The visual heritage of Northern Yorkshire in the pre-Conquest period is revealed in this addition to the Corpus series. This volume surveys the sculpture in the historic North Riding of Yorkshire (excluding those parts covered in Volume three).

Inscribed stones and stone sculpture form the most prolific body of material evidence from early medieval Wales, c. AD 400 1100. Crucial to our understanding of the region s degree of continuity with the preceding Roman culture, Irish settlement, and the development of the early Welsh kingdoms, these Latin or Old Irish inscribed memorial stones instruct us on the language, literacy, and development of the church, among other areas. These two volumes allow us to identify a range of early medieval ecclesiastical sites within a wider landscape and the trace the church s patronage by the secular elite. Accompanied by more than 170 line drawings and elaborate illustrations, this corpus provides fresh new studies of these aspects, revised interpretations of the stones, and many previously unpublished and newly discovered examples."

This analytical catalogue of sculpture from the historic counties of Devon, Dorset, Somerset and Wiltshire provides a new perspective on the artistic achievement of the late Saxon kingdom. The volume includes individual pieces of the highest quality such as the Bradford-on-Avon and Winterbourne Steepleton angels or the newly discovered figures from Congresbury. Most of the monuments were carved at a time when Wessex art was at its zenith in the tenth and eleventh centuries, a formative period for English cultural identity. This volume sets the sculpture within an historical, topographical and art-historical context, highlighting the close links with contemporary styles in manuscripts and metalwork. Full photographic records of each monument present many new illustrations unique to this volume. An indispensable research tool for all those interested in the early medieval world, this volume is also an authoritative aid for local historians.

Taken from the International Medieval Congress held in leeds in 1998 these six papers, plus introduction, take a more theoretical approach to studying, interpreting and explaining Anglo-Saxon carved stone monuments.

Stone sculpture constitutes the richest surviving corpus of Viking-Age artefacts from the British Isles. In northern England, the geographical focus of the present study, sculptural production in the Viking period increased dramatically compared to the previous centuries, and stone monuments underwent changes in style and iconography, as well as in function and patronage. Consequently, stone sculpture provides rare visual evidence for the cultural changes that took place in the Scandinavian settlement areas and bears witness to intellectual and social processes that have otherwise left few traces in either the textual or material records.Gods and Settlers is an interdisciplinary study that brings together iconography, literature, history, and religious studies to investigate a unique subset of this sculptural corpus: stone monuments with mythological and heroic iconography of Scandinavian origins. These carvings are particularly interesting because of the ecclesiastical roots of stone sculpture as a mode of artistic expression in England and the undoubtedly Christian context of the majority of the surviving monuments. The first half of the book is a detailed survey of the relevant carvings from northern England and a wide range of textual and visual parallels, together with an investigation of the sources and use of individual heroic and mythological characters and motifs. The second half focuses on the intellectual framework and social context of the artefacts, and presents a new view of these sculptures as cultural documents of the conversion of the Scandinavian settlers of northern England.