“I like the surprise of the curtain going up, revealing what’s behind it.” –John Schlesinger The British director John Schlesinger was one of the cinema’s most dynamic and influential artists. Now, in Conversations with John Schlesinger, acclaimed writer Ian Buruma, Schlesinger’s nephew, reveals the director’s private world in a series of in-depth interviews conducted in the later years of the director’s life. Here they discuss the impact of Schlesinger’s personal life on his art. As his films so readily demonstrate, Schlesinger is a wonderful storyteller, and he serves up fascinating and provocative recollections of growing up in a Jewish family during World War II, his sexual coming-of-age as a gay man in conformist 1950s England, his emergence as an artist in the “Swinging 60s,” and the roller-coaster ride of his career as one of the most prominent Hollywood directors of his time. Schlesinger also discusses his artistic philosophy and approach to filmmaking, recounting stories from the sets of his masterpieces, including Midnight Cowboy; Sunday, Bloody Sunday; Marathon Man; and The Day of the Locust. He shares what it was like to direct such stars as Dustin Hoffman, John Voight, Sean Penn, Madonna, and Julie Christie (whom Schlesinger is credited with discovering) and offers his thoughts on the fickle nature of fame and success in Hollywood. Packed with wit and keen insight into the artistic mind, Conversations with John Schlesinger is not just the candid story of a dynamic and eventful life but the true measure of an extraordinary person.

Founded in 1973, the journal Literature/Film Quarterly has featured interviews with some of the most prominent and influential filmmakers from around the world. In Conversations with Directors, the journal's coeditors have assembled an exciting collection of interviews spanning 35 years. Interviewees include directors like Robert Wise, Billy Wilder, Frank Capra, Federico Fellini, William Friedkin, and Robert Altman. Organized chronologically, each interview is preceded by a short introduction that establishes a contemporary context, along with providing the reader with a clear sense of the interview's primary concerns, usefully illuminating the many fascinating, and sometimes surprising, points of connection and difference between the directors.

Looks at the life and career of the British motion picture director of such films as "Midnight Cowboy" and "Marathon Man."

The city, with its manifold distractions and violence, its invitation to intoxication and dream, had long served to represent the experience of modernity in works of art at the time John Schlesinger made his acclaimed urban documentary ‘Terminus’ in 1961. To be a reader of the city was to be a reader of modern life, and Schlesinger was a discriminating, at times relentless, reader of the city throughout his career, especially in his three greatest films, ‘Midnight Cowboy’, ‘Sunday Bloody Sunday’ and ‘The Day of the Locust’, set in New York, London and Los Angeles, respectively. His character-driven stories, evocation of the significance of the everyday, and insistence on ambiguities of situation and motive – all qualities he was known for – point to literary influences that reach back to the nineteenth century and earlier. ‘The Films of John Schlesinger’ is not only the first book to fully acknowledge those influences, but also the first book to explicate the power of his art to capture the modern, urban experiences of becoming an adult in an atmosphere that relentlessly promotes fantasies of success and wealth; of coming to terms with one’s national identity in the context of international politics; and of attempting to transform the past, both personal and cultural, into a viable present.

To mark John F. Kennedy's centennial, celebrate the life and legacy of the 35th President of the United States. In 1964, Jacqueline Kennedy recorded seven historic interviews about her life with John F. Kennedy. Now, for the first time, they can be read in this deluxe, illustrated eBook. Shortly after President John F. Kennedy's assassination, with a nation deep in mourning and the world looking on in stunned disbelief, Jacqueline Kennedy found the strength to set aside her own personal grief for the sake of posterity and begin the task of documenting and preserving her husband's legacy. In January of 1964, she and Robert F. Kennedy approved a planned oral-history project that would capture their first-hand accounts of the late President as well as the recollections of those closest to him throughout his extraordinary political career. For the rest of her life, the famously private Jacqueline Kennedy steadfastly refused to discuss her memories of those years, but beginning that March, she fulfilled her obligation to future generations of Americans by sitting down with historian Arthur Schlesinger, Jr., and recording an astonishingly detailed and unvarnished account of her experiences and impressions as the wife and confidante of John F. Kennedy. The tapes of those sessions were then sealed and later deposited in the John F. Kennedy Presidential Library and Museum upon its completion, in accordance with Mrs. Kennedy's wishes. The resulting eight and a half hours of material comprises a unique and compelling record of a tumultuous era, providing fresh insights on the many significant people and events that shaped JFK's presidency but also shedding new light on the man behind the momentous decisions. Here are JFK's unscripted opinions on a host of revealing subjects, including his thoughts and feelings about his brothers Robert and Ted, and his take on world leaders past and present, giving us perhaps the most informed, genuine, and immediate portrait of John Fitzgerald Kennedy we shall ever have. Mrs. Kennedy's urbane perspective, her candor, and her flashes of wit also give us our clearest glimpse into the active mind of a remarkable First Lady. In conjunction with the fiftieth anniversary of President Kennedy's Inauguration, Caroline Kennedy and the Kennedy family are now releasing these beautifully restored recordings on CDs with accompanying transcripts. Introduced and annotated by renowned presidential historian Michael Beschloss, these interviews will add an exciting new dimension to our understanding and appreciation of President Kennedy and his time and make the past come alive through the words and voice of an eloquent eyewitness to history.

John Schlesinger's 1969 drama, Midnight Cowboy, follows the story of naïve would-be hustler Joe Buck (Jon Voight) and ailing con man Ratso Rizzo (Dustin Hoffman), set against the gritty backdrop of New York City in the late 1960s. The film received widespread critical acclaim upon its release, becoming the only X-rated film to the win the Academy Award for Best Picture. James Kendrick argues that this film, more so than its notable contemporaries, captures the immense turmoil, change and revolution that was taking place both in Hollywood and in the larger American culture of the late 1960s. He explores the film's production, reception, visual and thematic innovation, and cultural impact-not only its ground-breaking portrayal of sexuality and relationships, but also its exploration of themes of urban loneliness and socio-economic disparity. Through close analysis of the film and examination of articles, press reports, interviews and reviews from the five decades following its release, Kendrick shows how Midnight Cowboy, with its mix of visual poetry, documentary-like realism, fragmentary flashbacks, and unvarnished depiction of desperate characters on the fringes of society, offers a unique focal point for the intersection of European art cinema and the new parameters of mainstream Hollywood at the end of the classic era.