In the age of global capitalism, vaporwave celebrates and undermines the electronic ghosts haunting the nostalgia industry. Ours is a time of ghosts in machines, killing meaning and exposing the gaps inherent in the electronic media that pervade our lives. Vaporwave is an infant musical micro-genre that foregrounds the horror of electronic media's ability to appear - as media theorist Jeffrey Sconce terms it - "haunted." Experimental musicians such as INTERNET CLUB and MACINTOSH PLUS manipulate Muzak and commercial music to undermine the commodification of nostalgia in the age of global capitalism while accentuating the uncanny properties of electronic music production. Babbling Corpse reveals vaporwave's many intersections with politics, media theory, and our present fascination with uncanny, co(s)mic horror. The book is aimed at those interested in global capitalism's effect on art, musical raids on mainstream "indie" and popular music, and anyone intrigued by the changing relationship between art and commerce.

Leprosy has afflicted humans for thousands of years. It wasn't until the twelfth century, however, that the dreaded disease entered the collective psyche of Western society, thanks to a frightening epidemic that ravaged Catholic Europe. The Church responded by constructing charitable institutions called leprosariums to treat the rapidly expanding number of victims. As important as these events were, Timothy Miller and John Nesbitt remind us that the history of leprosy in the West is incomplete without also considering the Byzantine Empire, which confronted leprosy and its effects well before the Latin West. In Walking Corpses, they offer the first account of medieval leprosy that integrates the history of East and West.In their informative and engaging account, Miller and Nesbitt challenge a number of misperceptions and myths about medieval attitudes toward leprosy (known today as Hansen’s disease). They argue that ethical writings from the Byzantine world and from Catholic Europe never branded leprosy as punishment for sin; rather, theologians and moralists saw the disease as a mark of God’s favor on those chosen for heaven. The stimulus to ban lepers from society and ultimately to persecute them came not from Christian influence but from Germanic customary law. Leprosariums were not prisons to punish lepers but were centers of care to offer them support; some even provided both male and female residents the opportunity to govern their own communities under a form of written constitution. Informed by recent bioarchaeological research that has vastly expanded knowledge of the disease and its treatment by medieval society, Walking Corpses also includes three key Greek texts regarding leprosy (one of which has never been translated into English before).

Trade paperback. John Vance doesnÕt have a care in the world...except, perhaps, seeing his daughter Pamela married to the right man. Father and daughter live happily at Blacon Grange until one day the post brings a letter from an anonymous writer directing Vance to kill one Martin Stone - a man of dubious character with whom Vance had once been associated. Vance decides to ignore the ludicrous missive. But a phone Õcall received shortly afterwards from Martin Stone leads John Vance into dangerous waters... The ensuing case is investigated by Curtis Burke of Scotland Yard, and Inspector Burke and his men must use all of their deductive skill to unravel a conspiracy whose roots go back to Mexico. ÔRalph TrevorÕ was the pseudonym used by James Reginald Wilmot for his numerous mystery novels. He also wrote romances under the pseudonym ÔFrances StewartÕ.

Trade paperback. Dr. Pinsent is translating hieroglyphics in Egypt when he meets up with Sir Robert Ottley, who is searching for the tomb and mummy of the ancient Egyptian priest Ptahmes. Pinsent is intrigued by the excavation - but he is even more fascinated by OttleyÕs daughter, May, who is assisting her father. When the sarcophagus of Ptahmes is unearthed and opened, a bizarre series of events begins to unfold. Pinsent is drawn into the mysterious phenomena, which swiftly develop into something more sinister. Only when Pinsent and the Ottleys return to London do matters take a devilishly threatening turn. Ambrose Pratt (1874Ð1944) was a prolific Australian journalist and author of novels and non-fiction. Later in life Pratt was an outspoken opponent of the White-Australia Policy. His many activities included advocating the inclusion of Australian fauna at Melbourne Zoo; he later became vice-president of the Zoological Society of Victoria.

A poor sidewalk artist struggles to defeat a fiendish mastermind who is not only intent on world domination, but determined to kill all white people and for reasons that are never made entirely clear, wants to create nymphs, satyrs, and other Greek and Roman demigods through the miracle of vivisection! These characteristics alone would qualify Caspar Pettifranc to take his rightful place alongside John Sunlight, Wu Fang, Doctor Death and the other great villains of the American pulps, but Goddard doesn't stop here. The author also makes Pettifranc a master of voodoo who thus can ring in zombies and the pantheon of loas. For reasons that the author allows to remain obscure, the loas are given to making odd whistling noises, hence the title of the book. Introduction by John Pelan.