Cosmos and Spheres was written by author Krystal Volney to free the minds of readers from stressed situations and enable them to enjoy a family book of fashion, romance, childrens, nature, and environment poetry.

De mundo is a protreptic to philosophy in the form of a letter to Alexander the Great and is traditionally ascribed to Aristotle. It offers a unique view of the cosmos, God and their relationship, which was inspired by Aristotle but written by a later author. The author provides an outline of cosmology, geography and meteorology, only to argue that a full understanding of the cosmos cannot be achieved without a proper grasp of God as its ultimate cause. To ensure such a grasp, the author provides a series of twelve carefully chosen interlocking analogies, building a complex picture in the reader's mind. The work develops a distinctly Aristotelian picture of God and the cosmos while paying tribute to pre-Aristotelian philosophers and avoiding open criticism of rival schools of philosophy. De mundo exercised considerable influence in late antiquity and then in the Renaissance and Early Modern times.

Is the solar system ordered? Or is it simply the result of random and chaotic accidents? This book takes the reader on a compelling and powerful journey of discovery, revealing the celestial spheres in their astonishingly complex patterns. Movements of the planets are found to correspond accurately with simple geometric figures and musical intervals, pointing to an exciting new perspective on the ancient idea of the "harmony of the spheres." Hartmut Warm's detailed presentation incorporates the distances, velocities, and periods of conjunction of the planets, as well as the rotations of the Sun, Moon, and Venus. Numerous graphics--including color plates--illustrate the extraordinary beauty of geometrical forms that result when the movements of several planets are viewed in relation to one another. Moreover, the author describes and analyzes concepts of the "music of the spheres," with special emphasis on Kepler's revolutionary ideas. The book also discusses current scientific beliefs about the origin of the universe and the solar system, enabling the reader to understand fully how this remarkable research supplements contemporary materialistic views of the cosmos. The appendix includes his mathematical and astronomical methods of calculation, as well as a detailed discussion of their accuracy and validity based on modern astronomical algorithms.

For centuries, scientists and philosophers believed the universe was a stately; ordered mechanism - mathematical and musical. The smooth operation of the cosmos created a divine harmony (perfect, spiritual, eternal) which composers sought to capture and express. With The Music of the Spheres, readers will see how this scientific philosophy emerged, how it was shattered by changing views of the universe and the rise of Romanticism, and to what extent (if at all) it survives today. From Pythagoras to Newton, Bach to Beethoven, and on into the twentieth century, it is a spellbinding examination of the interwoven fates of science and music throughout history.

This book offers a reappraisal of basic aspects of Aristotelian cosmology. Aristotle believed that all celestial objects consist of the same substance that pervades the heavens, a stuff unlike those found near the center of the cosmos that compose us and everything in our immediate surroundings. Kouremenos argues that, contrary to the received view, Aristotle originally introduced this heavenly stuff as the matter of the stars alone, the remotest celestial objects from the Earth, and as filler of the outermost part of the heavens, forming a diurnally rotating spherical shell whose fixed parts are the stars, the crust of the cosmos which has the Earth at its center. The author also argues that, contrary to another common view, at no point in the development of his cosmological thought did Aristotle believe the heavens to be structured according to the theory of homocentric spheres developed by his older contemporary Eudoxus of Cnidus, in which the other celestial objects, the five planets known in antiquity, the Sun and the Moon, were hypothesized to move uniformly in circles, as if they were fixed stars.

Go on an awe-inspiring journey, unraveling the secrets of our universe from the tiniest particles to the vastness of space In this thought-provoking exploration, physicists Chris Ferrie and Geraint F. Lewis delve into the fundamental questions that have puzzled humanity for centuries. What sparked the birth of the universe? How did matter and energy come into existence? With clarity and precision, Ferrie and Lewis navigate the realms of quantum physics, relativity, and cosmology, providing accessible explanations that engage both novices and enthusiasts. Featuring a harmonious blend of scientific rigor and captivating storytelling, Where Did the Universe Come From? bridges the gap between complex concepts and everyday understanding. Readers will: Explore the origin of the universe and the fundamental forces that govern it. Dive into the mind-boggling realm of quantum mechanics and its implications on the cosmic scale. Uncover the mysteries of black holes, dark matter, and the enigmatic nature of the cosmos. Enjoy an engaging narrative that seamlessly integrates complex scientific concepts with accessible explanations. Whether you're an astrophysics enthusiast, a science student, or simply someone with a profound interest in the wonders of the universe, this comprehensive guide offers a rich tapestry of knowledge about the captivating wonders that surround us all.

On the Heavens (Greek: Περὶ οὐρανοῦ, Latin: De Caelo or De Caelo et Mundo) is Aristotle’s chief cosmological treatise: written in 350 BC it contains his astronomical theory and his ideas on the concrete workings of the terrestrial world. It should not be confused with the spurious work On the Universe (De mundo, also known as On the Cosmos).