Corrie and the Time Arch: Corrie has been enjoying a normal Saturday, playing football and taking the dog out. Then time actually seems to stand still, and this creates all sorts of problems. She encounters some interesting and dangerous people, time and space. Corries own native wit helps set her and her new friends free from a potentially earth-shattering threat. Corrie and the Chaunt of Time: Once again Corrie is plunged into an adventure that is fraught with danger and menace. This time, however, her friends and close relatives are endangered. Christmas should be a magical time of celebration and family, but when even Santa Claus becomes a threat, and pantomime figures present bewildering and hazardous perils, Corries life becomes burdened and deeply troubled. All this acute anxiety is further complicated by a young teenaged girls normal angst concerning growing up, boys, fashion, sisters, parents, and the rest. Setting out to solve a problem at school, things get a lot worse. She is catapulted into a world that is unbelievably convoluted, much more dangerous. Corries involvement with an extremely strange, if even more strangely familiar Time Lord, along with a welcome and much missed other Time Traveller, pitches her at an accelerating rapidity, further into an intricate and terrifying situation. In this nightmare land of dreams, enchanted forests, wizards, fairies, magicians, cities occupied by a ruthless desperate army all mixed with an old friend, a beloved grandpa, it takes all of Corries native wit, luck, and perseverance to win out.

Corrie and the Time Arch Corrie has been enjoying a normal Saturday, playing football and taking the dog out. Then time actually seems to stand still, and this creates all sorts of problems. She encounters some interesting and dangerous people, time, and space. Corrie's own native wit helps set her and her new friends free from a potentially earth-shattering threat. Corrie and the Chaunt of Time Once again, Corrie is plunged into an adventure that is fraught with danger and menace. This time, however, her friends and close relatives are endangered. Christmas should be a magical time of celebration and family, but when even Santa Claus becomes a threat and pantomime figures present bewildering and hazardous perils, Corrie's life becomes burdened and deeply troubled. All this acute anxiety is further complicated by a young teenaged girl's normal angst concerning growing up, boys, fashion, sisters, parents, and the rest. Setting out to solve a problem at school, things get a lot worse. She is catapulted into a world that is unbelievably convoluted and much more dangerous. Corrie's involvement with an extremely strange, if even more strangely familiar Time Lord, along with a welcome and much missed other Time Traveler pitches her at an accelerating rapidity, further into an intricate and terrifying situation. In this nightmare land of dreams, enchanted forests, wizards, fairies, magicians, cities occupied by a ruthless desperate army all mixed with an old friend, a beloved Grandpa, it takes all of Corrie's native wit, luck, and perseverance to win out.

A foundational work on historical and social studies of quantification What accounts for the prestige of quantitative methods? The usual answer is that quantification is desirable in social investigation as a result of its successes in science. Trust in Numbers questions whether such success in the study of stars, molecules, or cells should be an attractive model for research on human societies, and examines why the natural sciences are highly quantitative in the first place. Theodore Porter argues that a better understanding of the attractions of quantification in business, government, and social research brings a fresh perspective to its role in psychology, physics, and medicine. Quantitative rigor is not inherent in science but arises from political and social pressures, and objectivity derives its impetus from cultural contexts. In a new preface, the author sheds light on the current infatuation with quantitative methods, particularly at the intersection of science and bureaucracy.

A landmark work from the author of Orientalism that explores the long-overlooked connections between the Western imperial endeavor and the culture that both reflected and reinforced it. In the nineteenth and early twentieth centuries, as the Western powers built empires that stretched from Australia to the West Indies, Western artists created masterpieces ranging from Mansfield Park to Heart of Darkness and Aida. Yet most cultural critics continue to see these phenomena as separate. Edward Said looks at these works alongside those of such writers as W. B. Yeats, Chinua Achebe, and Salman Rushdie to show how subject peoples produced their own vigorous cultures of opposition and resistance. Vast in scope and stunning in its erudition, Culture and Imperialism reopens the dialogue between literature and the life of its time.

This book is an anthology with a difference. It presents a distinctive variety of Anglo-Norman works, beginning in the twelfth century and ending in the nineteenth, covering a broad range of genres and writers, introduced in a lively and thought-provoking way. Facing-page translations, into accessible and engaging modern English, are provided throughout, bringing these texts to life for a contemporary audience. The collection offers a selection of fascinating passages, and whole texts, many of which are not anthologised or translated anywhere else. It explores little-known byways of Arthurian legend and stories of real-life crime and punishment; women’s voices tell history, write letters, berate pagans; advice is offered on how to win friends and influence people, how to cure people’s ailments and how to keep clear of the law; and stories from the Bible are retold with commentary, together with guidance on prayer and confession. Each text is introduced and elucidated with notes and full references, and the material is divided into three main sections: Story (a variety of narrative forms), Miscellany (including letters, law and medicine, and other non-fiction), and Religious (saints' lives, sermons, Bible commentary, and prayers). Passages in one genre have been chosen so as to reflect themes or stories that appear in another, so that the book can be enjoyed as a collection or used as a resource to dip into for selected texts. This anthology is essential reading for students and scholars of Anglo-Norman and medieval literature and culture. Wide-ranging and fully referenced, it can be used as a springboard for further study or relished in its own right by readers interested to discover Anglo-Norman literature that was written to amuse, instruct, entertain, or admonish medieval audiences.