A radical history of transness in cinema, and an exploration of the political possibilities of its future. In the history of cinema, trans people are usually murdered, made into a joke, or viewed as threats to the normal order — relegated to a lost highway of corpses, fools, and monsters. In this book, trans film critics Caden Mark Gardner and Willow Catelyn Maclay take the reader on a drive down this lost highway, exploring the way that trans people and transness have evolved on-screen. Starting from the very earliest representations of transness in silent film, through to the multiplex-conquering Matrix franchise and on to the emergence of a true trans-authored cinema, Corpses, Fools and Monsters spans everything from musicals to body horror to avant garde experimental film to tell the story of the trans film image. In doing so, the authors investigate the wider history of trans representation — an exhilarating journey of compromise, recuperation, and potential liberation that they argue is only just the beginning.

The critically acclaimed thirtieth entry from New York Times bestselling author James Lee Burke, featuring Texas Sheriff Hackberry Holland in an epic tale that is equal parts thriller, Western, and literary masterpiece. James Lee Burke returns to the Texas border town of his bestseller Rain Gods, where a serial killer presumed dead is very much alive…and where sheriff Hackberry Holland, now a widower, fights for survival—his own, and of the citizens he’s sworn to protect. When alcoholic ex-boxer Danny Boy Lorca witnesses a man tortured to death in the desert, Hackberry’s investigation leads him to Anton Ling, a mysterious Chinese woman known for sheltering illegals. Ling denies any knowledge of the attack, but something in her aristocratic beauty seduces Hack into overlooking that she is as dangerous as the men she harbors. And when soulless Preacher Jack Collins reemerges, the cold-blooded killer may prove invaluable to Hackberry. This time, he and the Preacher have a common enemy.

When Adam Freedman - a straight, cis teen from Piedmont, California - goes to stay with his older sister, Casey, in Brooklyn, he fantasizes about a summer of freedom, new friends, and falling in love. He's in for a surprise. It's 2006, and Casey has thrown herself into NYC's lesbian and trans activist scene. Adam tags along, having fun in places he'd never have expected, but he's surrounded by lesbians, and it seems like the last thing he'll find is a girlfriend. That is, until he meets Gillian. Adam is soon hopelessly, desperately in love - only there's just one small problem. Gillian thinks he's a trans man

Can a boy be “trapped” in a girl’s body? Can modern medicine “reassign” sex? Is our sex “assigned” to us in the first place? What is the most loving response to a person experiencing a conflicted sense of gender? What should our law say on matters of “gender identity”? When Harry Became Sally provides thoughtful answers to questions arising from our transgender moment. Drawing on the best insights from biology, psychology, and philosophy, Ryan Anderson offers a nuanced view of human embodiment, a balanced approach to public policy on gender identity, and a sober assessment of the human costs of getting human nature wrong. This book exposes the contrast between the media’s sunny depiction of gender fluidity and the often sad reality of living with gender dysphoria. It gives a voice to people who tried to “transition” by changing their bodies, and found themselves no better off. Especially troubling are the stories told by adults who were encouraged to transition as children but later regretted subjecting themselves to those drastic procedures. As Anderson shows, the most beneficial therapies focus on helping people accept themselves and live in harmony with their bodies. This understanding is vital for parents with children in schools where counselors may steer a child toward transitioning behind their backs. Everyone has something at stake in the controversies over transgender ideology, when misguided “antidiscrimination” policies allow biological men into women’s restrooms and penalize Americans who hold to the truth about human nature. Anderson offers a strategy for pushing back with principle and prudence, compassion and grace.

Bigfoot sightings have been reported in every state except Hawaii. Interest in this creature, which many believe to be as mythical as a leprechaun, is as strong today as ever, with the wildly popular show Finding Bigfoot persisting on the Animal Planet network and references to bigfoot appearing throughout popular culture. What is it about bigfoot that causes some people to devote a chunk of their lives to finding one? In Monster Trek, Joe Gisondi brings to life the celebrities in bigfoot culture: people such as Matt Moneymaker, Jeff Meldrum, and Cliff Barackman, who explore remote wooded areas of the country for weeks at a time and spend thousands of dollars on infrared imagers, cameras, and high-end camping equipment. Pursuing the answer to why these seekers of bigfoot do what they do, Gisondi brings to the reader their most interesting--and in many cases, harrowing--expeditions. Gisondi travels to eight locations across the country, trekking into swamps, mountains, state parks, and remote woods with people in search of bigfoot as well as fame, fortune, adventure, and shared camaraderie. Many of the people who look for bigfoot, however, go counter to stereotypes and include teachers, engineers, and bankers. Some are private and guarded about their explorations, seeking solitude during a deeply personal quest. While there are those who might arguably be labeled "crazy," Gisondi discovers that the bigfoot research network is far bigger and more diverse than he ever imagined.

A social and cultural history of exploitation films, which were produced on the fringes of Hollywood and often dealt with subjects forbidden by the Production Code.

What does it mean to be working-class in a middle-class world? Cynthia Cruz shows us how class affects culture and our mental health and what we can do about it -- calling not for assimilation, but for annihilation. To be working-class in a middle-class world is to be a ghost. Excluded, marginalised, and subjected to violence, the working class is also deemed by those in power to not exist. We are left with a choice between assimilation into middle-class values and culture, leaving our working-class origins behind, or total annihilation. In The Melancholia of Class, Cynthia Cruz analyses how this choice between assimilation or annihilation has played out in the lives of working-class musicians, artists, writers, and filmmakers — including Amy Winehouse, Ian Curtis, Jason Molina, Barbara Loden, and many more — and the resultant Freudian melancholia that ensues when the working-class subject leaves their origins to “become someone,” only to find that they lose themselves in the process. Part memoir, part cultural theory, and part polemic, The Melancholia of Class shows us how we can resist assimilation, uplifting and carrying our working-class origins and communities with us, as we break the barriers of the middle-class world. There are so many of us, all of us waiting. If we came together, who knows what we could do.