This is the first book devoted to Montana's long history of industrial newspaper ownership and the consequences for democracy. The work also reveals the costs paid by owners and their journalists, whose credibility eroded as their increasingly constricted newspapers lapsed into ambivalence and indifference. The story offers a timeless study of the conflict between commerce and the notion of a free and independent press.

2011 Updated Reprint. Updated Annually. New Zealand Telecom Laws and Regulations Handbook

The musical genre of taarab is played for entertainment at weddings and other festive occasions all along the Swahili Coast in East Africa. Taarab contains all the features of a typical 'Indian Ocean' music, combining influences from Egypt, the Arabian Peninsula, India and the West with local musical practices. In Taarab, Music in Zanzibar, Janet Topp Fargion traces the development of the genre in Zanzibar, from the late nineteenth century to the end of the twentieth. Of special interest is the role of women. Although men play the main role in the composition and performance of the genre, Topp Fargion argues that the modernization of the genre owes a debt to the participation of women - as audiences and primary consumers, but also as poets and innovators of musical concepts. The book weaves together the historical, social, economic, religious and political dynamics involved in the development of the genre, and investigates how these are played out in the performance of taarab music on Zanzibar.

This is the first book devoted to Montana's long history of industrial newspaper ownership and the consequences for democracy. The work also reveals the costs paid by owners and their journalists, whose credibility eroded as their increasingly constricted newspapers lapsed into ambivalence and indifference. The story offers a timeless study of the conflict between commerce and the notion of a free and independent press.

Winner of the Mining History Association Clark Spence Award for the Best Book in Mining History, 2017-2018 Brian James Leech provides a social and environmental history of Butte, Montana’s Berkeley Pit, an open-pit mine which operated from 1955 to 1982. Using oral history interviews and archival finds, The City That Ate Itself explores the lived experience of open-pit copper mining at Butte’s infamous Berkeley Pit. Because an open-pit mine has to expand outward in order for workers to extract ore, its effects dramatically changed the lives of workers and residents. Although the Berkeley Pit gave consumers easier access to copper, its impact on workers and community members was more mixed, if not detrimental. The pit’s creeping boundaries became even more of a problem. As open-pit mining nibbled away at ethnic communities, neighbors faced new industrial hazards, widespread relocation, and disrupted social ties. Residents variously responded to the pit with celebration, protest, negotiation, and resignation. Even after its closure, the pit still looms over Butte. Now a large toxic lake at the center of a federal environmental cleanup, the Berkeley Pit continues to affect Butte’s search for a postindustrial future.