In recent years, and with increasing frequency, Cornell Woolrich has been categorized as a member of the hard-boiled school of American crime fiction and one of its most important early practitioners. Objections to this categorization notwithstanding, Woolrich's stories provide critical counterpoints to the work of his better-known contemporaries and to some of the taken-for-granted conventions of early hard-boiled crime fiction. This article originally appeared in Clues: A Journal of Detection, Volume 28, Issue 2.

A man. A woman. A kiss in the dark. That is how it begins. But before his nightmare ends, Prescott Marshall will learn that kisses and darkness can both hide evil intent - and that the worst darkness of all may be lurking inside him. Lost for more than half a century and never before published under Cornell Woolrich's real name, FRIGHT is a breathtaking noir crime novel worthy of the writer who has been called "the Hitchcock of the written word" and "one of the giants of mystery fiction."

Daniil Kharms (1905-42) is known as an author of Russian absurd literature. It is generally overlooked that the pseudonym Kharms encodes Sherlock Holmes's Russian name of Kholms. An intertextual comparison between Kharms and Holmes shows how Arthur Conan Doyle's Holmes made his way into Russian absurd literature. This article originally appeared in Clues: A Journal of Detection, Volume 28, Issue 2.

Craig Johnson's Walt Longmire series features a protagonist who, together with his best friend, serves as champion of, intermediary between, and observer of a variety of nondominant groups, including women and the Northern Cheyenne. The blend of mystery and cultural exploration highlights the importance of tolerance and mutual understanding for all people, regardless of group membership. This article originally appeared in Clues: A Journal of Detection, Volume 28, Issue 2.

A gritty and thrilling anthology of 30 new short stories in tribute to pulp noir master, Cornell Woolrich, author of 'Rear Window' that inspired Alfred Hitchock's classic film. Featuring Neil Gaiman, Kim Newman, James Sallis, A.K. Benedict, USA Today-bestseller Samantha Lee Howe, Joe R. Lansdale and many more. An anthology of exclusive new short stories in tribute to the master of pulp era crime writing, Cornell Woolrich. Woolrich, also published as William Irish and George Hopley, stands with Raymond Chandler, Erle Stanley Gardner and Dashiell Hammett as a legend in the genre. He is a hugely influential figure for crime writers, and is also remembered through the 50+ films made from his novels and stories, including Alfred Hitchcock’s Rear Window, The Bride Wore Black, I Married a Dead Man, Phantom Lady, Truffaut's La Sirène du Mississippi, and Black Alibi. Collected and edited by one of the most experienced editors in the field, Maxim Jakubowski, features original work from: Neil Gaiman Joel Lane Joe R. Lansdale Vaseem Khan Brandon Barrows Tara Moss Kim Newman Nick Mamatas Mason Cross Martin Edwards Donna Moore James Grady Lavie Tidhar Barry N. Malzberg James Sallis A.K. Benedict Warren Moore Max Décharné Paul Di Filippo M.W. Craven Charles Ardai Susi Holliday Bill Pronzini Kristine Kathryn Rusch Maxim Jakubowski Joseph S. Walker Samantha Lee Howe O'Neil De Noux David Quantick Ana Teresa Pereira William Boyle.

This book interrogates the repertoire of masculine performance in popular crime fiction and cinema from the 1940s, 50s, and 60s. This critical survey of the back alleys of pulp culture reveals American masculinities to be unsettled, contentious, crisis-ridden, racially fraught, and sexually anxious. Libertarian in their sensibilities, self-aggrandizing in their sentiments, resistant to the lures of upper mobility, scornful of white collar and corporate culture, the protagonists of these popular and populist works viewed themselves as working-class heroes cast adrift. Pulp Virilities explores the enduring traditions of hard-boiled and noir literature, casting a critical eye on its depictions of urban life and representations of gender, crime, labor, and race. Demonstrating how anxieties and possibilities of American masculinity are hammered out in works of popular culture, Pulp Virilities provides a rich cultural genealogy of contemporary American social life.

What are the ingredients of a hard-boiled detective story? "Savagery, style, sophistication, sleuthing and sex," said Ellery Queen. Often a desperate blond, a jealous husband, and, of course, a tough-but-tender P.I. the likes of Sam Spade or Philop Marlowe. Perhaps Raymond Chandler summed it up best in his description of Dashiell Hammett's style: "Hammett gave murder back to the kind of people that commit it....He put these people down on paper as they were, and he made them talk and think in the language they customarily used for these purposes." Hard-Boiled: An Anthology of American Crime Stories is the largest and most comprehensive collection of its kind, with over half of the stories never published before in book form. Included are thirty-six sublimely suspenseful stories that chronicle the evolutiuon of this quintessentially American art form, from its earliest beginnings during the Golden Age of the legendary pulp magazine Black Mask in the 1920s, to the arrival of the tough digest Manhunt in the 1950s, and finally leading up to present-day hard-boiled stories by such writers as James Ellroy. Here are eight decades worth of the best writing about betrayal, murder, and mayhem: from Hammett's 1925 tour de force "The Scorched Face," in which the disappearance of two sisters leads Hammett's never-named detective, the Continental Op, straight into a web of sexual blackmail amidst the West Coast elite, to Ed Gorman's 1992 "The Long Silence After," a gripping and powerful rendezvous involving a middle class insurance executive, a Chicago streetwalker, and a loaded .38. Other delectable contributions include "Brush Fire" by James M. Cain, author of The Postman Always Rings Twice, Raymond Chandler's "I'll Be Waiting," where, for once, the femme fatale is not blond but a redhead, a Ross Macdonald mystery starring Macdonald's most famous creation, the cryptic Lew Archer, and "The Screen Test of Mike Hammer" by the one and only Micky Spillane. The hard-boiled cult has more in common with the legendary lawmen of the Wild West than with the gentleman and lady sleuths of traditional drawing room mysteries, and this direct line of descent is on brilliant display in two of the most subtle and tautly written stories in the collection, Elmore Leonard's "3:10 to Yuma" and John D. MacDonald's "Nor Iron Bars." Other contributors include Evan Hunter (better known as Ed McBain), Jim Thompson, Helen Nielsen, Margaret Maron, Andrew Vachss, Faye Kellerman, and Lawrence Block. Compellingly and compulsively readable, Hard-Boiled: An Anthology of American Crime Stories is a page-turner no mystery lover will want to be without. Containing many notable rarities, it celebrates a genre that has profoundly shaped not only American literature and film, but how we see our heroes and oursleves.