Convict Cowboys is the first book on the nation’s first prison rodeo, which ran from 1931 to 1986. At its apogee the Texas Prison Rodeo drew 30,000 spectators on October Sundays. Mitchel P. Roth portrays the Texas Prison Rodeo against a backdrop of Texas history, covering the history of rodeo, the prison system, and convict leasing, as well as important figures in Texas penology including Marshall Lee Simmons, O.B. Ellis, and George J. Beto, and the changing prison demimonde. Over the years the rodeo arena not only boasted death-defying entertainment that would make professional cowboys think twice, but featured a virtual who’s who of American popular culture. Readers will be treated to stories about numerous American and Texas folk heroes, including Western film stars ranging from Tom Mix to John Wayne, and music legends such as Johnny Cash and Willie Nelson. Through extensive archival research Roth introduces readers to the convict cowboys in both the rodeo arena and behind prison walls, giving voice to a legion of previously forgotten inmate cowboys who risked life and limb for a few dollars and the applause of free-world crowds.

What are the connections between cattle branding and Christian salvation, between livestock castration and square dancing, between rustling and the making of spurs and horsehair bridles in prison, between children's coloring books and cowboy poetry as it is practiced today? The Cowboy usesliterary, historical, folkloric, and pop cultural sources to document ways in which cowboys address religion, gender, economics, and literature. Arguing that cowboys are defined by the work they do, Allmendinger sets out in each chapter to investigate one form of labor (such as branding, castration,or rustling) that cowboys perform in their "work culture." He then looks at early oral poems that cowboys recited around campfires, on trail drives, at roundups, and at home in their bunkhouses, and at later poems, histories and autobiographies written by cowboys--most of which have never beforebeen studied by scholars. He discovers that these texts not only deal with work but with larger concerns, including art, morality, spirituality, and male sexuality. In addition to spotlighting little-known texts, art, and archival sources, The Cowboy examines the works of Twain, Steinbeck, Cather,Norris, Dana, McMurtry, and others, and features more than 60 historic photographs, many of which have not been published until now.

"This book examines how (and why) rodeo has provided diverse communities ways in which they can prove themselves as real Americans, real men, and real heroes, often through the enactment of ever-shifting concepts like authenticity, tradition, and heritage. The author analyzes how the space of the rodeo arena has exposed fractures in the narrative of the cowboy over the twentieth century, focusing particularly on the experiences of non-normative cowboys and cowgirls to demonstrate how people stripped of their place in a collectively imagined Western past have both challenged and reinforced the cowboy as an icon of American authenticity. The case studies include female bronc-riders in the 1910s and 1920s, convict cowboys in the mid-twentieth century, all-black rodeos in the 1960s and 1970s, and gay rodeoers in the late century. Cast out of popular Western mythology and pushed to the fringes in everyday life, these people found belonging and meaning at the rodeo, staking a claim to national inclusion through regional performance. Yet, alongside their challenges to the restrictive definition of the cowboy, they also contributed to the persistent idea of an authentic Western identity"--]cProvided by publisher.

Texas has one of the world’s largest prison systems, in operation for more than 170 years and currently employing more than 28,000 people. Hundreds of thousands of people have been involved in the prison business in Texas: inmates, correctional officers, public officials, private industry representatives, and volunteers have all entered the secure facilities and experienced a different world. Previous books on Texas prisons have focused either on records and data of the prisons, personal memoirs by both inmates and correctional officers, or accounts of prison breaks. Tall Walls and High Fences is the first comprehensive history of Texas prisons, written by a former law enforcement officer and an officer of the Texas prisons. Bob Alexander and Richard K. Alford chronicle the significant events and transformation of the Texas prison system from its earliest times to the present day, paying special attention to the human side of the story. Incarceration policy evolved from isolation to hard labor to rodeo and educational opportunities, with reform measures becoming an ever-evolving quest. The complex job of the correctional officer has evolved as well—they must ensure custody and control over the inmate population at all times, in order to provide a proper environment conducive to safety and positive change. Alexander and Alford focus especially on the men and women who work with diligence and dedication at their jobs “inside the walls,” risking their lives and—in too many instances—giving their lives in a peculiar line of duty most would find unpalatable. Within these pages are stories of prison breaks, bloodhounds chasing escapees, and gunfights. Inside the walls are deadly confrontations, human trafficking, rape, clandestine consensual trysts, and tricks turned against correctional officers. Famous people and episodes in Texas prison history receive their due, from Texas Rangers apprehending and placing outlaws in prison to the famed gunfighter John Wesley Hardin’s time in and out of prison. Tall Walls and High Fences covers numerous convict escape attempts and successes, including the 1974 prison siege at Huntsville and the 2007 prisoner gunfight and escape at the Wynne Unit. Throughout this long history Alexander and Alford pay special tribute to the more than 75 correctional officers, lawmen, and civilians who lost their lives in the line of duty.

Written by a Texas inmate trained as a reporter, this book gives practical advice on how inmates live, eat, play, work, and die in the Texas prison system. It spotlights the day-to-day workings of the Texas Department of Criminal Justice--what's good, what's bad, which programs work and which ones do not, and examines if practice really follows official policy. "While the book is meant to be a primer for those with loved ones in prison, it should be required reading for any attorney involved in criminal law."--Texas Lawyer de Novo Magazine

Convict Cowboys is the first book on the nation's first prison rodeo, which ran from 1931 to 1986. At its apogee the Texas Prison Rodeo drew 30,000 spectators on October Sundays. Mitchel P. Roth portrays the Texas Prison Rodeo against a backdrop of Texas history, covering the history of rodeo, the prison system, and convict leasing, as well as important figures in Texas penology. "At its peak, 30,000 locals would travel to Huntsville on a Sunday afternoon to see the stars (Johnny Cash, John Wayne, Steve McQueen) and watch the death-defying acts by those who had (almost) nothing to lose."--Houston Press "Roth's narrative is at its best when he is telling the true tales of prisoners who rode wild animals, jumped out of airplanes, [and] risked their lives for money tied to the horns of bulls."--Texas Books in Review

Rodeo is a dangerous and painful performance in which only the strongest and most skilled riders succeed. In the popular imagination, the western rodeo hero is often a stoic white man who embodies the toughness and independence of America’s frontier past. However, marginalized people have starred in rodeos since the very beginning. Cast out of popular western mythology and pushed to the fringes in everyday life, these cowboys and cowgirls found belonging and meaning at the rodeo, staking a claim to national inclusion. Outriders explores the histories of rodeoers at the margins of society, from female bronc-riders in the 1910s and 1920s and convict cowboys in Texas in the mid-twentieth century to all-black rodeos in the 1960s and 1970s and gay rodeoers in the late twentieth century. These rodeo riders not only widened the definition of the real American cowboy but also, at times, reinforced the persistent and exclusionary myth of an idealized western identity. In this nuanced study, Rebecca Scofield shares how these outsider communities courted authenticity as they put their lives on the line to connect with an imagined American West.