In this epic poem, Cardenal explores Latin American history by relating the evolution of the universe to the development of human understanding. Throughout, Cardenal blends the visible and the invisible, science and poetry, religion and nature, in 43 autonomous yet integrated cantos.

In this epic poem, Cardenal explores Latin American history by relating the evolution of the universe to the development of human understanding. Throughout, Cardenal blends the visible and the invisible, science and poetry, religion and nature, in 43 autonomous yet integrated cantos.

Ernesto Cardenal and Sergio Ramírez are two of the most influential Latin American intellectuals of the late twentieth and early twenty-first centuries. Addressing Nicaragua's struggle for self-definition from divergent ethnic, religious, generational, political, and class backgrounds, they constructed distinct yet compatible visions of national history, anchored in a reappraisal of the early twentieth-century insurgent leader Augusto César Sandino. During the Sandinista Revolution of 1979-90, Cardenal, appointed Nicaragua's minister of culture, became one of the most provocative and internationally recognized figures of liberation theology, while Ramírez, a member of the revolutionary junta, and later elected vice-president of Nicaragua, emerged as an authoritative figure for third world nationalism. But before all else, the two were groundbreaking creative writers. Through a close reading of the works by Nicaragua's best-known and most prolific modern authors, Sandino's Nation studies the construction of Nicaraguan national identity during three distinct periods of the country’s recent history - before, during, and after the 1979-90 revolution. Stephen Henighan offers rigorous textual analyses of poems, memoirs, essays, and novels, interwoven with a sharply narrated history of Nicaragua. The only comprehensive study of the careers of Cardenal and Ramírez, Sandino's Nation is essential to understanding transformations to both Nicaragua and the role of the writer in Latin America.

This book arises from the conviction that the ways in which John Paul II and Benedict XVI were confused as allies with American conservativism is as misleading, unclear, and confusing as any misapprehension of Francis’s genuine orthodoxy. As the author does not have a stake in reacting against a liberal Catholicism that he sees dying out anyway, the bigger threat, in his view, sociologically, for the North American church, is falling into a right-wing tribalism—and Francis resists precisely that. First Things editor R. R. Reno, highly critical of Francis, has called for a redemption of hints and suggestions of a cogent argument in the Francis message. Jeremiah Barker reappropriates Reno’s call as a call to draw out or highlight what he takes to be the underlying rationale of the Francis message. That underlying rationale, he compellingly argues, is strikingly identical to that of the two previous popes. Barker, who has learned much from Reno, is in fact inspired by Francis’s call and teaching, and it is the aim of this book to draw out what inspires him and to identify what he hopes Reno and fellow ‘John Paul II Catholics’ don’t miss in the Francis message: the theological, ethical, and spiritual core of his social teaching, which Francis shares with that of John Paul II and Benedict XVI.

The most comprehensive selection of poems in English by Latin America's legendary poet-activist, Ernesto Cardenal.

The Bible is by far the leading source of inspiration for Western literature, and in particular, the life of Jesus has drawn the attention of artists and writers throughout the ages. Now, in a volume of astonishing range and originality, Robert Atwan, George Dardess, and Peggy Rosenthal present 280 remarkable poems from world literature focusing on Jesus's life and teaching. Readers accustomed to the predictable inclusions of many anthologies will be surprised and delighted by the diversity of poets represented here, from Aquinas, Dante, de Guevara, Donne, and Sor Juana, to D.H. Lawrence, Gabriela Mistral, Wole Soyinka, Margaret Atwood, Gwendolyn Brooks, Czeslaw Milosz, and Leopold Senghor. Perhaps no other thematically organized anthology could have brought together writers as different as Jorge Luis Borges, Thomas Merton, Alice Walker, Rainer Maria Rilke, and Jack Kerouac. Indeed, simply to turn the page in Divine Inspiration is an adventure in itself. And in terms of form, style, modulations of tone and perspective, the variety here is as unparalleled as it is unpredictable. The editors of Divine Inspiration have done a masterful job of unifying this vast assortment of poems. Organized chronologically around the life of Jesus, the book is divided into nine sections--from Birth and Infancy, through Healings and Miracles, to the Resurrection-- and presents passages from the Gospels followed by the poems they inspired. This structure gives readers the dual pleasures of a strong narrative pull punctuated by moments of lyric intensity. Our familiarity with the life of Jesus is thus enlivened, deepened, and in some cases wholly transformed by the imaginative power of the poems. In the largest section of the book, on the Passion of Jesus, we find an array of poems by Anna Akhmatova, Antonio Machado, Thomas Hardy, Miguel de Unamuno, Charles Baudelaire, R.S. Thomas, Andrew Marvell, Frederico Garcia Lorca, and Denise Levertov, among others. To see the Passion of Jesus refracted through the lenses of such poets is to see it anew, or more vividly than before. And to encounter Chinese, Korean, Nigerian, Arab, Latin American, Scandinavian, Hungarian, and Greek poets alongside English, French, and German is a testimony both to the editors' devoted scholarship and to the power of Jesus's life to inspire great poetry across a spectrum of cultures and eras. An invaluable sourcebook for students, scholars, and general readers alike, Divine Inspiration should prove equally satisfying to readers with a strong interest in religion and to all lovers of poetry.

This collection seeks to fill the interdisciplinary space that addresses when, why, and how writers strategically reference the Bible for subversive or re-evaluative purposes. It explores the specific biblical pieces used this subversion, and why they are used, with reference to many contemporary sources.