Cory Arcangel is a leading exponent of technology-based art, drawn to video games and software for their ability to rapidly formulate new communities and traditions and, equally, their speed of obsolescence. His work bridges the high and low-brow, popular culture and art.

Pamphlet containing annotated source code for the "Dooogle" project printed with 300 year archival inks and paper. Hand-embossed with the Arcangel Surfware Yin-Yang Crest.

Since their first meeting Olia Lialina, one of the best known participants in the 1990s net.art scene, and artist Cory Arcangel have been united by an abiding preoccupation with the relationship between people and the internet.Their technical and cultural understanding of the web, as it has shifted from a tool for military communications, to the 'information superhighway', to the increasingly asymmetric 'content delivery system' it has become today, has resulted in two complex bodies of work in constant conversation with each other.Asymmetrical Response is a large-format book which captures this collaboration and includes installation shots, critical essays, correspondence and performance documentation.Includes text insert and a CD of music.

Pamphlet containing annotated source code for the "I Shot Andy Warhol" project printed with 300 year archival inks and paper. Hand-embossed with the Arcangel Surfware Yin-Yang Crest.

Speechsong is a work of imaginative musicology that addresses the engimas of Schoenberg and Gould, of singing and speaking, of Moses und Aron, of technology and being. Its point of departure is Gould's last public performance, given at the Wilshire Ebell Theatre in Los Angeles, where a number of Schoenberg's works were performed during his California exile. It is here, after that last performance, that Gould encounters a spectral Schoenberg in a staged conversation that explores Schoenberg's travails in rethinking the fundamentals of Western music. This first part of Speechsong recalls Schoenberg's operatic masterpiece, Moses und Aron, in which the divinely inspired Moses seeks the help of his brother to relate his vision: Moses speaks and Aron sings. Written as a twelve-tone composition, the opera produces an involution of harmonics that was Schoenberg's response to Richard Wagner's diatribes about synagogue noise. For Gould, Schoenberg's is a formalist revolution; Schoenberg's life, however, suggests that it was a search for personal and political freedom.The second half of Speechsong is a critical essay in twelve "moments" that re-articulates the staged conversation as an inquiry into the intersections of music and mediation. Gould's turn to the recording studio emerges as a post-humanist inquiry into recorded music as a repudiation of the virtuoso tradition and a liberation from unitary notions of selfhood. Schoenberg's exodus from musical tradition likewise takes his twelve-tone invention beyond musical performance, where it emerges, along with Gould's soundscapes, as a prototype of acoustic installations by artists such as Stephen Prina and Cory Arcangel. In these works, music abandons the concert hall and the exigencies of harmony for an acoustic space that embraces at once the recordings of Gould and the performances of Schoenberg that have found their home on the internet. Richard Cavell has written extensively on Marshall McLuhan and on media theory generally. He is the co-founder of the Media Studies program at the University of British Columbia and the curator of the website Spectres of McLuhan. Speechsong, his second critical performance piece, was preceded by Marinetti Dines with the High Command (2014).

Artists and writers examine the bombardment of information, misinformation, emotion, deception, and secrecy in online and offline life in the post-digital age. Every day we are bombarded by information, misinformation, emotion, deception, and secrecy in our online and offline lives. How does the never-ending flow of data affect our powers of perception and decision making? This richly illustrated and boldly designed collection of essays and artworks investigates visual culture in the post-digital age. The essays, by such leading cultural thinkers as Douglas Coupland and W. J. T. Mitchell, consider topics that range from the future of money to the role of art in a post-COVID-19 world; from mental health in the digital age to online grieving; and from the mediation of visual culture to the thickening of the digital sphere. Accompanying an ambitious exhibition conceived by the Sharjah Art Foundation and volume editor and curator Omar Kholeif, the book is a work of art and a labor of love, emulating the labyrinthine corridors of the exhibition itself. Created by a group of writers, artists, designers, photographers, and publishers, Art in the Age of Anxiety calls upon us to consider what our collective future will be and how humanity will adapt to it.

"'Title TK' is an eponymous collection featuring ten performance transcripts from the conceptual band, Title TK. Band members Cory Arcangel, Howie Chen, and Alan Licht engage in unscripted conversations about music, the music industry, and popular culture, rather than perform music. Drawing inspiration from David Antin's improvised 'talk poems,' Title TK elevates on-stage banter to an art form, creating work that exists at the intersection of performance art, improvisation, and stand-up comedy. This volume charts the group's development from 2010 to 2014 as they perform at a range of venues, from small clubs like Lit Lounge in New York to music festivals such as POP Montréal and museums including the Whitney Museum of American Art. With occasional help from guest performers, including music mogul Danny Goldberg and performance artist Michael Smith, Title TK's performances offer wry, spontaneous perspectives on a myriad of cultural and musical figures and phenomena, including American Idol, Armand Schaubroeck, B.C. Rich Warlock guitars, CanCon, Dan Flavin, the Grateful Dead's Dick's Picks, Fugazi, Guns N' Roses, Lil Wayne, Musician's Friend, Seth Price, Don Rickles, Joan Rivers, Sacred Harp singers, the Situationist International, Trans-Siberian Orchestra, and much more.