This study reviews penance within the context of the spirituality of 4th-and 5th-century Italy. By relating the attitudes toward penance and pardon in those days to the changing social position of the Christian community, this text reveals that a new understanding of penance developed as an integral part of the development of the role of the Church in leading sinners to healing and holiness.

Based on the acclaimed two-volume Encyclopedia of Eastern Orthodox Christianity (Wiley Blackwell, 2011), and now available for students, faculty, and clergy in a concise single-volume format An outstanding reference work providing an accessible English language account of the key historical, liturgical, doctrinal features of Eastern Orthodoxy, including the Non-Chalcedonian churches Explores the major traditions of Eastern Orthodoxy in detail, including the Armenian, Byzantine, Coptic, Ethiopic, Slavic, Romanian, Syriac churches Uniquely comprehensive, it is edited by one of the leading scholars in the field and provides authoritative articles by a team of leading international academics and Orthodox figures Spans the period from Late Antiquity to the present, encompassing subjects including history, theology, liturgy, monasticism, sacramentology, canon law, philosophy, folk culture, architecture, archaeology, martyrology, and hagiography Structured alphabetically and is topically cross-indexed, with entries ranging from 100 to 6,000 words

Late Antiquity witnessed a dramatic recalibration in the economy of power, and nowhere was this more pronounced than in the realm of religion. The transformations that occurred in this pivotal era moved the ancient world into the Middle Ages and forever changed the way that religion was practiced. The twenty eight studies in this volume explore this shift using evidence ranging from Latin poetic texts, to Syriac letter collections, to the iconography of Roman churches and Merowingian mortuary goods. They range in chronology from the late third through the early seventh centuries AD and apply varied theories and approaches. All converge around the notion that religion is fundamentally a discourse of power and that power in Late Antiquity was especially charged with the force of religion. The articles are divided into eight sections which examine the power of religion in literature, theurgical power over the divine, emperors and the deployment of religious power, limitations on the power of the ecclesiastical hierarchy, the use of the cross as a symbol of power, Rome and its transformation as a center of power, the power of religion in the barbarian west, and religious power in the communities of the east. This kaleidoscope of perspectives creates a richly illuminating volume that add a new social and political dimension to current debates about religion in Late Antiquity.

Augustine of Hippo (AD 354-430) is arguably the most controversial Christian thinker in history. His positions on philosophical and theological concerns have been the subjects of intense scrutiny and criticism from his lifetime to the present. Augustine and his Critics gathers twelve specialists' responses to modern criticisms of his thought, covering: personal and religious freedom; the self and God; sexuality, gender and the body; spirituality; asceticism; cultural studies; and politics. Stimulating and insightful, the collection offers forceful arguments for neglected historical, philosophical and theological perspectives which are behind some of Augustine's most unpopular convictions.

It has become a commonplace to say that the Latin Fathers did not really hold a doctrine of deification. Indeed, it is often asserted that Western theologians have neglected this teaching, that their occasional references to it are borrowed from the Greeks, and that the Latins have generally reduced the rich biblical and Greek Patristic understanding of salvation to a narrow view of redemption. The essays in this volume challenge this common interpretation by exploring, often for the first time, the role this doctrine plays in a range of Latin Patristic authors.

This volume deals with the sermons of St. Maximus I, Bishop of Turin about AD 305-420. It presents an exemplary study which, besides clarifying problems of dating and authorship, points out the importance of context for an appropriate interpretation of sermon literature. The sermons are thus placed in the contexts of contemporary history, of society and of liturgy. The liturgical contextualisation forms the core of the book. The author reconstructs the liturgical year of late-Antique Turin and takes it as the basis of a detailed diachronic analysis of the bishop's preaching from advent to pentecost. Additionally, the Feasts of the Saints are seen in their kerygmatic function. In a concluding chapter the author tackles such problems as the exegetical nature of preaching and the importance of the Bible.

Between the third and sixteenth centuries, penance (the acts or gestures performed to atone for transgression, usually with an interest in the salvation of the penitent’s soul) was a crucial mode of participation in both society and the cosmos. Penance was incorporated into political and legal negotiations, it erupted in improvisational social dramas, it was subject to experimentation and innovation, and it saturated western culture with images of contrition, suffering, and reconciliation. During the late antique, medieval, and early modern periods, rituals for the correction of human errors became both sophisticated and popular. Creativity in penitential expression reflects the range and complexity of social and spiritual situations in which penance was vital. Using hitherto unconsidered source materials, the contributors chart new views on how in western culture, human conduct was modulated and directed in patterns shaped by the fearsome yet embraced practices of penance. Contributors are R. Emmet McLaughlin, Rob Meens, Kevin Uhalde, Claudia Rapp, Dominique Iogna-Prat, Abigail Firey, Karen Wagner, Joseph Goering, H. Ansgar Kelly, Torstein Jørgensen, Wietse de Boer, Ronald K. Rittgers, Gretchen Starr-LeBeau, and Jodi Bilinkoff.