life of Kashmir in particular and northern India in general in all its varied aspects and as such forms an important source for the study of contemporary Indian society. The present work attempts a critical evaluation of this evidence in the light of relevant literary and archaeological data. In the process new light is thrown on several important questions.