Bridget O'Casey has wanted nothing more than to be a cop since she was a little girl and used to listen to her dad's stories. He however, was completely against it and she found herself modeling. When he was gunned it furthered her desire to put her life in a different direction and finally enroll in the academy. She wanted revenge for her father's death and honoring him was the only way to really do so. A night of partying before the first day could spell disaster when she finds out who the deadly handsome man was. Jeremy Trellins is a high profile detective. When things get slightly of out control and he's put on training duty he wanted nothing to do with it. Until he found out the woman he slept with the night before was now one of the recruits. He's torn between his duty and his desire and she's not giving him any indication she doesn't want him right back. When a series of police station shootings break out across southern California things get shaky as the academy must make the choice to train, or shut down. She will have to find a way to balance training, a not so secret relationship that could both of them removed from the force and a killer that has his sites on her.

In the early morning of February 26, 1988, New York City policeman Edward Byrne was murdered by crack dealers as he guarded the home of a witness. Cop Shot is the riveting story of the trackdown of Byrne's killers, bringing the reader into the hidden world of crack--a harrowing, unforgettable account.

An account of the murder of a rookie cop by drug dealers describes the murder and takes readers inside the homes of the killers and the rookie's family. Reprint.

On the evening of 4 August 2011, Mark Duggan was shot and killed by the police in the north London neighborhood of Tottenham after the minicab in which he was traveling was pulled over by a team of undercover officers. The team had begun following Duggan shortly after receiving intelligence that he was in possession of a gun, and the officer who shot him testified that he had seen, for a "split second," Duggan aiming the gun at him after he had exited the minicab. However, the gun was not found next to Duggan's body on the pavement. According to the police, they discovered it in a patch of grass some seven meters away.After a coroner's inquest ruled Duggan's killing "lawful" and the police watchdog organization issued a report siding with the officers' version of events, the Duggan family's legal team commissioned Forensic Architecture to conduct an investigation into the critical question at the heart of the case: How did the gun end up in the grass? With no video footage of the shooting itself, Forensic Architecture had to rely primarily on the written and oral testimony of the officers involved to develop a spatial investigation designed to test the plausibility of the police's narrative and to examine whether the officers themselves could have planted the gun.In addition to detailing the methodologies employed and conclusions reached by Forensic Architecture, this volume offers a selection of the primary documents used for the investigation; an introduction by EyalWeizman, director of Forensic Architecture, analyzing the notions of "pre-emption" and "split-second decision making," which are often invoked to defend police killingsof Black people; a roundtable with scholar Adam Elliott-Cooper, activists Temi Mwale and Stafford Scott, and attorney Marcia Willis Stewart on the complex colonial and legal histories that have shaped the policing of Black Britons in the postwar era; and the transcript of a speech by Scott on the struggle for justice for those who have died as a result of racialized policing.

Examines what we know about the phenomenon of suicide by cop and places this behavior in a broader context. This work also discusses the process of hostage negotiation, the need to provide counseling for police officers involved in suicide-by-cop incidents, and how we might reduce the incidence of this behavior.

In this book, philosopher Seumas Miller analyzes the various moral justifications and moral responsibilities involved in the use of lethal force by police and military, relying on a distinctive normative teleological account of institutional roles. Miller covers a variety of urgent and morally complex topics, including police shootings of armed offenders, police shooting of suicide-bombers, targeted killing, autonomous weapons, humanitarian armed intervention, and civilian immunity. -- Provided by publisher.

A heartbreaking and powerful story about a black boy killed by a police officer, drawing connections through history, from award-winning author Jewell Parker Rhodes. Only the living can make the world better. Live and make it better. Twelve-year-old Jerome is shot by a police officer who mistakes his toy gun for a real threat. As a ghost, he observes the devastation that's been unleashed on his family and community in the wake of what they see as an unjust and brutal killing. Soon Jerome meets another ghost: Emmett Till, a boy from a very different time but similar circumstances. Emmett helps Jerome process what has happened, on a journey towards recognizing how historical racism may have led to the events that ended his life. Jerome also meets Sarah, the daughter of the police officer, who grapples with her father's actions. Once again Jewell Parker Rhodes deftly weaves historical and socio-political layers into a gripping and poignant story about how children and families face the complexities of today's world, and how one boy grows to understand American blackness in the aftermath of his own death.