A landmark collection of Ian Watt's essays on Joseph Conrad.

Ian Watt addresses Conrad's great novel by providing an accessible introduction analysing the background, history and politics.

Conrad Richter: A Writer's Life is the story of an aspiring writer who failed and then, desperate for money, tried again and wrote himself out of penny-a-word pulp magazines and into a Pulitzer Prize and a National Book Award. Based upon unrestricted access to all of Richter's letters, journals, notebooks, and private papers, this biography offers an intimate account of Richter's personal struggle to achieve success in his own and in other people's terms. Johnson's biography will engage anyone interested in the art of biography and in a novelist's act of writing. Admirers of Richter's novels will also find much of interest in his life. So, too, will those who find value in the story of a man who, despite his sense of himself as an imperfect vessel for God's plan for human evolution, lived his life with as much grace, determination, and courage as he could.

As the visual representation of an essentially oral text, Sylvia Huot points out, the medieval illuminated manuscript has a theatrical, performative quality. She perceives the tension between implied oral performance and real visual artifact as a fundamental aspect of thirteenth- and fourteenth-century poetics. In this generously illustrated volume, Huot examines manuscript texts both from the performance-oriented lyric tradition of chanson courtoise, or courtly love lyric, and from the self-consciously literary tradition of Old French narrative poetry. She demonstrates that the evolution of the lyrical romance and dit, narrative poems which incorporate thematic and rhetorical elements of the lyric, was responsible for a progressive redefinition of lyric poetry as a written medium and the emergence of an explicitly written literary tradition uniting lyric and narrative poetics. Huot first investigates the nature of the vernacular book in the thirteenth and fourteenth centuries, analyzing organization, page layout, rubrication, and illumination in a series of manuscripts. She then describes the relationship between poetics and manuscript format in specific texts, including works by widely read medieval authors such as Guillaume de Lorris, Jean de Meun, and Guillaume de Machaut, as well as by lesser-known writers including Nicole de Margival and Watriquet de Couvin. Huot focuses on the writers' characteristic modifications of lyric poetics; their use of writing and performance as theme; their treatment of the poet as singer or writer; and of the lady as implied reader or listener; and the ways in which these features of the text were elaborated by scribes and illuminators. Her readings reveal how medieval poets and book-makers conceived their common project, and how they distinguished their respective roles.

Up-to-date and extensive revision of Najder's much-acclaimed scholarly biography of Conrad, employing newly accessible sources. Joseph Conrad is not only one of the world's great writers of English -- and world -- literature, but was a writer who lived a particularly full and interesting life. For the biographer this is a double-edged sword, however: thereare many periods for which documentation is uncommonly difficult. Zdzislaw Najder's meticulously documented biography first appeared in English in 1983, garnering high praise as the best, most complete biography of Conrad. Najder's command of English, French, Polish, and Russian allowed him access to a greater variety of sources than any other biographer, and his Polish background and his own experience as an exile have afforded him a unique affinity forConrad and his milieu. All this has come into play once again in the present, extensively revised edition: much of its extensive new material was unearthed in newly-opened former east-bloc archives. There is new material on Conrad's father's genealogy and his role in Polish politics; Conrad's service in the French and British merchant marines; his early English reading and correspondence; his experiences in the Congo; the circumstances of writing his memoirs, and much more. In addition, several aspects of Conrad's life and works are more thoroughly analyzed: his problems with the English language; his borrowings from French writers; his attitude toward socialism, his reaction to the reception of his books. Zdzislaw Najder teaches at the European Academy, Cracow.