By what magic is a simple geographical space such as a city or town transformed into cultural significance, into a "place" people travel to, enshrine, mythologize, and consume? What stardust falls upon the ground and in the public's mind that moves us to worship a piece of property that was once an unremarkable field or vacant lot? This book, written with the passion of both baseball fan and cultural anthropologist, unravels the mysteries of Cooperstown, New York–home of the Baseball Hall of Fame–and Dyersville, Iowa–site of the baseball field made enormous by the Hollywood movie Field of Dreams. Charles Springwood provides insight into the postmodern culture of the United States in which tourist sites and "American heritages" are culturally produced and consumed, by studying the people who visit them. The results of his interviews with visitors to these sites speak to issues of youth, innocence, family, domesticity, nation, and the hegemonic practices of the "leisure class." The book provides a reading of America steeped in narratives of pastoralism and nostalgia. Behind it all (the curtain behind which the great wizard sits) is the corporate mind creating an atmosphere of false histories and reconstructed pasts. Springwood pulls the reader's heart in two directions, seeking to honor the beautiful myth of baseball's pastoralism through two sacred geographical sites while also seeking to expose the underpinnings of myth-making to a gentle but constant light.

This dissertation incorporates a broad disciplinary spectrum, encompassing interpretive and symbolic anthropology, cultural studies and critical theory, political economy, history, and geography. Based upon eight months of fieldwork, the project is a "multi-locale" ethnography, as advocated by George Marcus, of two small towns, Cooperstown, New York and Dyersville, Iowa, each of whose main attraction is a tourist site constructed within the discourse of baseball nostalgia. I focus upon how--at each of these tourist sites--a gendered, hegemonic social order is reproduced via the production and consumption of tourist space. The historical and cultural meaning of these two sites is explored in so far as each dialogically articulates with symbols of pastoralism, nation, and family. Beginning with what are considered to be tourist sites animated by conservative discourses of "America," the project encapsulates a cultural critique in which the final chapter is dedicated to analyzing how various radical feminist works challenge the masculinely gendered foundations of baseball.

This is an anthology of 19 papers that were presented at the Twelfth Cooperstown Symposium on Baseball and American Culture, held June 7-9, 2000 and co-sponsored by the State University of New York at Oneonta and the National Baseball Hall of Fame and Museum. Capped by Roger Kahn's essay on the rise and fall of great baseball prose, this Symposium plumbed such topics as baseball in the classroom, the national pastime and American Christianity, corporate encroachment, and the difficult course pursued by a Negro League team owner who also happened to be white and female. These essays, divided into sections titled "Baseball and Culture," "Baseball as History," "The Business of Baseball" and "Race, Gender and Ethnicity in the National Pastime," cut through the quick and easy judgments of the media and offer instead the longer, more informed view of scholars and researchers.

The story of "Shoeless" Joe Jackson and his White Sox teammates purportedly conspiring with gamblers to throw the 1919 World Series to the Cincinnati Reds has lingered in our collective consciousness for a century. Daniel A. Nathan's wide-ranging history looks at how journalists, historians, novelists, filmmakers, and baseball fans have represented and remembered the scandal. Nathan's reflections on what these different cultural narratives reveal about their creators and eras shape a fascinating study of cultural values, memory, and the ways people make meaning.

Contributions by Lisa Doris Alexander, Matthew H. Barton, Andrew C. Billings, Carlton Brick, Ted M. Butryn, Brian Carroll, Arthur T. Challis, Roxane Coche, Curtis M. Harris, Jay Johnson, Melvin Lewis, Jack Lule, Rory Magrath, Matthew A. Masucci, Andrew McIntosh, Jorge E. Moraga, Leigh M. Moscowitz, David C. Ogden, Joel Nathan Rosen, Kevin A. Stein, and Henry Yu In this fifth book on sport and the nature of reputation, editors Lisa Doris Alexander and Joel Nathan Rosen have tasked their contributors with examining reputation from the perspective of celebrity and spectacle, which in some cases can be better defined as scandal. The subjects chronicled in this volume have all proven themselves to exist somewhere on the spectacular spectrum—the spotlight seemed always to gravitate toward them. All have displayed phenomenal feats of athletic prowess and artistry, and all have faced a controversy or been thrust into a situation that grows from age-old notions of the spectacle. Some handled the hoopla like the champions they are, or were, while others struggled and even faded amid the hustle and flow of their runaway celebrity. While their individual narratives are engrossing, these stories collectively paint a portrait of sport and spectacle that offers context and clarity. Written by a range of scholarly contributors from multiple disciplines, The Circus Is in Town: Sport, Celebrity, and Spectacle contains careful analysis of such megastars as LeBron James, Tonya Harding, David Beckham, Shaquille O’Neal, Maria Sharapova, and Colin Kaepernick. This final volume of a project that has spanned the first three decades of the twenty-first century looks to sharpen questions regarding how it is that reputations of celebrity athletes are forged, maintained, transformed, repurposed, destroyed, and at times rehabilitated. The subjects in this collection have been driven by this notion of the spectacle in ways that offer interesting and entertaining inquiry into the arc of athletic reputations.

Reinventing Rural is a collection of original research papers that examine the ways in which rural people and places are changing in the context of an urbanizing world. This includes exploring the role of the environment, the economy, and related issues such as tourism. While traditionally relying on primary sector work in agriculture, mining, natural resources, and the like, rural areas are finding new ways to sustain themselves. This involves a new emphasis on environmental protection, as one important strategy has been to capitalize on natural amenities to attract residents and tourists. Beyond improvements to the economy are general improvements to the quality-of-life in rural communities. Consistent with this, the volume focuses on the two cornerstones of education and health, considering current challenges and offering ideas for reinventing rural quality-of-life.

In a world where more people know who Princess Di was than who their own senators are, where Graceland draws more visitors per year than the White House, and where Michael Jordan is an industry unto himself, fame and celebrity are central currencies. In this intriguing book, Tyler Cowen explores and elucidates the economics of fame. Fame motivates the talented and draws like-minded fans together. But it also may put profitability ahead of quality, visibility above subtlety, and privacy out of reach. The separation of fame and merit is one of the central dilemmas Cowen considers in his account of the modern market economy. He shows how fame is produced, outlines the principles that govern who becomes famous and why, and discusses whether fame-seeking behavior harmonizes individual and social interests or corrupts social discourse and degrades culture. Most pertinently, Cowen considers the implications of modern fame for creativity, privacy, and morality. Where critics from Plato to Allan Bloom have decried the quest for fame, Cowen takes a more pragmatic, optimistic view. He identifies the benefits of a fame-intensive society and makes a persuasive case that however bad fame may turn out to be for the famous, it is generally good for society and culture.